This time, however, Trevor was not using a single arrow. He attached four to the line, at two-hundred-yard intervals. And I shall never forget that incongruous spectacle of the space-suited figure, gleaming in the last rays of the setting sun, as it drew its bow against the sky.
The arrow sped towards the stars, and before it had lifted more than fifty feet Trevor was already fitting the second one to his improvised bow. It raced after its predecessor, carrying the other end of the long loop that was now being hoisted into space. Almost at once the third followed, lifting its section of line—and I swear that the fourth arrow, with its section, was on the way before the first had noticeably slackened its momentum.
Now that there was no question of a single arrow lifting the entire length of line, it was not hard to reach the required altitude. The first two times the grapnel fell back; then it caught firmly somewhere up on the hidden plateau—and the first volunteer began to haul himself up the line. It was true that he weighed only about thirty pounds in this low gravity, but it was still a long way to fall.
He didn’t. The stores in the freight rocket started coming down the cliff within the next hour, and everything essential had been lowered before nightfall. I must confess, however, that my satisfaction was considerably abated when one of the engineers proudly showed me the mouth organ he had had sent from Earth. Even then I felt certain that we would all be very tired of that instrument before the long lunar night had ended…
But that, of course, was hardly Trevor’s fault. As we walked back to the ship together, through the great pools of shadow that were flowing swiftly over the plain, he made a proposal that, I am sure, has puzzled thousands of people ever since the detailed maps of the first lunar expedition were published.
After all, it does seem a little odd that a flat and lifeless plain, broken by a single small mountain, should now be labelled on all the charts of the moon as Sherwood Forest.