Science fiction has been an important part of pop culture since Hugo Grensback introduced it to American society in the 1920s. Grensback's idea was to sugarcoat science so that the young would be interested in it. He envisioned it as a way of teaching science to those who weren't interested in learning science. He wanted it to bubble through society, through our collective conscious.
In the 1930s and 1940s there were many science fiction magazines. The covers of them featured full color art designed to catch the eye. Scientists, looking like all-American heroes, monsters of all kinds, and women in scanty clothes and in peril, were the themes on many. At the time, these were the pulp magazines, filled with action stories and exciting tales. Each month the newsstands had new covers, all crying out for attention to convince us to buy the magazine.
One particular cover, from Astounding Stories, published in June 1935, is particularly important. It shows two alien beings with no hair, no nose, a slit-like mouth and large eyes. Through a door, one of the strange creatures is looking at a woman on an examination table. Her eyes are closed and she is covered by a sheet (a convention of the time), but it is clear that she is naked under the cloth. In the foreground another creature is restraining a man trying to break through to the woman.
This cover predicts many elements of the abduction phenomenon of forty years later. Although, the alien beings have pupils in large whites of the eyes, the similarities to the modern abductions is striking. To suggest that abductees of today could not have seen the cover of a science fiction magazine published decades years earlier is to miss the point. It demonstrates that the idea of alien abduction is not something that developed in a vacuum recently, as aliens began abducting humans, but in fact, had been announced in public long before anyone had heard of flying saucers and alien abduction.
The idea that the aliens are from a dying planet have been played out in everything from Not of this Earthfirst released in 1956 to many of the most recent science fiction movies, including a 1994 remake of Not of This Earth. Interestingly, the alien is collecting blood in an aluminum briefcase and he always wears dark glasses to hide his eyes. Although not collecting genetic material in the way sometimes suggested by abductees, he is required to send humans to his home world as they attempt to end the plague destroying them. The obvious purpose is to gather human genetic material.
But that very problem is discussed in The Night Callermade in 1965. In that movie the alien is sent to Earth to provide women for "genetic experiments" on his home world. The women are, of course, abducted by that alien.
Films, such as This Island Earthcontain alien scientists eventually abducting Earth scientists to help them defeat their enemies on their home world. The 27th Day, features potential alien invaders who provide several people with the power to destroy all human life on Earth so that the aliens can inherit it.
And each of these films suggest human abduction somewhere in the storyline.The 27th Day, begins with five people abducted onto an alien ship where time slows almost to a standstill. The abductees are returned quickly, after being given their mission, and the weapons to wipe out the human race. Peter Graves, a scientist working on atomic energy, is abducted from his jet as it crashes in Killers from Space. He returns to the base, confused, with a period of missing time and a huge scar on his chest. The one thing that stands out in the film is the huge eyes of the aliens. Although not the jet black orbs of the modern abduction tales, these eyes haunt Graves as he tries to remember exactly what has happened to him. And Graves remembers nothing of the encounter until he undergoes a chemical regression aided by sodium amytal.
To take the Killers from Spacetheme even a step further, in 1975 I attended a UFO conference in Fort Smith, Arkansas. A man there claimed to have been abducted while waiting in his car at a railroad crossing. Under hypnosis, arranged by the conference organizer Bill Pitts, he told a story of being subjected to a medical examination of some kind. He said that while lying on the table, surrounded by aliens, he could see a huge screen near him. It was a display of his internal organs including his beating heart. And it is a scene right out of Killers from Space. I recognized the scene as soon as I heard it.
The implants claimed by some as proof that abductions are real have also been featured in science fiction movies. Tiny probes, pushed into the back of the neck to monitor the victims, are found in 1953's Invader's from Mars. In fact, there are several scenes in the movie that mirror the stories told by modern abductees.
And for those who find these examples interesting, but not persuasive there is Mars Needs Women. Overlooking the obvious which is, of course, the abduction of women for reproductive purposes, there are the costumes worn by the Martians. These include a tight fitting helmet, not unlike those worn by skindivers. Over the ear was a small, round radio with a short antenna sticking up. This exact costume was reproduced by Herbert Schirmer after his abduction was reported to the Condon Committee in 1968. The contamination by the movie is unmistakable.
What we find, by searching the science fiction movies of the 1950s and 1960s, are dozens of examples of aliens invading from a dying planet, abducting people for reproductive purposes, and implanting small devices into them for a variety of reasons. To suggest, as Budd Hopkins has, that there is no similarity to the "traditional sci-fi gods and devils," is ridiculous. The similarity to many of the alien beings and abduction situations in science fiction is overwhelming.
What we have demonstrated here is that all the elements of the abduction phenomenon have been used in dozens of science fiction stories. These films might have been poorly attended when first released to the theaters, but have been replayed time and again on late night television and are available in mass collections of science fiction movies. Even those who claim no interest in science fiction movies have had the opportunity to see them on the late shows. It cannot be suggested that these films have had no influence on the abduction phenomenon for even if a specific witness could prove he or she had never seen any of these movies, there are dozens of others who have. There is no denying that this aspect of pop culture has had an influence of our view of the aliens and their motivations, and therefore on the reporting of stories of alien abduction.
And even if the witness could somehow prove that he or she had not watched the films on late night television, there would be other arenas for exposure. Again, we slip into a look at pop culture in the 1950s and 1960s. While a specific abductee might have avoided films with flying saucers and aliens in them, he or she would have attended movies. We all did, whether it was the Friday night date, or the kid's matinee on Saturday afternoon. One of the many features of the theater presentation was the trailers, or the previews of coming attractions. So even if the abductee didn't go to the science fiction movies of the era, he or she would have seen the previews for them. The abductee might have avoided seeing the whole film, but would have seen pieces of it while at another movie.
Or, to take it a step further. How many families made it an outing to attend the drive-in theater on a Friday or Saturday night? It didn't matter so much which films were showing, but that the family was going out together. Many of the drive-in movies were the "B" films, those made to support the main attraction. These were black and white science fiction films made cheaply. Many of them were of alien invasions, monsters from outer space, and as we have noted, included many of the elements of the abduction phenomenon of today.