Malcolm moved his hand unobtrusively, very carefully switching on the scout's log concealed in the valise he carried, with its tiny digital camera disguised as the stickpin in his cravat. He followed the gentlemen, listening curiously as they crossed a grand lounge and neared the staircase.
"No, no," the first gentleman was protesting, "not literally raise the dead, raise the spirit of the dead, to converse with it, you know. Without a medium or a mysteriously thumping table tapping out inscrutable messages. To accomplish the feat, one had to procure the rope used to hang a man, stake it out around the grave of the chap you wished to raise and repeat some gibberish in Latin, I don't recall what, now, then the poor sod's spirit would appear inside the rope and voila! You're able to converse at your leisure until cock crow. Of course, the spirit couldn't leave the confines of the roped-off ground..."
"And you didn't tumble to the fact that this Yank was having you on?"
A low rumbling chuckle reached through the pall of smoke. "No, I assure you, he was not. Senile as they come, I daresay, the chap was ninety if he was a day, but perfectly sincere in his beliefs."
Malcolm was about to take his first step toward the second floor when a voice hailed him by name. "I say, it's Moore, isn't it!"
The unexpected voice startled him into swinging around. Malcolm found himself looking into the bemused and vivid blue eyes of a gentleman he vaguely thought he was supposed to know. He was a young man, barely past his early twenties, handsome in a Beau Brummel sort of fashion, with wavy dark hair, the brilliant blue eyes and fair skin of an Irishman, and the same elegant, almost effete fastidiousness of the trend setter whose name had been synonymous with fashion during the Regency period some sixty-eight years previously.
"It is Malcolm Moore, isn't it?" the young man added with a wry smile. A trace of Dubliner Irish in the man's voice echoed in familiar ways, telling Malcolm he was, indeed, supposed to know this friendly faced young man.
"Yes, I am, but I fear you've the advantage of me, sir."
"O'Downett's the name, Bevin O'Downett. We met, let me see, it would have been nearly a year ago, I believe, at last summer's Ascot Races." Eyes twinkling merrily, Mr. O'Downett chuckled, a good-natured sound. "I recall it quite distinctly, you see. We bet on the same rotten nag, came in dead last."
The face and name clicked in Malcolm's memory. "Of course! Mr. O'Downett, how good to see you again!" They shook hands cordially as Malcolm grimaced in rueful remembrance. He, too, had excellent cause to recall that race. He'd placed that losing bet on behalf of a client who'd hired him as guide, a millionaire who considered himself an expert on sport, particularly on the subject of horse racing. Malcolm had warned the fool not to bet on that particular horse, aware as he was of its record in past races, but the client is, as they say, always right... Both Malcolm and this young Irishman, Mr. O'Downett, here, had lost spectacularly.
Malcolm introduced his unexpected acquaintance to his guests. "Mr. O'Downett, may I present Mr. Conroy Melvyn and Mr. Guy Pendergast, of London, and Dr. Kosten, of America."
"Pleasure to meet you," O'Downett smiled, shaking hands all around. "I say," he added, "where've you been keeping yourself, Moore? Oh, wait, I recall now, you're from the West Indies, knock about the world a good bit. Envy you that, you know."
Malcolm was trying for the life of him to recall anything about Mr. O'Downett, other than one ill-placed bet. "And you?" he asked a bit lamely.
"Ah, well, fortune smiles and then she frowns, as they say. But I did manage to publish a volume of poetry. A slim one, true, but published, nonetheless." His eyes twinkled again, laughing at himself, this time. "Druidic rubbish, nothing like the serious verse I prefer, but it sells, God knows, it does sell. This Celtic renaissance will make gentlemen of us Dubliners, yet." He winked solemnly.
Malcolm smiled. "It does seem to be rather popular. Have you been to the Eisteddfod, then, since Druidic verse appeals to the book-buying masses?"
"Hmm, that Welsh bardic thing they put together over in Llangollen? No, I haven't, although I suppose if I'm to represent the Celtic pen, I had probably ought to go, eh? Have you attended one?"
"As a matter of fact, no, although I intend to do so when they hold another." Malcolm laughed easily. "Moore's a French name, you know, originally, anyway. It's whispered that the back of our family closet might have contained a Gaulish Celt or two rattling round as skeletons."
O'Downett clapped him heartily on the shoulder. "Well said, Moore! Well said! It is, indeed, the day of the Celtic Fringe, is it not? I've spoken to gentlemen whose grandsires were Prussian generals who were ‘Celts' and pure London Saxons who were ‘Celts' and, God forbid, a half-caste Indian fellow in service as a footman who was a ‘Celt' at least on his father's side!"
Malcolm shared the chuckle, finding it doubly humorous, since there was a wealth of evidence—linguistic, literary, musical, legal, and archaeological—to suggest that the Celtic laws, languages, customs and arts of Ireland, Wales, Cornwall, Scotland, and Gaulish France bore direct and striking ties to Vedic India.
"And speaking of grand and glorious Celts," Mr. O'Downett said, eyes twinkling wickedly, "here comes the grandest of all us Celtic poets. I say, Willie, have you come for our little meeting this evening? I'd thought you would be haunting Madame Blavatsky's parlour tonight."
Malcolm Moore turned... and had to catch his breath to keep from exclaiming out loud. His chance acquaintance had just greeted the most profoundly gifted poet ever born in Ireland, the soon-to-be world-famous William Butler Yeats.
"Willie" Yeats smiled at O'Downett, his own eyes glowing with a fire-eaten look that spoke of a massively restless intellect. "No, not tonight, Bevin. The good lady had other plans. Occasionally, even our peripatetic madame pursues other interests." Yeats was clearly laughing at himself. The Dubliner Irish was far more pronounced in the newcomer's voice. Yeats was still in his twenties, having arrived with his parents from Dublin only the previous year, 1887.
Bevin O'Downett smiled and made introductions. "Willie, I say, have you met Mr. Malcolm Moore? West Indian gentleman, travels about a good bit, met him at Ascot last year. Mr. Moore, my dear friend, Mr. William Butler Yeats."
Malcolm found himself shaking the hand of one of the greatest poets ever to set pen to paper in the English language. "I'm honored, sir."
"Pleasure to meet you, Mr. Moore," Yeats smiled easily.
Malcolm felt almost like the air was fizzing. Yeats was already considered an occult authority, despite his relative youth. Malcolm thanked that unknown American ghost-summoner for inducing him to turn on the scout's log in his valise. He managed to retain enough presence of mind to introduce his own companions, who shook Yeats' hand in turn. Guy Pendergast didn't appear to have the faintest notion who Yeats was—or would be—but Conroy Melvyn's face had taken on a thunderstruck look and even Pavel Kostenka was staring, round-eyed, at the young poet who would legitimize Irish folk lore as a serious art form and subject of scholarly interest, as no other Irishman had managed in the stormy history of Irish-Anglo relations, and would be branded the most gifted mystic writer since William Blake.
Bevin O'Downett winked at his fellow Irishman. "Mr. Moore, here, was just sharing a piece of his family history," he chuckled. "A Gaulic Celt or two, he says, rattled about in earlier branches of the family's gnarled old tree."
Yeats broke out into an enthusiastic smile. "Are you a Celtic scholar, then, Mr. Moore?" he asked, eyes alight with interest.