27. Alapuro Risto. State and Revolution in Finland. — Berkeley: University of California Press, 1988. — P. 19–40.
28. Ibid. — P. 92–98; о значении литературной деятельности в Финляндии см.: Hroch Miroslav. Social Conditions of National Revival in Europe. — Cambridge: Cambridge University Press, 1985. — P. 62–75.
29. Russification in the Baltic Provinces and Finland, 1855–1914 / Ed. by Edward C. Thaden. — Princeton. Princeton University Press, 1981. — P. 76–83; Kirby D.G. Russia and Finland, 1808–1920: From Autonomyto Independence. — London: Macmillan, 1975. — P. 76–81; Singleton Fred. A Short History of Finland. — Cambridge: Cambridge University Press, 1989. — P. 96–99.
30. Haltzel Michael H. The Baltic Germans // Thaden E. Russification. — P. 134–178; Pistohlkors Gert von. Deutsche Geschichte im Osten Europas: Baltische Lander. — Siedler Verlag, 1994. - S. 397–416.
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32. Ascher A. The Russian Revolution of 1905: Russia in Disarray. — Stanford: Stanford University Press, 1988. — P. 94, 159–160, Raun Toivo O. The Revolution of 1905 in the Baltic Provinces and Finland // Slavic Review. — 1984. — Vol. 43. — P. 453–467.
33. Lundin C. Leonard. The Road from Tsar to Kaiser: Changing Loyalties of the Baltic Germans, 1905–1914 // Journal of Central European Affairs.1950. Vol. 10. P. 222–254.
34. Suny R G. The Emergence of Political Society in Georgia // Transcaucasia: Nationalism and Social Change / Ed. by R.G. Supy; rev. ed. — Ann Arbor. University of Michigan Press, 1996. — P. 109–140.
35. Hovanissian Richard G. The Armenian Question in the Ottoman Empire, 1876–1914 // The Armenian People from Ancient to Modern Times / Ed. by Hovanissian. — London: Macmillan, 1997. — P. 203–238.
36. См. донесение наместника князя Воронцова-Дашкова премьер-министру Столыпину: Борьба с революционным движением на Кавказе // Красный архив. — 1920. — N9 34. — С. 202–218.
37. Kappeler A. Russland als Vielvolkerreich… — S. 225.
38. Программная статья И.С. Аксакова из газеты «Русь» от 10.10. 1881 опубликована в его Сочинениях (М., 1886. — Т. 3. — С. 751).
39. Lukashevich Stephen. Ivan Aksakov, 1823–1886. — Cambridge, Mass.: Harvard University Press, 1965. — P. 167–168; Hosking Geoffrey. Russia People and Empire, 1552–1917. — P. 390–392.
40. Greenberg Louis. The Jews in Russia: The Struggle for Emancipation. — New York: Schocken, 1976. — Vol. 2. — P. 30–47.
41. Нилус С. Близ грядущий Антихрист. — М., 1911; Cohn Norman. Warrant for Genocide The Myth of the Jewish World Conspiracy and the «Protocols of the Elders of Zion». — London: Eyre & Spottiswoode, 1967.
42. Переписка Николая II и Марии Федоровны // Красный архив. — 1927. - № 22. — С. 169.
43. Lowe Heinz-Dietrich. The Tsars and the Jews: Reform, Reaction and Anti-Semitism in Imperial Russia, 1772–1917. — Chur: Harwood Academic Publishers, 1993. — P. 221–228.
44. Lambroza Shlomo. The Pogroms of 1903–1906 // Pogroms: Anti-Jewish Violence in Modem Russian History / Ed. by John Klier and Shlomo Lambroza. — Cambridge: Cambridge University Press, 1992. - P. 195–207; цит.: p. 205.
45. «Знаменный» означает «записанный знаками».
46. Swan Alfred J. Russian Music and Its Sources in Chant and Folksong. — London: John Baker, 1973. — P. 60.
47. Rimskii-Korsakov Nikolai. My Musical Life. — London: Eulenburg Books, 1974. — P. 117.
48. История создания оперы «Борис Годунов» изложена, в частности, в работе: Emerson Caryl and Oldani Robert William. Modest Musorgskii and Boris Godunov: Myths, Realities, Reconsiderations. — Cambridge: Cambridge University Press, 1994. — Chap. 2.
49. Цит. no: Taruskin Richard. Musorgsky: Eight Essays and an Epilogue. — Princeton: Princeton University Press, 1993. — P. 314.
50. Социально-политическая подоплека этих музыкальных достижений рассматривается в работе: Ridenour Robert С. Nationalism, Modernism, and Personal Rivalry in Nineteenth-Century Russian Music. — Ann Arbor: UMI Research Press, 1981.
51. Kelly Catriona. Petrushka: The Russian Carnival Puppet Theatre. — Cambridge: Cambridge University Press, 1990. — P. 167–172.
52. Taruskin Richard. Stravinsky and the Subhuman // Defining Russia Musically: Historical and Hermeneutical Essays. — Princeton: Princeton University Press, 1997. — P. 360–388.
53. Valkenier Elizabeth. Russian Realist Art: The Peredvizhniki and Their Tradition. — Ann Arbor: Ardis, 1977; Norman John O. Pavel Tretiakov and Merchant Art Patronage, 1850–1900 // Between Tsar and People: Educated Society and the Quest for Public Identity in Late Imperial Russia / Ed. by E. W. Clowes, S. D. Kassow, and J. L. West. — Princeton: Princeton University Press, 1991. — P. 93—101.
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55. Slonim Marc. Russian Theater from Empire to Soviets. — Cleveland: World Publishing, 1961. — P. 102–118; Senelick Laurence. Theatre // The Cambridge Companion to Modern Russian Culture / Ed. by Nicholas Rzhevsky. — Cambridge: Cambridge University Press, 1998. - P. 268–271.
56. Ruckman Jo Ann. The Moscow Business Elite: A Social and Cultural Portrait of Two Generations, 1840–1915. — De Kalb: Northern Illinois University Press, 1984. - P. 88–108.
57. Князь Соллогуб цитируется no: Fanger Donald. The Creation of Nikolai Gogol. — Cambridge, Mass.: Harvard University Press, 1979. - P. 225.
58. Толстой Л.H. Война и мир. — Т. 2. — Ч. 2. — Гл. 39.
59. Достоевский Ф.М. Полн. собр. соч. — Л.: Наука, 1978. — Т. 14. — С. 285.
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