"They formed their plot in the room below, where we have just been. It was in the evening. Mary was at supper that night in a little room in the tower up above, where we are now going. There were two or three friends with her. The men went up the private stairway, and burst into the little supper room, and killed Rizzio on the spot."
"Let us go up and see the place," said Waldron.
So Mr. George rose, and followed by the boys, he led the way into Queen Mary's apartments.
CHAPTER XIV. QUEEN MARY'S APARTMENTS.
Before we follow Mr. George and the boys into Queen Mary's apartments, I have one or two other explanations to make, in addition to the information which Mr. George communicated to the boys on the stairs. These explanations relate to the situation of Mary's apartments in the palace. They were in a sort of wing, which forms the extreme left of the front of the palace. The wing is square. It projects to the front. At the two corners of it, in front, are two round towers, which are surmounted above by short spires. As there is a similar wing at the right hand end of the front, with similar towers at the corners, the façade of the building is marked with four towers and four spires. The left hand portion is represented in the engraving opposite.
[Illustration: THE CORNER TOWER OF THE PALACE OF HOLYROOD.]
Queen Mary's rooms are in the third story, as seen in the engraving. The principal room is in the square part of the wing, between the two round towers. This was the bedroom. In the right hand tower, as seen in the engraving, is a small room, as large as the tower can contain, which was used by Mary as an oratory; that is, a little chapel for her private devotions. In the left hand tower was another small room, similar to the oratory, which Mary used as a private sitting room or boudoir. It is just large enough for a window and a fireplace, and for a very few persons to sit. It was in this little room that Mary was having supper, with two or three of her friends, when Darnley and his gang came up to murder Rizzio, who was one among them.
Besides Mary's bedroom, which was in the front part of the wing, between the two towers, there was another large room behind it, which also belonged to her. Darnley's apartments were very similar to the queen's, only they were in the story below. It was the custom in those days, as it is now, indeed, in high life, for the husband and wife to have separate ranges of apartments, with a private passage connecting them. In this case the private passage leading from Darnley's apartments to Mary's was in the wall. It was a narrow stairway, leading up to Mary's bedroom, and the door where it came out was very near to the door leading to the little room in the tower where Mary and her friends were taking supper on the night of Rizzio's murder.
When Mr. George and the boys reached the top of the stairs, they entered a large room, which, they were told by an attendant who was there to receive them, was Mary's audience chamber. This was the room situated back of the bedroom. The room itself, and every thing which it contained, wore a very antique and venerable appearance. The furniture was dilapidated, and the coverings of it were worn and moth-eaten. Very ancient-looking pictures were hanging on the walls. There was a large fireplace, with an immense movable iron grate in it. The grate was almost entirely worn out. The attendant who showed these rooms said that it was the oldest grate in Scotland. Still, it was not so old as the time of Mary, for it was brought into Scotland, the attendant said, by Charles II., who was Mary's great grandson.
There was a window in a very deep recess in this room. It looked out upon a green park, on the side of the palace. A very ancient-looking table stood in this recess, which, the attendant said, was brought by Mary from France. The ceiling was carved and ornamented in a very curious manner.
[Illustration: QUEEN MARY'S BEDROOM.]
"And which is the door," said Waldron to the attendant, "where Darnley and his men came in, to murder Rizzio?"
"That is in the next room," said the attendant. So saying, he pointed to a door, and Mr. George and the boys, and also two or three other visitors whom they had found in the room when they came in, went forward and entered the room.
"This, gentlemen and ladies," said the attendant, as they went in, "was Queen Mary's bed chamber. The door where we are coming in was the main or principal entrance to it. This is the bed and bedstead, just as they were left when Queen Mary vacated the apartment. That door,"-pointing to a corner of the room diagonally opposite to where the company had entered,-"leads to the little boudoir[G] where Rizzio was killed, and that opening in the wall by the side of it, under the tapestry, is the place where Darnley and the other assassins came up by the private stair."
[G] A boudoir is a small private apartment, fitted up for a lady, where she receives her intimate and confidential friends.
A view of the room, and of the various objects which the attendant showing them thus pointed out to the company, may be seen in the engraving on the opposite page.
The bedstead is seen on the right. It is surmounted by a heavy cornice, richly carved and gilded. This cornice, and the embroidered curtains that hang from it, must have been very magnificent in their day, though now they are faded and tattered by age. The coverings of the bed are also greatly decayed. Only a little shred of the blanket now remains, and that is laid upon the bolster. The rest of it has been gradually carried away by visitors, who for a long time were accustomed to pull off little shreds of it to take with them, as souvenirs of their visit. These depredations are, however, now no longer allowed. That part of the room is now enclosed by a cord, fastened to iron rods fixed in the floor, so that visitors cannot approach the bed. They are watched, too, very closely, wherever they go, to prevent their taking any thing away. They are not allowed to sit down in any of the chairs.
The door in the corner of the room to the left leads into the little boudoir, or cabinet, where Rizzio was murdered. You can see a little way into this room, in the picture. Mr. George and the boys went into it. There was a table on the back side of it, with the armor, and also the gloves, and one of the boots which Darnley wore, lying upon it. The attendant took up a breast-plate, which formed a part of the armor, and let the boys lift it. It was very heavy. There was an indentation in the front of it, where it had been struck by a bullet. The boot, too, was prodigiously thick and heavy. The heel was not less than three inches high.
There was a fireplace in this room, and over it was an altar-piece; a sort of picture in stone, which Mary used in her oratory, according to the custom of the Catholics. It had been broken to pieces and put together again. It was said that John Knox broke it, to show his abhorrence of Popery, but that the pieces were saved, and it was afterwards mended.
There was also in this room a square stone, shaped like a block, about two feet long, sawed off from the end of a beam of timber. This was the stone that Mary knelt upon when she was crowned Queen of Scotland.
To the right of the door which leads to the boudoir, under the tapestry, we see in the engraving the opening in the wall which leads to the staircase where the conspirators came up. The boys went in here and looked down. The stairs were very narrow, and very dark. The passage was closed below, so that they could not go down. In Mary's time these stairs not only led down to Darnley's rooms, but there was a continuation of them down the lower story, and thence along by a private way to Mary's place in the chapel of the monastery, where she used to go to attend divine service. She always went by this private way, so that nobody ever saw her go or come. They only knew that she was there by seeing the curtains drawn before the little compartment in the walls of the chapel where she was accustomed to sit.