The reason why there are so many paintings and sculptures in Italy is this: in the middle ages, it was the fashion, in all the central parts of Europe, for the people to spend almost all their surplus money in building and decorating churches. Indeed, there was then very little else that they could do. At the present time, people invest their funds, as fast as they accumulate them, in building ships and railroads, docks for the storage of merchandise, houses and stores in cities, to let for the sake of the rent, and country seats, or pretty private residences of various kinds, for themselves. But in the middle ages very little could be done in the way of investments like these. There were no railroads, and there was very little use for ships. There was no profit to be gained by building houses and stores, for there were so many wars and commotions among the people of the different towns and kingdoms, that nothing was stable or safe. For the same reason it was useless for men to spend their money in building and ornamenting their own houses, for at the first approach of an enemy, the town in which they lived was likely to be sacked, and their houses, and all the fine furniture which they might contain, would be burned or destroyed.
But the churches were safe. The people of the different countries had so much veneration for sacred places, and for every thing connected with religion, that they were afraid to touch or injure any thing that had been consecrated to a religious use. To plunder a church, or a convent, or an abbey, or to do any thing to injure or destroy the property that they contained, was regarded as sacrilege; and sacrilege they deemed a dreadful crime, abhorred by God and man. Thus, while they would burn and destroy hundreds of dwellings without any remorse, and turn the wretched inmates out at midnight into the streets to die of exposure, terror, and despair, they would stop at once when they came to the church, afraid to harm it in any way, or to touch the least thing that it contained. Accordingly, while every thing else in a conquered town was doomed to the most reckless destruction, all that was in the church,-the most delicate paintings, and the most costly gold and silver images and utensils-were as safe as if they were surrounded by impregnable castle walls.
Of course these notions were very mistaken ones. According to the teachings of our Lord and Saviour Jesus Christ, it must be a greater sin to burn down the cottage of a poor widow, and turn her out at midnight into the streets to die, than to plunder for gain the richest altar in the world.
From these and various other similar causes, it happened that, in the middle ages,-that is, from five hundred to a thousand years ago,-almost all the great expenditures of money, in all the great cities and towns of Europe, were made for churches. Sometimes these churches were so large that they were several hundred years in building. One generation would begin, another would continue, and a third would finish the work; that is, provided the finishing work was ever done. Great numbers of them remain unfinished to the present day, and always will remain so.
It is generally, however, the exterior which remains incomplete. Within they are magnificent beyond description. They are so profusely adorned with altars, chapels, crucifixes, paintings, vessels of gold and silver, and with sculptures and monuments of every kind, that on entering them one is quite bewildered with the magnificence of the scene.
There are a great many different altars where divine service may be performed, some arranged along the sides of the church, in the recesses between the pillars, and others in the transepts, and in various little chapels opening here and there from the transepts and the aisles; and so extensive and vast is the interior that sometimes four or five different congregations are engaged in worship in different parts of the church at the same time, without at all disturbing one another.
One of the most celebrated of these great churches is the cathedral at Florence, where Mr. George and Rollo were now staying. There is a representation of it on the next page, which will give you some idea of its form, though it can convey no conception of its immense magnitude.
The dome that surmounts the centre of the building is the largest in the world. It was a hundred years after the church was commenced before the dome was put on. The dome is about a hundred and forty feet wide from side to side, and almost as high as it is wide. It is more than a hundred and thirty feet high, which is enough for twelve or fifteen stories of a good-sized house. And this is the dome alone. The whole height of the church, from the ground to the top of the cross, is nearly four hundred feet. You will get a better idea of how high this is, if you ask of your father, or of some one that knows, what the height is of some tall steeple near where you live.
When the architect who conceived the idea of finishing the church by putting this dome upon it first proposed it, the other architects of the town declared that it could not be done. It was impossible, they said, to build so large a dome on the top of so lofty a building. But he insisted that it was not impossible. He could not only build the dome at that height, but he could first build an octagonal lantern, he said, on the top of the church, and then build the dome upon that, which would carry the dome up a great deal higher. At last they consented to let him make the attempt; and he succeeded. You see the dome in the engraving, and the octagonal lantern beneath it, on which it rests. The lantern is the part which has the round windows.
You see to the left of the church, at the farther end, a tall, square tower. This is the bell tower. There are six bells in it. It was designed to have a spire upon it, but the spire has not yet been built, and perhaps it never will be.
[Illustration: A CHURCH AT FLORENCE.]
This bell tower alone cost an enormous sum of money. It is faced on every side, as indeed the church itself is, with different colored marbles, and the four walls of it, on the outside, are so profusely adorned with sculptures, statues, and other costly and elaborate architectural decorations, that it would take a week to examine them fully in detail.
The part of the church which is presented to view in the engraving is the end. The front proper is on a line with the farther side of the bell tower. The engraving does not show us the length of the edifice at all, except so far as we gain an idea of it by the long procession which we see at the side. As I have already said, the length is more than five hundred feet, which is nearly half a quarter of a mile.
The putting on of the dome was considered the greatest achievement in the building of the church; and the architect who planned and superintended the work gained for himself immortal honor. After his death a statue of him was made, and placed in a niche in the wall of the houses on one side of the square, opposite the dome. He is represented as sitting in a chair, holding a plan of the work in his hand, and looking up to see it as it appeared completed. We can just see this statue in the foreground of the picture, on the left.
And now I must return to the story.
While Mr. George and Rollo were in Florence, Rollo was occupied mainly, as I have already said, in rambling about the town, and observing the scenes of real and active life, which every where met his view in the streets and squares, while Mr. George spent his time chiefly in the churches, and in the galleries of painting and sculpture, studying the works of art. One morning after breakfast, Mr. George was going to the great gallery in the palace of the grand duke, to spend the day there. Rollo said that he would walk with him a little way. So they walked together along the street which led by the bank of the river.
"Uncle George," said Rollo, "how much longer is it going to take for you to study these paintings and statues till you are satisfied?"
"Five or ten years," said Mr. George.
"O uncle George!" exclaimed Rollo; "I have seen as much of them as I want to see already."