Here amongst those forbidding mountains, Lostris had entombed the mummified body of her husband, the Pharaoh Mamose, who had been slain in battle against the Hyksos.
Long afterwards Queen Lostris had led her people back northwards to this Very Egypt. Armed now with their own horses and chariots, forged into hard warriors in the African wilderness they had come storming back down the cataracts of the great river to challenge once more the Hyksos invader, and in the end to triumph over him and wrest the double crown of upper and lower Egypt from his grasp.
It was a story that appealed to every fibre of her being, and that had fascinated her as they had unravelled each hieroglyph that the old slave had penned on the papyrus.
It had taken them all these years, working at night here in the villa of the oasis after all their daily routine work at the museum in Cairo was done, but at last all of the ten scrolls had been deciphered, all except the seventh scroll. This was the one that was the enigma, the one which the author had cloaked in layers of esoteric shorthand and allusions so obscure that they were unfathomable at this remove of time. Some of the symbols he used they had never encountered before in all the thousands of texts that they had studied in their combined lifetimes. It was obvious to them both that Taita had not intended that the scrolls should be read and understood by any eyes other than those of his beloved queen. These were his last gift for her to take with her beyond the grave.
It had taken all their combined skills, all their imagination and ingenuity, but at last they were approaching the conclusion of the task. There were still many gaps in the translation and many areas where they were uncertain whether or not they had captured the true meaning, but they had laid out the bones of the manuscript in such order that they were able to discern the outline of the creature it represented.
Now Duraid sipped his coffee and shook his head as he had done so often before as he said, "It frightens me. The responsibility. What to do with this knowledge we have gleaned? If it should fall into the wrong hands." He sipped and sighed before he spoke again. "Even if we take it to the right people, will they believe this story that is three and a half thousand years old?"
"Why must we bring in others?" Royan asked with an edge of exasperation in her voice. "Why can we not do alone what has to be done?" At times like these the differences between them were most apparent. His was the caution of age, while hers was the impetuosity of youth.
"You do not understand," he said. It always annoyed her when he said that; when he treated her as the Arabs treated their women in a totally masculine world. She had known the other world where women demanded and received the right to be treated as equals. She was a creature caught between those worlds?the Western world and the Arab world.
Duraid was still speaking and she had not been listening to him. She gave him her full attention once more. "I have spoken to the Minister again, but I do not think he believes in me. I think that Nahoot has convinced him that I am a little mad." He smiled sadly. Nahoot Guddabi was his ambitious and well-connected deputy. "At any rate the minister says that there are no government funds available, and that I will have to seek outside finance. So, I have been over the list of possible sponsors again, and have narrowed it down to four. There is the Getty Museum, of course?but I never like to work with a big impersonal institution. I prefer to have a single man to answer to. Decisions are always easier to reach." None of this was new to her, but she listened dutifully.
"Then there is Herr Von Schiller. He has the money and the interest in the subject, but I do not know him well enough to trust him entirely." He paused, and Royan had listened to these musings so often before that she could anticipate him.
"What about the American? He is a famous collector." She forestalled him.
"Peter Walsh is a difficult man to work with. His passion to accumulate makes him unscrupulous. He frightens me a little."
"So who does that leave?" she asked.
He did not answer for they both knew the answer to her question. Instead he turned his attention back to the material mat littered the working table.
"It looks so innocent, so mundane. An old papyrus scroll, a few photographs and notebooks, a computer print-out. It is difficult to believer how dangerous these might be in the wrong hands." He sighed again. "You might almost say that they are deadly dangerous."
Then he laughed. "I am being fanciful. Perhaps it is the late hour. Shall we get back to work? We can worry about these other matters once we have worked out all the conundrums set for us by this old rogue, Taita, and completed the translation."
He picked up the top photograph from the pile in front of him. It was an extract from the central section of the scroll. "It is the worst luck that the damaged piece of papyrus falls where it does." He picked up his reading glasses and placed them on his nose before he read aloud.
"There are many steps to ascend on the staircase to the abode of Hapi. With much hardship and endeavour we reached the second step and proceeded no further, for it was here that the prince received a divine revelation. In a dream his father, the dead God Pharaoh visited him and commanded him, 'I have travelled far and I am grown weary. It is here that I will rest for all eternity.' "
Duraid removed his glasses and looked across at Royan. "The second step. It is a very precise description for once. Taita is not being his usual devious self."
"Let's go back to the satellite photographs," Royan suggested, and drew the glossy sheets toward her. Duraid came around the table to stand behind her.
"To me it seems most logical that the natural feature that would obstruct them in the gorge would be something like a set of rapids or a waterfall. If it were the second waterfall that would put them here?" Royan placed her finger on a spot on the satellite photograph where the narrow snake of the river threaded itself through the dark massifs of the mountains on either hand.
At that moment she was distracted and she lifted her head. "Listen!" Her voice changed, sharpening with alarm.
"What is it?" Duraid looked up also.
"The dog." She answered.
"That damn mongrel." He agreed. "It's always making the night hideous with its yapping. I have promised myself to get rid of it."
At that moment the lights went out.
They froze with surprise in the darkness. The soft thudding of the decrepit diesel generator in its shed at the back of the palm grove had ceased. It was so much a part of the oasis night that they noticed it only when it was silent.
Their eyes adjusted to the faint starlight that came in through the terrace doors. Duraid crossed the room and took the oil lamp down from the shelf beside the door where it waited for just such a contingency. He lit it, and looked across at Royan with an expression of comical resignation.
"I will have to go down?"
"Duraid." She interrupted him. "The dog!"
He listened for a moment, and his expression changed to mild concern. The dog was silent out there in the night.
"I am sure it is nothing to be alarmed about." He went to the door, and for no good reason she suddenly called after him.
"Duraid, be careful!" He shrugged dismissively and stepped out onto the terrace.
She thought for an instant that it was the shadow of the vine over the trellis moving in the night breeze off the desert, but the night was still. Then she realized that it was a human figure crossing the flagstones silently and swiftly,coming in behind Duraid as he skirted the fish pond in the centre of the paved terrace.