Fitcher’s way of looking at the world could not have been more different: yet, it seemed to Paulette that in some strange way, he was more a part of the natural order than her father had ever been. Like a gnarled old tree, growing upon a stony slope, Fitcher was unshakeable in his determination to extract a living from the world: this was how he had grown rich, and it was also why his riches meant very little to him; he had no use for luxuries, and his wealth was a source not of comfort, but of anxiety – it was a burden, like the sacks of cabbages that had to be hoarded in the cellar for seasons of scarcity.
When she came to know him better, Paulette understood that Fitcher’s ideas and attitudes were outgrowths of his upbringing. The son of a Cornish greengrocer, he had been born into a wind-pierced cottage on the outskirts of Falmouth, within sight of the sea. His father was once a sailor on a ‘fruit-schooner’ – one of those swift, sleek vessels that linked the orchards of the Mediterranean to the markets of Britain – but an accident, and a crippled right arm, had forced him to alter his mode of livelihood: he had taken to hawking fruits and vegetables, some of which he obtained from his former shipmates. There were five Penrose children and the family’s circumstances being what they were, they could only intermittently attend schooclass="underline" when the boys were not helping their father, they were expected to earn a few pennies by working in nearby farms and gardens. It was thus that young Fitcher came to the attention of the parish doctor, who happened to be, in his spare time, a keen amateur naturalist: noticing that the boy had a way with plants, he introduced him to botanizing and lent him books. Thus was inculcated an appetite for self-improvement that served the boy well when he, in turn, was hired as a crewman by the captain of a fruit-schooner. He quickly acquired a knack for tending to the schooner’s delicate Mediterranean cargoes – oranges, plums, persimmons, apricots, lemons and figs. As with most other merchant ships, fruit-schooners permitted each seaman to carry a certain amount of cargo on his personal account, to trade for his own profit. When the weather was suitable, Fitcher would make use of his quota to ship saplings, fruit trees and garden plants, some of which fetched good prices when the schooner visited London.
The habits of that time had stayed with Fitcher and had been crucial to the building of his fortune. It had taken him many years of patient application to build the Penrose nurseries into a major force in the world of British horticulture and to remove himself from the helm, even if temporarily, had not been easy. But as a purveyor of exotic flora, Fitcher was all too well aware that the business of gardening, even more than most, demanded ceaseless innovation – partly because the time it took for a new flower to go from sublime rarity to vulgar weed was growing steadily shorter; and partly because the market was crowded with increasingly aggressive competitors. Among Penrose amp; Sons’ many rivals, perhaps the most formidable was the Veitch nursery, in nearby Devon: tireless in seeking out new wares, the Veitches would often help to fund exploratory voyages and expeditions. Fitcher too had helped to finance the travels of several would-be collectors, but never with satisfactory results: some of these wanderers had vanished with his money; some had lost their minds or died frightful deaths; and of those who returned, few had brought back anything of value. One such, a promising young Cornishman, had kept his best finds for himself, but only to sell them to the Veitches later – a betrayal that was all the more painful to Fitcher because his Devonshire rivals were not even true West Country people but transplanted Scotsmen.
These experiences had convinced Fitcher that he would do a better job himself, and probably at a lesser cost: he had, after all, personally collected many of his nursery’s most successful offerings, in southern China, and that too at a time when he was inexperienced and starved of resources. He knew he would be able to accomplish a great deal more if he returned to China in a vessel of his own – but such a journey would require at least two or three years, and could not be undertaken until his familial responsibilities had been properly discharged. He had married late, and his wife had died an untimely death, leaving him with three children – twin boys, and a girl who was much younger than her brothers. To fob his children off on relatives was inconceivable to Fitcher; and to contract a marriage of convenience, for the purpose of providing his offspring with a caregiver, was even more so. So he had accepted, reluctantly, that his plans would have to be put in abeyance until his sons were of an age to take over the running of the business. In the interim he had made careful preparations for the voyage, even designing and commissioning the Redruth, which was named after his wife’s birthplace.
The Penrose boys were capable young men, with good heads for business, and plenty of common sense besides. In listening to Fitcher, Paulette came to understand that the only cause for disappointment the boys had ever given him was that neither of them had any interest in botany or natural history: to them plants were no different from doorknobs, or sausages, or any other object that could be sold for a price on the market.
Of the Penrose children Ellen was the only one to inherit Fitcher’s interest in the natural world. This was just one of the reasons why she was particularly dear to her father (she was also, Fitcher confided, the very image of her mother, Catherine, of whom it had often been said that ‘her face was her best limb’). Although not robust in constitution, Ellen had been insistent on claiming a place in the Redruth. When Fitcher tried to dissuade her, by listing the dangers of a long voyage, she had countered by citing the career of Maria Merian, the legendary botanical illustrator who had travelled from Holland to South America at the age of fifty-two – and there was little Fitcher could say in response, for it was he who had encouraged Ellen’s botanical interests by gifting her reproductions of Merian’s paintings of the flowers and insects of Surinam.
Ellen had showed herself to be, in her quiet way, just as tenacious and determined as Fitcher himself. In the end Fitcher had been forced to relent: one of the Redruth’s cabins had been refurbished for Ellen’s use and the brig had set sail in the spring, with a crew of eighteen, and a weighty cargo of plants and equipment. With favouring winds, the Redruth had made good time to the Canary Islands, where the wild flowers on the slopes had delighted Ellen. She had insisted on going ashore to climb a hill – and it was there, probably, that she had contracted the fever that was to reveal itself several days later, when the brig was well out to sea. Nothing in Fitcher’s pharmacopeia could mitigate this illness and Ellen had died when the Redruth was but a day from the island of St Helena. Fitcher had buried her in a hillside graveyard that was carpeted with bellflowers and lobelias.
When Fitcher led Paulette to the locked door of Ellen’s cabin, she understood, without having to be told, that many weeks had passed since anyone had stepped into it.
‘It’s eers now Miss Paulette. In the trunks ee’ll find some clothes of Ellen’s too: eer welcome to them if they’re of any use t’ee.’
With that Fitcher shut the door, leaving her to settle in.
The cabin was neither large nor lavish, but it had a snug little bunk and a desk. It was provided moreover with all the facilities that a lone young woman would need to be comfortable amidst a shipful of men: a water-closet and porcelain basin for instance, as also a copper tub that was attached ingeniously to the ceiling, with rivets.
Beside the bunk was a bookcase, and its contents gave Paulette some idea of the kind of person that Ellen Penrose had been: there was a much-thumbed Bible, a life of John Wesley, a Methodist hymnal and several other books of a devotional nature. Apart from these there was also a small collection of botanical works, including a book of Maria Merian’s illustrations. But of fiction and verse there was not a single volume: it was easy to see that Ellen Penrose had been no more inclined to romance and poesy than was her father.