Greek letters. Greek names. English representatives.
[Greek: A] Alpha A
[Greek: B] Beta B
[Greek: G] Gamma G
[Greek: D] Delta D
[Greek: E] Epsilon E
[Greek: I] Iota I
[Greek: L] Lamda L
[Greek: K] Kappa K
[Greek: M] Mu M
[Greek: N] Nu N
[Greek: O] Omicron O
[Greek: P] Pi P
[Greek: R] Rho R
[Greek: S] Sigma S
[Greek: T] Tau T
[Greek: U] Upsilon U
The phonetic alphabet of Cadmus, though so vastly superior to any system of symbolical hieroglyphics, for all purposes where any thing like verbal accuracy was desired, was still very slow in coming into general use. It was of course, at first, very difficult to write it, and very difficult to read it when written. There was a very great practical obstacle, too, in the way of its general introduction, in the want of any suitable materials for writing. To cut letters with a chisel and a mallet upon a surface of marble is a very slow and toilsome process. To diminish this labor the ancients contrived tables of brass, copper, lead, and sometimes of wood, and cut the inscriptions upon them by the use of various tools and implements. Still it is obvious, that by such methods as these the art of writing could only be used to an extremely limited extent, such as for brief inscriptions in registers and upon monuments, where a very few words would express all that it was necessary to record.
In process of time, however, the plan of painting the letters by means of a black dye upon a smooth surface, was introduced. The surface employed to receive these inscriptions was, at first, the skin of some animal prepared for this purpose, and the dye used for ink, was a colored liquid obtained from a certain fish. This method of writing, though in some respects more convenient than the others, was still slow, and the materials were expensive; and it was a long time before the new art was employed for any thing like continuous composition. Cadmus is supposed to have come into Greece about the year 1550 before Christ; and it was not until about 650 before Christ,-that is, nearly nine hundred years later, that the art of writing was resorted to in Greece to record laws.
The evidences that writing was very little used in any way during this long period of nine hundred years, are furnished in various allusions contained in poems and narratives that were composed during those times, and committed to writing afterward. In the poems of Homer, for instance, there is no allusion, from the beginning to the end, to any monument or tomb containing any inscription whatever; although many occasions occur in which such inscriptions would have been made, if the events described were real, and the art of writing had been generally known, or would have been imagined to be made, if the narratives were invented. In one case a ship-master takes a cargo on board, and he is represented as having to remember all the articles, instead of making a record of them. Another case still more striking is adduced. In the course of the contest around the walls of Troy, the Grecian leaders are described at one time as drawing lots to determine which of them should fight a certain Trojan champion. The lots were prepared, being made of some substance that could be marked, and when ready, were distributed to the several leaders. Each one of the leaders then marked his lot in some way, taking care to remember what character he had made upon it. The lots were then all put into a helmet, and the helmet was given to a herald, who was to shake it about in such a manner, if possible, as to throw out one of the lots and leave the others in. The leader whose lot it was that should be thus shaken out, was to be considered as the one designated by the decision, to fight the Trojan champion.
Now, in executing this plan, the herald, when he had shaken out a lot, and had taken it up from the ground, is represented, in the narrative, as not knowing whose it was, and as carrying it around, accordingly, to all the different leaders, to find the one who could recognize it as his own. A certain chief named Ajax recognized it, and in this way he was designated for the combat. Now it is supposed, that if these men had been able to write, that they would have inscribed their own names upon the lots, instead of marking them with unmeaning characters. And even if they were not practiced writers themselves some secretary or scribe would have been called upon to act for them on such an occasion as this, if the art of writing had been at that time so generally known as to be customarily employed on public occasions. From these and similar indications which are found, on a careful examination, in the Homeric poems, learned men have concluded that they were composed and repeated orally, at a period of the world when the art of writing was very little known, and that they were handed down from generation to generation, through the memory of those who repeated them, until at last the art of writing became established among mankind, when they were at length put permanently upon record.
It seems that writing was not much employed for any of the ordinary and private purposes of life by the people of Greece until the article called papyrus was introduced among them. This took place about the year 600 before Christ, when laws began first to be written. Papyrus, like the art of writing upon it, came originally from Egypt. It was obtained from a tree which it seems grew only in that country. The tree flourished in the low lands along the margin of the Nile. It grew to the height of about ten feet. The paper obtained from it was formed from a sort of inner bark, which consisted of thin sheets or pellicles growing around the wood. The paper was manufactured in the following manner. A sheet of the thin bark as taken from the tree, was laid flat upon a board, and then a cross layer was laid over it, the materials having been previously moistened with water made slightly glutinous. The sheet thus formed was pressed and dried in the sun. The placing of two layers of the bark in this manner across each other was intended to strengthen the texture of the sheet, for the fibers, it was found, were very easily separated and torn so long as they lay wholly in one direction. The sheet when dry was finished by smoothing the surface, and prepared to receive inscriptions made by means of a pen fashioned from a reed or a quill.
In forming the papyrus into books it was customary to use a long sheet or web of it, and roll it upon a stick, as is the custom in respect to maps at the present day. The writing was in columns, each of which formed a sort of page, the reader holding the ends of the roll in his two hands, and reading at the part which was open between them. Of course, as he advanced, he continually unrolled on one side, and rolled up upon the other. Rolls of parchment were often made in the same manner.
The term volume used in respect to modern books, had its origin in this ancient practice of writing upon long rolls. The modern practice is certainly much to be preferred, though the ancient one was far less inconvenient than might at first be supposed. The long sheet was rolled upon a wooden billet, which gave to the volume a certain firmness and solidity, and afforded it great protection. The ends of this roller projected beyond the edges of the sheet, and were terminated in knobs or bosses, which guarded in some measure the edges of the papyrus or of the parchment. The whole volume was also inclosed in a parchment case, on the outside of which the title of the work was conspicuously recorded. Many of these ancient rolls have been found at Herculaneum.
For ink, various colored liquids were used, generally black, but sometimes red and sometimes green. The black ink was sometimes manufactured from a species of lampblack or ivory black, such as is often used in modern times for painting. Some specimens of the inkstands which were used in ancient times have been found at Herculaneum, and one of them contained ink, which though too thick to flow readily from the pen, it was still possible to write with. It was of about the consistence of oil.