“Forgive me. But — you don’t talk like a Gentleman or like a Doghunter. I’m an outworlder, and easily confused.”
“I’ll tell you. At one time I lived in the State. The town or city, I mean. Drogue. Never been there? Not much of anything. I liked it, though. I was a shopkeeper. Had a little house on the outskirts. A garden plot.” His sentences got shorter and his face grew redder. “My land bordered a Gentleman’s, you see. Oegorix. Rot his blood… One day I came home. Tired. Sit in my garden. I thought.
“Garden? You see one here? That’s what I saw there. His High—”—the word he uttered was not “Nascence”—“had decided to extend his training grounds. So, rather than take a chunk out of his own grass or garden, he merely appropriated mine. Not a flower, not a plant did he leave me. His bloody musics were tramping up and down and under my window where the rosebeds had been.”
In the fight that followed, the shopkeeper had gotten his broken nose. He went from his house to find his shop wrecked, returned from his shop and saw the smoke of his burnt house. “So I went to Hathis. But things no better there I found. The Gentlemen do as they like in every place. Except here. Here, we do as we like. But we don’t like it here, much. And sooner or later…”
His mouth twitched. Then he said, in a smothered voice, “You’ll see. Go on, now.”
In some ways it was as if a highly eccentric Gentleman had moved his estate, herds, followers chick-boys and all, into the black basalt ruin of the inhuman and forest-laired Kar-chee castle — and then mixed it all up, humble-tumble. Here a woman hung a cloth bag full of soft cheese to drip, there a fletcher picked through a pile of feather in his aproned lap. A young boy practiced scales on an old horn. A woman on a stool stitched colored cloths into banner wefts, from time to time giving her rather dirty baby’s cradle a rock with her bare (and dirtier) foot.
But nowhere, anywhere, was there a hall windowed with oiled and painted paper, bright with flowers and gay with birdsong and the sound of water, where a dark woman in embroidered robes sat making crystal music.
A vision of the shattered face of the boy with chestnut hair rose before Jon-Joras’s inner eyes. What connection there might be between that bloody death and this curious wild encampment, he did not know; only that he felt a stirring conviction within him that such a connection there was. And then, through the contented confusion of the courtyard, a man with a scarred face picked his way.
He did not see, or seem to see, the prisoner at large — or for that matter, anyone else — but everyone saw him and marked his passage. The man was tall, with little deep-set eyes under black brows like nests of snakes. The bones of his face seemed about to burst through the reddened skin, the mouth was an all but lipless slash between the grim nose and the almost impossibly long and heavy chin. The scar went from scalp to neck, interrupted only by the stump of one ear. His feet tramped the black slabs as if all his enemies lay upon them.
Almost automatically, Jon-Joras stopped still and drew in upon himself until the man passed; entirely automatically, he fell in behind — well behind — him. Only as he followed after the unnaturally stiff figure, hands clenched at sides, did the formed thought reveal itself to his upper mind: where this man was, the answer was.
And so, passing through the wake of whatever emotion lies between fear and awe, Jon-Joras followed on as if drawn by rope and held by magnet.
Perhaps it was only a dream dragon that he had heard in his sleep that night. But the one he heard now was no dream — unless this whole scene, Kar-chee castle and court and all, unless it was a dream, too. His ear-drums vibrated with the hiss that became a scream. But—perhaps it was a dream! — no one else so much as looked up. And still the man walked on and on.
He stopped only at a low wall and there he leaned over. Jon-Joras walked on a bit, then put his hands on the parapet and peered. The thick, dark odor of dragon caught him sharply between nose and throat, but he didn’t turn away. Below him in an area partly ringed with seats, a dragon came rushing down the ground. His hide was thick with arrows and the stumps of arrows, and a smell Jon-Joras knew from other places, other times, came from the beast — the fishy stench of old, of rotten blood.
At first glance the scene below appeared to be a normal dragon hunt. Almost at once, though, Jon-Joras saw the differences. It was like seeing double. There, for instance, was the row of archers. But behind them was another row. The arms and hands and bows of the archers moved. The row behind them, clad in the same leaf-green, moved not. And in front of the row of archers was a trench.
The dragon came beating down the ground. Another flight of arrows bored into his hide. He neither plucked at them nor slackened pace. The thought came into Jon-Joras’s mind, this one is no virgin! At his near approach, the front row of bowmen seemed to vanish into the earth — one jump — the narrow trench, too narrow for a dragon-paw, received them. The row of dummies swayed slightly on the shaking ground. But the dragon ignored them. Unwavering, it rushed on and on.
From behind a low earthen wall directly in his path, up leaped a row of figures, bright banners waving on long poles. Jon-Joras had to squint and peer a moment before realizing that these, too, were dummies. The dragon plunged on through their midst. Jon-Joras flung his head around and his eyes flew down the arena to see what lay dead ahead of the plunging questing beast. He had not far to look.
There were the figures in huntsmen’s clothes, guns in hands. Bellowing his hatred, pain and rage, the dragon came on and on and in great, maddened leaps, flung himself upon the group. Jon-Joras had not seen this one trench. He blinked as the figures vanished into it. All but one of the figures vanished into it — that one, a dummy fastened to a stake, flew first right, then left, then was lifted high into the air to be worried as a rat in the jaws of a dog.
Something splashed and spattered on Jon-Joras’s face and chest. Thoughtlessly, he raised his hand, wiped at it. It was warm. It was blood. He looked, incredulous, at the figure which the dragon now held in its paws and tore into bits. And then he vomited again.
“That, you see,” the tall man with the scar said, abruptly turning to him “is what happens to traitors!”
His voice had started out astonishingly soft and smooth, the face as blank as ever; but on the last word the face convulsed, the voice rose into a shriek, cracked upon the last note. The hands leapt up from his sides. Jon-Joras fell back. Then the face struggled, the mask fell into place again. So did the hands.
The voice was soft again. “You outworlder — you’re a boy. A pawn, a slavey. You don’t know, does you? What’s been going on here on our old Earth? Think about the worst enemy they’s ever had in your world. Times it twice, add to it. And think what rotten things turns traitor, turns enemy. Is that—down there — too bad for it? Oh, no, boy. No… Too, good.” The voice fell lower on the last word, and the effect was somehow more frightening than when it rose. The tiny eyes glinted. The thin mouthed stretched.
Abruptly, he beckoned, turned his back, started down a ramp. And again Jon-Joras followed. Dimly he wondered if the Prime World, supposedly so old and so tired, might not be too much for him. Its unexpected vigor, wasted as it was in strange ways, was all too different from the tight and organized hegemonies of MM beta—where even the unexpected was predictable.
They came at last to a scene untouched by the turmoil and disorder of the rest of the place: a chamber immaculately clean, furnished with a trestle bed, a table consisting of a wide plank set on two more trestles, and a doorless cabinet lined with shelves. There were no chairs.