"You're in Quebec City. Picture it. Twenty-two below zero Celsius. People running around everywhere. It's Carnaval. Somebody hands you a glass that's pure alcohol plus red wine. You take a drink. Three days later your body comes hurtling through a snow-blower."
"Dull. Stupid and dull."
Huge stains, as of disruptions in the plumbing, covered part of one wall. The place smelled. There were inclines in the floor, some unexpected grades and elevations. An unfinished mural_palm trees-covered a section of the wall behind the bar.
"Where are you from?" Moll said.
"Originally?"
"Originally, lately, whatever. Or are you the kind of person who sees himself as a man without a history_no past, no relatives, no ties, no binds. You're the kind of person who sees himself as a man without a history."
"But you like that kind of person."
"I like that kind of person, true."
"Because they tend to be mean bastards," he said.
"And I like mean bastards."
"They tend to be very, very mean."
"And I'm attracted to that, yes."
The bartender was a Latin with a terrible complexion. His shirt cuffs were folded over twice. He seemed to tiptoe back and forth, a stocky man, his head wagging. The lighting in the room was dim.
" Arak," she said. "I got wiped out on arak-where?"
" Cyprus."
" Cyprus, that's right. Although I don't think I've been to Cyprus. No, I've never been to Cyprus. So that's not right. You're clearly mistaken, Selvy."
"It wasn't Cyprus and it wasn't arak. It was ouzo and it was Crete."
"Well, now, I admit to having been on Crete."
"And it was ouzo, not arak. You've never touched a drop of arak in your life."
"I don't think I like ouzo. So why would I want to get wiped out on it?"
"You thought it was arak," he said. "But it wasn't. And it wasn't Crete either. It was Malta."
"It was malteds. It was chocolate malteds."
"Right. That's correct. You're making sense for a change."
"Do I get to see the collection?"
"Not a chance," he said affably.
"Is it in Georgetown?"
"Forget it."
"He'll see me. I know he'll see me. Whether or not he'll grant me a real live interview is a whole 'nuther question. But I couldn't care less about the whole thing unless I know the collection's in his Georgetown house. I just want to get near it, understand. I want to know I'm close. So is it in Georgetown? I want to know I've got half a chance."
Selvy was drinking Polish vodka. He drained his glass and pushed it several inches toward the inner rim of the bar. The man sitting on the step near the toilets hadn't stopped talking about the FBI. He was able to see the cameras and listening devices. They were installed everywhere he went. If he went to another bar around the corner, they would be there. If he took a bus uptown, he'd see the little bugging devices, the little cameras under the seats and along the metal edges of the windows. People kept telling him he had the DTs. But the DTs were when you saw rats and birds and insects. It was little cameras he saw. Tiny transmitters. And they were everywhere.
The bartender filled Selvy's glass. The old woman at the other end of the bar started an argument with one of the two men who were with her. It was her son, evidently. The bartender stared at Moll.
"Headhunter Zombie," she said. "It's coming back to me. This hotel bar someplace-the Dutch Leewards? Where are the Dutch Leewards? You mix in papaya, peach nectar, some dark rum, some more dark rum, some light rum, some lime juice, some shaved ice and I think some honey. Add a dash of bitters."
The first three-round burst took out the bartender and sent glass flying everywhere. Moll felt herself thrown to the floor. There was a second burst, a three-part roar, little explosions everywhere, things flying, and she was aware of Selvy's hand leaving his hip with a gun in it. This had happened earlier, two seconds perhaps, and was just registering, and there was blood also registering, coming down on her from the top of the bar. She flattened herself against the angular surface where the bar and the floor joined, digging in, her whole body, glass registering, crashing everywhere, and the old woman's voice.
Selvy took a head-on position, prone, to avoid presenting too wide a target. He noted muzzle flash. Gun bedded in his hand, he moved his fingertip to the trigger and applied pressure, straight back and unhurriedly, letting out his breath but not completely, just to a point, holding it now as the gun fired, oniy then exhaling fully.
He watched for motion out on the sidewalk. Single gunman, he was almost certain, auto-firing in short bursts. For a brief moment he lost a sense of where the man was, then realized he was standing in the doorway, trying to sort out the chaos inside. AR-18. Severe muzzle climb. Son of a bitch is wearing ear muffs and shooting glasses. Thinks he's on a firing range.
Answering the burst, Selvy fired twice. The whole place was breaking apart with noise, bullets, flying glass. The man who'd been sitting on the step crawled moaning toward the door, trailing blood, one arm limp. The gunman was out of the doorway, moving, hit possibly. Selvy had the distinct impression he'd been hit.
He got to his feet and stepped over the crawling man. He heard a car move off. The old woman lunged at him and he gave her an elbow that drove her to the floor. There was still a roar in his head but the street was quiet and he didn't bother checking for blood. It was academic really, whether he'd hit the man. No concern of his. A technicality.
He returned the.38 to the break-front holster on his belt. Moll came out on the sidewalk. Her expression was comical. She seemed more amazed by the fact that he'd been carrying a gun than by the rest of it, the man spraying the place with automatic fire, the dead and wounded.
"I saw him," she said. "I looked up at the end. What was he wearing? He looked so strange. He stood there trying to see into the room. He was wearing something on his ears and face."
"Tinted glasses. Shooting glasses, for ricocheting bullet fragments. And ear protectors, for noise."
"Who was he? There are people dead in there. What the hell happened?"
"I don't think he was familiar with the weapon. He was letting the muzzle climb when he fired. That weapon's designed to prevent that."
"But who the hell was he? What happened?"
"He had his right elbow at the wrong angle. He had it pointed way down. Your elbow should be straight out, parallel to the ground, firing that particular weapon."
"Jesus, will you stop?" she said. "Will you tell me what happened?"
Her sweater and shirt were covered with the bartender's blood. She stood there trembling. He gave her a crooked little smile and shook his head, genuinely regretful that he wasn't able to bring some light to the situation.
A couple of kids came out of a doorway to approach Selvy near the shattered front of Frankie's Tropical Bar.
"We see the whole thing."
"How much you give us to testify?"
"We make a deal, man."
"It was Patty Hearst with a machine gun."
"No, man, it was Stevie Wonder. You see his headset? He was shooting to the music."
II Radial Matrix
1
She parked at the very limit of a dead-end street overlooking Rock Creek. It was a warm evening, kids chasing each other in a playground just yards away. The house was red brick, fairly large, attached (how strange, she thought) to a common brown frame house that seemed totally out of place here. How strange and interesting. She approached the brick house, noting that the door-knocker was a bronze eagle.
Lloyd Percival made flattering remarks. He remembered what she'd been wearing on their previous encounter in the corridors of the Senate wing. And commented on the reduced frizz-content of her hair. They sat around a cherrywood cocktail table in a large room filled mostly with period furniture and decorated in spruce green Colonial wallpaper. The first hour was boring, at least for Moll.