But we are Britannic, and our fine airy home sits on a great swath of rolling greensward in the sweet Cornish country, and I am only a tourist here, coming forth from my remote insignificant province for my first visit to great Italia, now that the Second War of Reunification is at last over and travel between the far-flung sectors of the Empire is possible again.
I stare at everything in utter fascination, peering so intensely that my eyes begin to ache. The clay pots of dazzling red and orange flowers fastened to the building walls, the gaudy banners on long posts above the shops, the marketplaces piled high with unfamiliar fruits and vegetables in green and purple mounds. Hanging down along the sides of some of the tenement houses are long blurry scrolls on which the dour lithographed portrait of the old Emperor Laureolus is displayed, or of his newly enthroned young grandson and successor, Maxentius Augustus, with patriotic and adoring inscriptions above and below. This is Loyalist territory: the Neapolitans are said to love the Empire more staunchly than the citizens of Urbs Roma itself.
We have reached the Via Roma. A grand boulevard indeed, grander, I would say, than any in Londin or Parisi: a broad carriageway down the middle bordered with the strange, unnaturally glossy shrubs and trees that thrive in this mild climate, and on both sides of the street the dazzling pink and white marble façades of the great hotels, the fine shops, the apartment buildings of the rich. There are sidewalk cafés everywhere, all of them frantically busy. I hear waves of jolly chatter and bursts of rich laughter rising from them as I pass by, and the sound of clinking glasses. The hotel marquees, arrayed one after the next virtually without a break, cry out the history of the Empire, a roster of great Imperial names: the Hadrianus, the Marcus Aurelius, the Augustus, the Maximilianus, the Lucius Agrippa. And at last the Tiberius, neither the grandest nor the least consequential of the lot, a white-fronted building in the Classical Revival style, well situated in a bright district of elegant shops and restaurants.
The desk clerk speaks flawless Britannic. “Your passport, sir?”
He gives it a haughty sniff. Eyes my golden ringlets and long drooping mustachio, compares them with the closer-cropped image of my passport photo, decides that I am indeed myself, Cymbelin Vetruvius Scapulanus of Londin and Caratacus House in Cornwall, and whistles up a facchino to carry my bags upstairs. The suite is splendid, two lofty-ceilinged rooms at the corner of the building, a view of the distant harbor on one side and of the volcano on the other. The porter shows me how to operate my bath, points out my night-light and my cabinet of liqueurs, officiously tidies my bedspread. I tip the boy with a gold solidus—never let it be said that a Scapulanus of Caratacus House is ungenerous—but he pockets it as coolly as if I have tossed him a copper.
When he is gone, I stand a long while at the windows before unpacking, drinking in the sight of the city and the sparkling bay. I have never beheld anything so magnificent: the wide processional avenues, the temples, the amphitheaters, the gleaming palatial towers, the teeming marketplaces. And this is only Neapolis, the second city of Italia! Next to it, our cherished Londin is a mere muddy provincial backwater. What will great Roma be like, if this is Neapolis?
I feel an oddly disconcerting and unfamiliar sensation that I suspect may be an outbreak of humility. I am a rich man’s son, I can trace my ancestry more or less legitimately back to kings of ancient Britain, I have had the benefits of a fine education, with high Cantabrigian honors in history and architecture. But what does any of that matter here? I’m in Italia now, the heartland of the imperishable Empire, and I am nothing but a brawny bumptious Celt from one of the outer edges of the civilized world. These people must think I wear leather kilts at home and rub the grease of pigs into my hair. I can see that I may be going to find myself out of my depth in this land. Which will be a new experience for me; but is that not why I have come here to Italia, to Roma Mater—to open myself to new experiences?
The shops of the Via Roma are closed when I go out for an afternoon stroll, and there is no one to be seen anywhere, except in the crowded cafés and restaurants. In the heat of this place, businesses of all sorts shut down at midday and reopen in the cooler hours of early evening. The windows display an amazing array of merchandise from every part of the Empire, Africa, India, Gallia, Hispania, Britannia, even Hither Asia and the mysterious places beyond it, Khitai and Cipangu, where the little strange-eyed people live: clothing of the latest fashions, antique jewelry, fine shoes, household furnishings, costly objects of all sorts. Here is the grand abundance of Imperium, indeed. With the war finally at an end, shipments of luxury goods must converge constantly on Italia from all its resubjugated provinces.
I walk on and on. Via Roma seems endless, extending infinitely ahead of me, onward to the vanishing point of the horizon. But of course it does have an end: the street’s own name announces its terminal point, Urbs Roma itself, the great capital city. It isn’t true, the thing they always say in Italia, that all roads lead to Roma, but this is one that actually does: I need only keep walking northward and this boulevard will bring me eventually to the city of the Seven Hills. There’s time for that, though. I must begin my conquest of Italia in easy stages: Neapolis and its picturesque environs first, then a gradual advance northward to meet the formidable challenge of the city of the Caesars.
People are emerging from the cafés now. Some of them turn and stare openly at me, the way I might stare at a giraffe or elephant parading in the streets of Londin. Have they never seen a Briton before? Is yellow hair so alien to them? Perhaps it is my height and the breadth of my shoulders that draws their scrutiny, or my golden earring and the heavy Celtic Revival armlet that I affect. They nudge each other, they whisper, they smile.
I return their smiles graciously as I pass by. Good afternoon, fellow Roman citizens, I am tempted to say. But they would probably snicker at my British-accented Latin or my attempts at their colloquial Roman tongue.
There is a message waiting for me at the hotel. My father, bless him, has posted letters of introduction ahead to certain members of the Neapolitan aristocracy whom he has asked to welcome me and ease my entry into Roman society. Before leaving the hotel for my walk I had sent a message announcing my arrival to the people I was meant to meet here, and already there has been a reply. I am invited in the most cordial terms to dine this very evening at the villa of Marcellus Domitianus Frontinus, who according to my father owns half the vineyards between Neapolis and Pompeii and whose brother Cassius was one of the great heroes of the recently concluded war. A carriage will pick me up at the Tiberius at the eighteenth hour.
I am suffused with a strange joy. They are willing to make the visiting barbarian feel welcome on his first night in the mother country. Of course Frontinus ships ten thousand cases of his sweet white wines to my father’s warehouses in Londin every year and that is a far from inconsiderable bit of business. Not that business matters will be mentioned this evening. For one thing I know very little of my father’s commercial dealings; but also, and this is much more to the point, we are patricians, Frontinus and I, and we must behave that way. He is of the ancient Senatorial class, descended from men who made and unmade Caesars a thousand years ago. And I carry the blood of British kings in my veins, or at least my father says I do and my own name—Cymbelin—proclaims it. Caratacus, Cassevelaunus, Tincommius, Togodumnus, Prasutagus: at one time or another I have heard my father claim descent from each of those grand old Celtic chieftains, and Queen Cartamandua of the Brigantes for good measure.