And so you turn into an avenue of big stone houses and dismount at the kerb beside Number One Client’s town house, lock the bicycle, walk up to the front door, and (careful not to touch it with your bare skin) ring Michael Blair’s doorbell.
LIZ: Black Swans
You’re out of the office early (flexitime is one of the perks of the back-office inspector’s rank these days) and go home to get changed for your date with Dorothy. Not that you’re flustered or anything: If your life was a house, she’d merely be the unexploded bomb ticking away in the wreckage of your cellar, capable of blowing you all the way to Oz at any moment.
You rush home and:
dive into the kitchen for a glass of wine, only to stare in dismay at the dirty plates in the kitchen sink,
dive into the bathroom for a quick shower, only to stare in dismay at your haystack hair in the mirror,
dive into the bedroom for a fresh outfit, only to stare in dismay at the contents of the wardrobe (two stale party frocks, various jeans and tees, and at least eight neatly laundered business suits and accompanying blouses).
This is your life, and there’s no rug big enough to sweep it all under—at least not in the half-hour you’ve allowed yourself for doing the Clark Kent/Superman phone-booth thing before you rush out again. So you compromise on:
a glass of water,
your hair savagely brushed and tied back to conceal the creeping anarchy and split ends,
a different trouser suit,
earrings and a necklace that’d get you sent home from the station in disgrace if you wore them on shift (just to remind you that you’re off duty).
Before you go out, you stare at the bathroom unit uncertainly, reflecting. You’ve spent twenty minutes rushing around like a schoolgirl on a first date, and to what end? It’s not like Dorothy doesn’t know what you are—faking soft edges will cut no ice. The thought’s meant to count, isn’t it? Or the gesture. You’re dressing up for her, or not dressing up for her—you’re old enough that you ought to know your own mind. You’ve been kicked in the teeth by love often enough that you should have figured out who you are by now. But you’ve fallen into an existential trap with this vocation of yours, haven’t you? It’s easy to know how you’re meant to function when you wear a uniform: You do the job and follow the procedures, and everyone knows what you’re meant to be doing. What you wear dictates how you behave.
… But there’s no uniform for a date with Dorothy.
You panic and get changed again, and in the end you make yourself late enough that you end up calling a taxi, sitting twitchily on the edge of the grey-and-orange seat as it grumbles uphill towards George Street. It bumps across the guided busway that bisects Queen Street and chugs up Dundas Street, wheezing to a halt at the corner: You pay up and climb out, and a trio of miniskirted girls nearly stab you to death with their stilettos as they stampede to get in. Just another night out on the tiles in Auld Reekie, nothing to see here but a single thirtysomething woman in sensible shoes walking towards a wine bar full of braying bankers.
Dorothy has found a stool at the bar and is sitting with her back to you, nursing a caipirinha and keeping a quiet watch on the huge mirror behind the bar. Stylish as ever, she makes you feel like a gawky schoolgirl just by existing. You make eye contact through the looking glass, and she gives a little wave of invitation as you walk towards her, a flick of the wrist. Then she’s turning, smiling, and you embrace self-consciously. She smells of lavender water. “Hey, darling, you’re looking gorgeous! How are you keeping?”
“I’m good. Yourself?” You step back, find there’s a gap in the row of bar-stools—but the next one over is already occupied by a bloke who’s the spitting image of a kiddie-fiddler you helped put away ten years ago. (Only ten years younger, of course.) You turn away from him hastily as Dorothy’s smile opens up like the sun, and she waves past you, attracting the barman’s hypnotized gaze.
“I’m in town for the next two weeks”—she runs a hand through her hair, which is a deeper chestnut red than it was last time you saw her, and about ten centimetres longer—“visiting the Cage out at Gogarburn for an ongoing evaluation at the bank: Then I’ve got a spot evaluation on some American company’s local operation.” The Cage is the secure zone within the National Bank of Scotland campus: Dorothy is an auditor, the kind who gets to travel a lot. Her little black dress is more boardroom than cocktail bar—doubtless her brief-case and jacket are waiting in the cloakroom—but with her string of pearls and porcelain complexion, she could make it work anywhere. “They’ve stuck me in a tedious hotel in the West End, Julian is in Moscow this month, so of course…” She raises a meticulously stencilled eyebrow at you.
“We can see about that.” The barman pauses in front of you. “White wine spritzer, please,” you tell him, and flash your ID badge before he can card you. You wait until he delivers before continuing: “Have you eaten yet?”
“No. But there’s a place round the corner that’s been getting good reviews.” She looks at you speculatively.
“Do you have any plans? Outside of work?” You can’t help yourself: You have to ask.
“I don’t know yet.” For a moment she looks uncertain. “This is an odd one.” You catch the warning before she continues. “I may have to put in lots of overtime. I was hoping we could catch up if the job permits.”
Dorothy’s always like this. Babs accused you of being married to the job (and she wasn’t wrong), but Dorothy makes you look like a slacker. That alone would be enough to make your relationship with her an on-again off-again thing: And that’s before you get round to thinking about Julian, her primary.
So you nod, hesitantly. “I don’t have a lot on in the evenings this week. And I’m free Saturday and Monday. Is there anything particular you want to do? Theatre, music—”
“I was hoping we could start by finding somewhere for dinner?” She bites her lip. “And then I’d like to pick your brains about a little problem I’ve got at work…”
Dorothy is indeed staying in a boring business hotel in the West End. You end up in the bar around midnight, by way of a sushi restaurant and a couple of rounds of margaritas. You’re not sure whether you’re meant to play predator or prey here—it’s been months since the last time your paths intersected—but you’ve got a plushly padded booth to yourselves, and you catch her stealing sly glances at you in the mirror while she’s at the bar ordering a round. “I can’t stay too late—I’m on shift tomorrow,” you tell her regretfully, as she sits down opposite and bends forward to peel off her pumps.
She curls her lower lip, pointedly not pouting. “That’s a shame,” she says. You freeze, outwardly expressionless as her unshod left foot comes into contact with the inside of your right calf. Question answered. “Didn’t you say you’re free Saturday?”
You catch your breath: “Yes, I am.” Actually, clearing weekend leave usually takes advance notice, but you’re on weekday office hours right now: You can swing Saturday and Monday if you need to. Maybe even swap Sunday for Monday… Her stockinged foot caresses your ankle. It’s smooth, muscular (all those hours in hotel health clubs), reminding you, rubbing. “That’s assuming I don’t get roped into the latest mess.”