“Just start mouthing a name and I’ll jerk focus like someone’s bumped into my arm,” says the cameraman, swigging on a container of meths.
“Davenport!” bawls the reporter in the bright red suit from the late night gossip show to his co-presenter’s breasts, “What do we know about Davenport? What do you want to know about him? Well, he’s here to give some kind of big speech… but let’s forget about all that boring stuff, eh Roxy? Here’s three facts you may not know about our possible future Prime Minister!”
Roxy’s lilac contact lenses home in on her autocue.
“Fact One:” she slurs, her swollen red mouth chomping up and down on some words. What’s she using for lipstick? Car paint? You could listen to her talk but you’d regret the effort afterwards.
“And they say men have the damaged chromosome,” says Malmot charmingly as we watch from a discreet balcony.
Roxy’s red-suited companion looks like he spreads diseases round fashionable gatherings.
“There’s simply no reason for that man to exist!” Malmot fumes. “Nail him to a cross and boil him alive in raw shit. At least that way he’ll provide some entertainment.”
Roxy throws back her head like a howling wolf.
“Doooooooon’t quote me on that!” she bawls, and they head off to exchange genital parasites in the toilets.
I’m wearing a false moustache, but it’s unlikely anyone would recognise the hero of Battencross Manor anyway. I’m just not that impressive lined up alongside barely legal TV presenters with drug habits and Tourette’s.
The conference centre buzzes beneath us, the atmosphere tense like a hanging. Who’ll die today, I wonder.
The Nation’s alcoholism works in our favour. We want them ill-informed and irrational. We’ve our own journalists, ready to deploy, but there’s no need just yet. The independent press are doing us proud. Wonky-bollocked bullshit’s been mislabelled as Fact. Diagrams legitimise distilled-conspiracy theory and a mix of half-truths and downright lies ensure our walnut-brained audience has stoked itself into a drunken rage. There’s a very real threat of violence – if we handle things correctly – and a sense that something truly terrible is about to happen.
The public being the public have decided that whatever Davenport’s going to say, they won’t like it. So they line the auditorium with blank banners and paints, ready to protest against ‘it’ the moment they know what ‘it’ is.
Prowling the aisles is the self-same child who tried to flog me a pistol on my hospital trip, now selling rotting veg at exorbitant prices to dissidents and old reactionaries alike. Credit cards accepted. And, for cash, you can get a nice little half-brick. And, for a banknote of the right denomination in the pocket of the right person, there’s always an upgrade to a ringside seat. If you can’t inflict a head wound from that distance, there must be something wrong with you.
Our speechwriter’s looking nervous, twisting his long, wavy hair and blathering about ‘context’ and so on and suchlike. We all laugh when he mentions ‘believability’.
“It’s too late now,” I tell him, grinning.
Malmot ’s looking at me. He’s cackling to himself. Am I really that funny?
“Well, we’ve wound up the right-wingers simply by being here,” he laughs, “but Davenport’s crowd are lefties.”
“Tolerant bastards!” I swear. “You’ll have to go some to offend those sons of bitches.”
“Hah!” goes Malmot. “Now, the second best way to wind up a lefty is to tell them they can’t have something. It doesn’t matter what it is. It doesn’t even matter if it exists or not. It doesn’t matter if it’s dangerous and it might kill them. Tell a lefty he can’t have a hat full of sea snakes and he’ll run round with a placard and an earnest whine until he gets one. It doesn’t matter about the poor sea snakes, who might not want to be in a hat. It’s the lefty’s right to have a hat full of sea snakes that counts. And he’ll carry on pounding that fact into you until his flesh bubbles up in venom-filled fistulas and his heart explodes. Then God help the poor children with ouija boards hoping to contact Satan. It’s yawns all round as our lefty’s ghost gets through and treats them to an inconclusive report thanking the snakes for their public-spirited cooperation.”
“What’s the first best way?” I ask dumbly.
“Just watch,” he tells me.
“Watch what?”
“Watch this!”
Okay. I realise that for someone who claims to have no feelings, I’ve spent a lot of time talking about them. That was a mistake. I don’t want your sympathy. I certainly don’t want your empathy. You start empathising with me and you might start acting like me. And then you try moving into my territory and I have to kill you. Horribly.
But I would like to think you could share in my malicious pleasures. And, as far as things-that-shouldn’t-be-fun-but-are go, this is a pretty special moment.
Now, I never got to be a proper father. I’ve never had a child reach adulthood thanks to the CIA. So this is as close to seeing one of my kids in a school play as I get. (Bactrian in Knightsbridge doesn’t count; I had the delirium tremens at the time.)
I watch as my three undead children ascend the stage, resplendent in their shiny electric wheelchairs: Davenport; Churchill and the woman I now find is called Laeticia Veetabycs.
Cheers and jeers rend the air and my heart swells with pride knowing that something I’ve created should be having such a profound influence on complete strangers.
“I’m finally having an effect on the world,” I whisper to myself.
“You’ve scribbled your first penis in the wet cement of History,” says Malmot, eyes aglow. “This is the dawning of the Death of Democracy!”
“Sounds like a song,” I say, and we drawl our way through a few cynical refrains, sung to the tune of ‘Age of Aquarius’. You could almost call it ‘teambuilding’. But our disillusioned speechwriter wants none of it.
“Poor boy,” Malmot teases. “What a terrible thing it must be to have political convictions.”
Laeticia Veetabycs rolls up to the specially lowered podium. Our sound technician presses play on his laptop and, by the time an unconvincing female voice has finished renouncing all her previous beliefs and advocated rearmament as a means of boosting the economy, we know we’re on for a riot.
“Face it,” she says. “Guns create job vacancies….In all sorts of ways.”
Nelson Churchill does nothing to calm the waters. I don’t recall what he says, but I remember Speechwriter crossing himself and asking the Lord for His forgiveness.
“If you’re worrying what God thinks of your script,” says I, ever the sermonising atheist, “you should have asked him to proofread it. Then it’s His own damn fault if he’s too busy killing children in a famine, somewhere, to give it the once-over.” And damn the little pen-pushing bastard if he doesn’t curse me for a son of Satan.
Back to the stage and Davenport’s vainglorious entrance – all blaring fanfares and electricity-guzzling lighting effects to drive the environmentally-minded audience into a state of apoplexy. Lasers shoot party logos across the ceiling. A back-projected screen shows Opposition propaganda, intercut with our own split-second subliminal calls for violence, public nudity and spontaneous defecation. You don’t want to know what we’ve put in the smoke machines.
“My friends…” Davenport crackles over ear-rending levels of profanity.
“Tread water,” Malmot tells the sound technician.
“My friends, if we could just have a moment’s quiet…” says Davenport.
Malmot signals with a cigarette lighter and black security helmets seep into the crowd like rogue cells in a bloodstream. Short bursts of violence secure an uncertain silence punctuated only by the weeping of children. The technician gets the go ahead and we’re back in business with some affable preamble and a few lame jokes. You know the deal.