"Probably," said Mr. George; "either with marble, or some other harder stone."
After ascending some distance, Rollo, who went forward, came out upon the landing which led to a range of corridors in the second story, as it were. There were several of these corridors, running side by side, all along the building. On one side, you could pass through arches, and come out to the platforms where the seats had originally been arranged, and where you could look down upon the arena. The seats themselves were all gone, and in their places nothing was left but sloping platforms, all gone to ruin, and covered now with grass, and weeds, and tall bramble bushes. On the other side, you could go out to the outer wall, and look down through immense arched openings, to the ground below.[5]
[Footnote 5: See Frontispiece.]
"Take care, Rollo," said Mr. George; "don't go too near."
"You may go as near as you think it is safe," said Rollo, "and I will keep back an inch from where you go."
"That's right," said Mr. George. "There is great pleasure and satisfaction in going into dangerous places with such a sensible boy as you."
After rambling about among the arches and corridors of the second story for some time, Mr. George and Rollo mounted to a story above. They found ruins of staircases in great numbers, so that there were a great many different places where they could go up. Mr. George allowed Rollo to go about wherever he pleased, knowing that he would keep at a safe distance from all places where there was danger of falling.
From time to time, they met other parties of visitors rambling about the ruins. If these persons were French or German, they generally bowed to Rollo and Mr. George as they passed, and greeted them with a pleasant smile, as if of recognition. If, on the other hand, they were English, they passed directly by, looking straight forward, as if they did not see them at all.
Whenever Rollo came to a new staircase, he wished to ascend it, being seemingly desirous of getting up as high as he could. Mr. George made no objection to this. Indeed, he allowed Rollo to choose the way, and to go where he pleased. He himself followed, walking slowly, in a musing manner, filled, apparently, with wondering admiration, and contemplating the stupendous magnitude of the ruin.
"Uncle George," said Rollo, "if I had my pressing book here, I would gather some of these plants and press them, to carry home."
Mr. George did not answer. He was standing in an advanced position, where he had an uninterrupted survey of the whole interior of the Coliseum; and he was endeavoring to picture to his imagination the scene which must have been presented to view when the vast amphitheatre was filled with spectators.
"If I had expected to find so many plants growing on the ruins of a building, I should have brought it," said Rollo.
The pressing book which Rollo referred to, was one made expressly for the purpose of pressing flowers. The leaves of it were of blotting paper.
Rollo was half inclined to ask Mr. George to put some specimens into the Guide Book; but he did not ask him, because he knew that Mr. George did not like to have dried plants in the Guide Book. Such specimens between the leaves of a book interfere very much with the convenience of using it, by dropping out when you open the book, or impeding the turning of the leaves.
"But I mean to come again," continued Rollo, "and bring my pressing book, and then I can get as many specimens as I please. Wouldn't you, uncle George?"
"Wouldn't you what?" said Mr. George. Mr. George had been paying very little attention to what Rollo had been saying.
"Come again some day," said Rollo, "and bring my pressing book, so as to collect specimens of some of these little plants."
"Yes," said Mr. George, "that will be an excellent plan. And I wish, while you are doing it, you would gather some for me. And if you wish for some now, I can let you put them in the Guide Book."
"No, I thank you," said Rollo. "I will wait till I come again."
The height of the outer walls of the Coliseum is over a hundred and fifty feet, which would be the height of a house fifteen stories high. There are not many church steeples higher than that.
If, therefore, you conceive of an oval-shaped field six acres in extent, with a massive wall one hundred and fifty feet high, and divided into four immense stories, surrounding it, and from the top of this wall ranges of seats, with passages between them, sloping in towards the centre, leaving about an acre of open and level space in the centre for the arena, the whole finished in the most magnificent and gorgeous manner, with columns, statues, sculptured ornaments, and all the seats, and walls, and staircases, and corridors, and vestibules, and tribunes, and pavilions for musicians, and seats for judges, designed and arranged in the highest style of architectural beauty, and encased and adorned with variegated marbles of the most gorgeous description,-if, I say, you can conceive of all this, you will have some faint idea of what the Coliseum must have been in the days of its glory.
Mr. George and Rollo continued to ascend the different staircases which they met with in their wanderings, until at length they had reached a great elevation; and yet so immense was the extent of the interior of the edifice, that they were not at all too high to see the arena to advantage. Here Rollo crept out upon one of the sloping platforms, where there had formerly been seats for spectators, and calling to Mr. George to follow him, he sat down upon a great square stone, which seemed to have formed a part of the ancient foundation of the seats.
"Come, uncle George," said Rollo, "let us sit down here a few minutes, and make believe that the games are going on, and that we are the spectators."
"Yes," said Mr. George, "we will. In that way we can get a better idea of what the Coliseum was."
"I wish we could bring it all back again," said Rollo, "just as it was in old times, by some sort of magic."
"We must do it by the magic of imagination," said Mr. George.
"Only," continued Rollo, "the things that they did down in the arena were so dreadful that we could not bear to look at them."
"True," said Mr. George. "The spectacles must have been very dreadful, indeed."
"Such as when the lions and tigers came out to tear and devour the poor Christians," said Rollo.
"Yes," said Mr. George; "but generally, I suppose, when wild beasts and men were brought out together on the arena, it was the beasts that were killed, and not the men. It was a combat, and I suppose that the men were usually victorious. It was the spectacle of the fury of the combat, and of the bravery which the men displayed, and of the terrible danger that they were often exposed to, that so excited and pleased the spectators."
"I should not have thought that they could have found any men that would have been willing to fight the beasts," said Rollo.
"Perhaps the men were not willing," replied Mr. George, "but were compelled to fight them. Indeed, I suppose that they were generally prisoners of war or criminals. The generals used to bring home a great many prisoners of war from the different countries that they conquered, and these men were trained in Rome, and in other great cities, to fight on the arena, either with wild beasts, or with one another. They were called gladiators. There is a statue of one, wounded and dying, somewhere here in Rome."
"I should like to see it," said Rollo.
"We shall see it, undoubtedly," said Mr. George. "It is one of the most celebrated statues in the world. It is called the Dying Gladiator. I presume the sculptor of it made it from his recollections of the posture and expression of face which were witnessed in the case of real gladiators in the arena, when they had been mortally wounded, and were sinking down to die."
"We certainly must see it," said Rollo.
"We certainly will," rejoined Mr. George. "It is celebrated all over the world. Byron wrote a very fine stanza describing it."