5
THE STREET was empty.
I tried to hold my shaking legs from running as I walked toward Seventh Avenue. A store-window clock said it was nine minutes past midnight. I walked up a block, stopped a cab, told him to take me to Grand Central Station.
It was neat—I'd been framed like a picture. Wasn't only the murder troubling me. In the eyes of the police I'd committed a greater crime than murder—I'd slugged a cop. They'd beat me crazy in the station house before I was even arraigned on the murder rap. It was all so pat, not even a tiny loophole. I didn't have the faintest smell of an alibi. Judging by the wetness of the blood, Thomas had been killed ten or fifteen minutes before I got there. It had all been set, to the smallest detail. I was finished. I was dead. With the cop-slugging over my head, I was worse than dead.
The hell of it was I knew the killer, but that didn't help me. Of course it had to be Kay. Everything added: picking a coloured detective, knowing I'd stand out; the hush-hush bunk, paying me out of “petty cash”—I couldn't even prove I was working for her. But what did Kay have against Thomas? Or was the whole TV pitch a lie?
As I paid the cabbie at Grand Central I put on an act, saying I hoped I could still catch the New Haven train. The police would be checking all cabs soon.
I walked through the station, then down Lexington to Kay's house. I was real mixed up. Somehow I couldn't picture Kay killing him like that, not bashing his head with the pliers. I could see her using a gun but not getting close enough to bust his head. That didn't figure, but everything else added to Kay. I was taking a big chance seeing her. I could be walking into a room full of cops: she'd certainly be expecting me, have a trap ready. But I could hardly be in a tighter squeeze than I was now and I had to see her, confront her. It was my only hope: these perfect-crime jokers sometimes plan too carefully, trip themselves.
I stood on the corner, didn't see a soul around her house. I walked down the block fast, ducked into her doorway. I couldn't risk ringing a bell to open the door. It was an old door. Holding the knob with one hand I leaned back and hit the door just under the lock with a hip block. It jumped open with a dull sound that was magnified by the stillness. I waited; the ground-floor apartment doors didn't open. I stepped in. The lock wasn't too badly sprung—I managed to close the door. I rode the midget elevator to Kay's apartment, rang the bell.
There wasn't a sound. I rang again, long and loud. There was the padding sound of slippered feet approaching the door; Barbara asked, “Who is it?”
“Touie.”
“Who? Oh.... It's late,” she said, opening the door.
I pushed by her, closed the door. She was wearing a kind of thin red ski pajamas and she looked tired, maybe a little drunk. I walked and pushed her into the nearest chair, told her, “Sit still for a second.” I ran through the apartment, keeping the doors open to see if she went for the phone.
Bobby was alone.
When I returned to the living room she was fumbling at lighting a cigarette, her hand shaking badly. “What's all this about?”
“Where's Kay?” I asked standing over her.
“I wish I knew. No, I wish I didn't know.”
I grabbed her thin shoulders, shook her. “Don't play it cute. Where is she?”
Bobby pulled herself together, tried to push my hands away as she asked, “By what right do you place your hands on me?”
Under other circumstances it would have been for laughs. I shook her again. “Damnit, sober up. I'm in a jam. Where's Kay?”
“I took sleeping pills some time ago; my head isn't very clear. Really, I don't know where Kay is. What's your trouble, Toussaint? Oh, that beautiful name. I wish I had a name like—”
“A man's been murdered and the police are looking for me. Does that get through to you? Murder! Kay framed me, set me up for this rap.”
Bobby's eyes seemed to brighten, become almost normal. “Kay? Oh my no. Kay can be silly and mean, but never vicious. Really, a murder?”
“Yes, goddamnit, really!”
“Who?” Her eyes went wide and she tried to stand as she said, “Not Kay!” and her voice rose to a scream.
I pushed her back into the chair. “Cut it out, and wake up. The guy Kay hired me to watch, he's been killed. How much do you know about this TV stuff?”
“All of it. Sorry I nearly ruined everything last night. Kay bawled me out as if—”
“Bobby, listen to me, I don't have time for small talk. I don't have time for anything. Where's Kay?”
“With a so-called man.”
“Who? Her husband?”
She gave me a long look, then threw her head back and laughed hysterically. I shook her hard and she said, “She's with that pansy writer Steve. I'm her husband.” She added this last with quiet dignity in her voice. Her eyes were proud as she stared up at me and said soberly, “Yes, I'm what is known as the Butch in our setup. Now what's all this nonsense about Kay framing you?”
“She left a call at my office for me to go to Thomas' room at midnight. I found him murdered; a moment later a cop came busting in. It all fits; the reason Kay hired me, knowing a Negro would be easy to spot, a setup for this frame. But I'm going to find Kay, get the truth out of her if it's the—”
“Are you saying Kay killed this man?” Bobby cut in, crushing her cigarette on the glass table top.
“You say it, say it any way you want.”
“That's ridiculous. And Kay didn't pick you for this job, I did.”
“You? Don't cover for her. Bobby, I don't want to get rough but this isn't the time for stalling!”
“I'm not stalling. I'm telling you the truth. I met your friend Sid at a party and somehow he mentioned you. Kay had told me about this publicity stunt of hers, about hiring a detective. She was looking forward to it... and... I knew she was restless. I've seen it happen before. She goes off with a... a... man. Of course she's always come running back to me after a night or two, but I live in a nightmare that she won't return. Can you understand how much I love that girl?”
“Skip the love story. Why did you pick me?”
“No, you can't understand what Kay means to me. I simply told her about you, knowing full well she'd like the idea of... I mean, of you being a Negro. I was so pleased when I saw you last night, all your muscles, your... manliness. You were perfect for the affair.”
“Affair? What the devil are you talking about?”
“My dear Toussaint—that exciting name—isn't it obvious? Any relationship between Kay and you could only be temporary, hardly permanent.... You're a Negro.”
“For—! I've had enough of this nonsense, where's Kay now?”
“Wherever she is, it's your fault. She was disgusting, pawing you last night, but you didn't react. Now she's spending the night in some hotel with that horrid creature Steve. That's what worries me. Kay usually goes for the brute type.”
“What hotel?”
“I'm sure I don't know.”
I shook her again. “Damn you, this isn't a game I What hotel?”
The crazy thing was, as I shook her a hard voice, almost a man's voice, barked, “Get your damn hands off me! I told you I don't know. If I knew, do you imagine I'd be sitting here? I'd go up and drag her back home!”
I walked around the living room, thinking hard. If what Bobby said was true, and I had this feeling it was, then it knocked the props out on my Kay-framing-me idea. But if it wasn't Kay, who did frame me and why? Who could possibly have known about my tailing Thomas? Supposed to be all top secret, just Kay and her boss—and Barbara. “What's the name of Kay's boss?”