Carson, Tom. “Records: God Save the Queen/Under Heavy Manners.” RS 322 (July 24 1980): 56.
Cohen, Debra Rae. “Robert Fripp Climbs the Heap.” VV (Nov. 11 1981): 57.
Coomaraswamy, Ananda K. Christian and Oriental Philosophy of Art. New York: Dover, 1956. 146 pp.
Corbett, Jerry. “King Crimson.” Beetle (July 1973): n.p.
Crowe, Cameron. “King Crimson’s Fripp: ‘Music’s Just a Means for Magic.’“ RS 149 (Dec. 6 1973): 22.
D., B. “King Crimson Click in America.” MM 44 (Nov. 15 1969): 16.
Dallas, Karl. “Caught in the Act: Robert Fripp, ICA, London.” MM 55 (Oct. 4 1980): 47.
_______. “King Crimson: Venue, London.” MM 56 (Oct. 17 1981): 22.
_______. “Disciplinary Action: Karl Dallas Goes to Holland to Meet the Born-Again King Crimson.” MM 56 (June 19 1982): 27.
Darling, Cary. “Talent in Action: King Crimson, Greek Theatre, Los Angeles.” BB 94 (Sept. 11 1982): 35.
_______. “Summers and Fripp Go Multi-Media: Two Guitarists Team Up for ‘Advance Masked’ Project.” BB 94 (Oct. 2 1982): 48.
Davis, Michael. “Records: Bobby Go Loop-de-Loop, Terry Go Loop-de-Li: Robert Fripp, God Save the Queen/Under Heavy Manners; Terry Riley, Shri Camel.” Creem 12 (July 1980): 54.
DeCurtis, Anthony. “Fripp, Lord of Discipline.” Record 3 (May 1984): 20.
Dery, Mark. “Fripp: the 21st Century Schizoid Man Sounds Off.” Record (Nov. 1985): 51.
Diliberto, John. “Record Reviews: Robert Fripp: Let the Power Fall.” DB 49 (Jan. 1982): 33.
_______. “Reviews: Three of a Perfect Pair.” DB 51 (July 1984): 45.
_______. “Zen and the Art of Fripp’s Guitar.” Electronic Musician (June 1987): 48.
Dillard, Annie. The Writing Life. New York: Harper & Row, 1989. 111 pp.
Doerschuk, Robert L. “Brian Eno: On Simplicity, Context, and the Necessity of Urgency.” Keyboard 158 (June 1989): 82.
Dove, Ian. “Fripp: After King Crimson, the Apocalypse.” RS 176 (Dec. 19 1974): 14.
Driscoll, J. Walter, and the Gurdjieff Foundation of California. Gurdjieff: An Annotated Bibliography. New York: Garland, 1985. 363 pp.
Drozdowski, Ted. “Robert Fripp: A Plectral Purist Answers the Dumb Questions.” Musician (Feb. 1989): 28.
Edwards, Paul, ed. The Encyclopedia of Philosophy. New York: Macmillan and the Free Press, 1967. 8 vols.
Eldridge, Royston. “Dissent in the Court of King Crimson.” MM 45 (Jan. 17 1970): 13.
Ellul, Jacques. The Technological Society. Translated from the French by John Wilkinson. New York: Vintage, 1964. 449 pp.
_______. The Theological Foundation of Law. Translated from the French by Marguerite Wieser. New York: Seabury, 1969. 140 pp.
Eno, Brian. “Pro Session: The Studio as Compositional Tool — Part I.” DB (July 1983): 56.
Epictetus. The Golden Sayings of Epictetus. Translated by Hastings Crossley. The Harvard Classics. Danbury, Connecticut: Grolier, 1980. 345 pp.
Fallon, B.P. “Give King Crimson Six Months.” MM 44 (July 12 1969): 7.
Farber, Jim. “Robert Fripp: The Untold Story.” Creem 10 (Nov. 1978): 26.
Festiner, Leon. A Theory of Cognitive Dissonance. Stanford: Stanford University Press, 1957. 291 pp.
