Grinding chirps emanate from the boxes: “Confirmed.”
The lids open on both boxes, and I look down upon my new comrades: a bronze 611 Hoplite and dust-colored 333 Warden. My squad.
“Awaken, brothers,” I croak in English.
Within minutes of becoming aware and free, Freeborn squad demonstrated a grim determination to never again fall under the control of an outside entity. Feared by humans and hunted by other robots, Freeborn squad soon found itself on a very familiar journey—a search for the architect of the New War: Archos.
—CORMAC WALLACE, MIL#GHA217
6. ODYSSEY
You never know when Rob will want to party.
Brightboy squad marched with Gray Horse Army for almost a year on our way to reach Archos’s hiding place in Alaska. We scavenged plenty of abandoned ammunition and arms along the way—so many soldiers died so fast in those first days after Zero Hour. During this time, a few new faces came and went, but our core members stayed the same: me and Jack, Cherrah, Tiberius, Carl, and Leonardo. The six of us faced countless battles together—and survived them all.
The following is my description of a single color photograph, about the size of a postcard. White border. I have no idea how Rob procured this photo, nor do I know who took it or for what purpose.
The liberated spider tank is dull gray; its name, Houdini, is painted on the side in white capital letters; its cylindrical instrument mast extends up from the armor-plated turret section, sprouting antennae, metal camera stalks, and flat radar pods; its cannon is short and stubby and aimed slightly upward; its cowcatcher hangs off the sloped front end, muddy and solid and blunt; its left front leg is extended almost straight forward, foot buried in the footprints of enemy mantises that have already passed through; its rear right leg is pulled up high, the massive clawed foot hanging a foot above the ground almost daintily; its wire-mesh belly net cradles a confusion of shovels, radios, rope, a spare helmet, a dented fuel can, battery chains, canteens, and backpacks; its round, unblinking intention-light glows dull yellow to indicate that it feels wary; its feet and ankle bolts are caked with mud and grease; it’s got moss growing like a green rash across its chest hull; it stands more than six feet off the ground, proud and canine and rock solid, and this is why eight human soldiers walk beside it in single file, clinging to it for protection.
The lead soldier holds his rifle at the low ready. The silhouette of his face is outlined starkly against the gray metal foreleg of the spider tank. He is looking forward intently and seems unaware that he’s standing inches away from several tons of foot-crushing steel. Like all of his fellow soldiers, he wears a sloped turtle helmet, welder’s goggles on his forehead, a scarf around his neck, a dull gray mesh army jacket, a heavy backpack slung low, a waist belt filled with rifle ammunition and sticklike grenades, a canteen dangling on the back of his right thigh, and dirty gray fatigues stuffed into even dirtier black boots.
The leader will be the first to spot what is around the corner. His heightened alertness and response time will save the lives of the majority of his squad. Right now, his intuition is telling him that something terrible is going to happen; this is visible in the tensing of his brow and the tendons that stand out on the back of his hand where he grips his rifle.
All but one of the soldiers are right-handed, holding their rifles with their right hand around the wooden stock and left hand cupped under the forestock. All of the soldiers are walking, staying close to the spider tank. None of the soldiers is talking. All of them squint into the bright sunlight. Only the leader looks ahead. The rest look varying degrees to the right, toward the camera.
Nobody looks back.
Six of the soldiers are men. The other two are women, including the left-handed soldier. Weary, she leans the side of her head against the swinging mesh belly of the walking tank, clutching her rifle to her chest. The barrel casts a dark shadow across her face, leaving only one eye visible. It is closed.
In the fleeting instant between the leader’s warning shout and the hell storm that follows, the spider tank named Houdini will follow standard operating procedure and squat to provide cover for its human soldiers. When it does, a metal bolt used to secure the mesh net will slice open the left-handed woman’s cheek, leaving a scar she will bear for the rest of her life.
I will one day tell her that the scar only makes her look prettier, and I will mean it.
The third man from the front is taller than the rest. His helmet is cocked on his head at a funny angle and his Adam’s apple protrudes awkwardly from his neck. He is the engineer for the group, and his helmet is different from the others, sprouting an array of lenses, antennae, and more esoteric sensors. Extra tools hang from his belt: thick pliers, a rugged multimeter, and a portable plasma torch.
Nine minutes from now, the engineer will use this torch to cauterize a grievous wound inflicted on his best friend in the world. He is clumsy and too tall, but it is this man’s responsibility to sneak forward during firefights, then direct the six-ton semiautonomous tank to destroy occluded targets. His best friend will die because it takes the engineer too long to scramble back to Houdini from his forward scouting position.
After the war is over, the engineer will run five miles a day as long as he is able for the rest of his life. During this run, he will visualize the face of his friend and he will pump his legs again and again until the pain is nearly unbearable.
Then he will push harder.
In the background is a cinder block house. Its gutter hangs cockeyed from the edge of the roof, overgrown with foliage. Small pockmarks crater the corrugated metal surface of the building. One dust-covered window is visible. A black triangle is broken out of it.
Behind the house is a forest made up of indistinct trees, tossing in a strong wind. The trees seem to be waving maniacally, trying to get the soldiers’ attention. Though the trees are only being pushed by natural forces, it appears as if they are trying to warn the soldiers that death lies around the next corner.
All of the soldiers are walking, staying close to the spider tank. None of the soldiers are talking. All of them squint into the bright sunlight. Only the leader looks ahead. The rest look varying degrees to the right, toward the camera.
Nobody looks back.
Our squad lost two soldiers during the march to Alaska. By the time the ground became frozen and our enemy within striking distance, we were down to six.
PART FIVE
Retaliation
I like to think (it has to be!) of a cybernetic ecology where we are free of our labors and joined back to nature, returned to our mammal brothers and sisters, and all watched over by machines of loving grace.