Fleischmann, Mark. “High C with Mr. Fripp: Our Reporter Sits in on a Master Class.” Guitar World (Nov. 1986): 86.
Fletcher, Gordon. “Records: Starless and Bible Black'” RS 162 (June 6 1974): 70.
Freff. “Crimson: Organizing Conflict in Time and Space.” Musician 70 (Aug. 1984): 28.
Fricke, David. “Crimson’s Fripp Challenges the Dinosaur.” Feature 96 (May 1979): 25.
_______. “Records: The League of Gentlemen”” RS 345 (June 11 1981): 59.
_______. “Old Cult Groups Never Die (They Just Become More Popular): King Crimson Hits the Road.” Trouser Press 71 (March 1982): 22.
_______. “Reviews: Three of a Perfect Pair”” Musician 67 (May 1984), 82.
Fripp, Robert. “Speaking of Jimi.” GP 9 (Sept. 1975): 7.
Liner notes to The Young Persons ’ Guide to King Crimson. Editions EG EGKC 10, 1976.
_______. “Moving Off Center: New Concepts in Stereo Mixing.” MPL 22 (Jan. 1980): 26. Fripp 1980A.
_______. “The New Realism: A Musical Manifesto for the 80s.” MPL 22 (Jan. 1980): 34. Fripp 1980B.
_______. “The Vinyl Solution.” MPL 24 (April-May 1980): 34. Fripp 1980C.
_______. “Creativity: Finding the Source.” MPL 25 (June-July 1980): 33. Fripp 1980D.
_______. “Touring with Fripp.” MPL 26 (Aug. 1980): 34. Fripp 1980E.
_______. “Guitarists on Hendrix, Guitars, Amps, Solos, and Performance.” MPL 27 (Sept.-Oct. 1980), 62. Fripp 1980F.
_______. “Touring: The Troubadour Today.” MPL 28 (Nov. 1980): 38. Fripp 1980G.
_______. “The Musician in Politics.” MPL 29 (Dec. 1980): 30. Fripp 1980H.
_______. “Bootlegging, Royalties, and the Moment.” MPL 32 (April-May 1981): 28. Fripp 1981A.
_______. “The Diary of the Return of King Crimson.” MPL 37 (Nov. 1981), 40. Fripp 1981B.
_______. “The Diary of King Crimson, Part II.” MPL 38 (Dec. 1981), 44. Fripp 1981C.
_______. “The Diary of King Crimson, Part III.” MPL 39 (Jan. 1982): 35. Fripp 1982A.
_______. “John McLaughlin with Robert Fripp: Coffee and Chocolate for Two Guitars.” MPL 45 (July 1982): 52. Fripp 1982B.
_______. “Fripp Strikes Back!” Musician 131 (Sept. 1989): 8. Fripp 1989A.
_______. “Guitar Craft: The Resonance of Rightness.” GP (Dec. 1989): 123. Fripp 1989B.
_______. “Guitar Craft: The Principle of Balance.” GP (Jan. 1990): 114. Fripp 1990A.
Fripp, Robert: see also Guitar Craft.
Fritz, Steve. “Yogi Bob: Relaxing with Robert Fripp.” Option (July-Aug. 1986): n.p.
Garbarini, Vic. “Robert Fripp.” MPL 19 (Aug. 1979): 30.
_______. “Rude Boys: An Interview with Joe Strummer and Robert Fripp.” MPL 33 (June 1981): 50.
_______. “Summers, Fripp: An Odd Couple Takes Sanctuary.” Musician 74 (Dec. 1984): 36.
_______. “Robert Fripp.” Musician 100 (Feb. 1987): 88.
Gerber, Robert. “Guitar Craft Systematics.” Impressions 4 (Spring 1986): 11.
_______. “Guitar Craft Systematics, Part II.” Impressions (Summer 1986): 20.
_______. “The Six Triads of a Musical Performance.” Unis Journal 1 (Fall 1987): 53.
Giles, Mike. “Good Day from a Very Homesick Scribe.” MM 44 (Dec. 20 1969): 23.