Petitions, like the Domostroi, suggest symbolically that the ruler and his people were united in a patriarchal, personal family, that the realm constituted a single, homogeneous community. It has been noted that early seventeenth-century texts portray the tsardom as a ‘God-dependent’ community in which all, high and lowly, are personally dependent on the ruler and all equally share a responsibility to serve him loyally and offer him virtuous counsel when he errs. Sixteenth-century chronicle sources also strike these themes of consensus, unanimity, and patrimonial dependence, emphasizing the personal affection between grand princes and their boyars, or criticizing boyars for not giving the ruler counsel or for seeking ‘personal power’ (samovlastie). It is impossible to say how well these ideas were internalized by various strata of the population, but they were consistently and clearly articulated in the sources.
The central focus for building a cohesive state was the court, which sought to project a coherent public image of the realm and its relationship to the élite. Genealogies of the Daniilovich family traced its descent to the Vladimir-Suzdal principality (twelfth and thirteenth centuries), while panegyrics and hagiography created a pantheon of Muscovite heroes, most notably Grand Prince Dmitrii Donskoi (1359–89). The court also patronized cults of the ‘Moscow miracle-workers’, three fourteenth- and fifteenth-century metropolitans (Peter, Alexis, Iona) closely associated with the ruling dynasty. All these texts identified Moscow accurately with its fourteenth-century roots.
In the sixteenth century this vision became more universalist and less accurate. Genealogical tales of the Muscovite grand princes began to extend the family line through Kiev to ancient Rome in a typically Renaissance quest for a classical heritage. By the mid-century even more grandiose visions were constructed, with their roots firmly in the Orthodox past. Metropolitan Makarii’s mid-century compilations of hagiography chronicles, and didactic texts presented Muscovy as a holy kingdom, part of universal Christianity, linked through Kiev Rus to Byzantine Christianity and ultimately to God’s creation of the earth. Icons such as ‘Blessed is the Heavenly Host’ (popularly known as the ‘Church Militant’), new court ceremonies such as Epiphany and Palm Sunday processions, and fresco cycles that filled the interiors of the Kremlin churches and palaces after the fires of 1547, all elaborated a ‘Wisdom Theology’ that immersed the reader or viewer in a biblical world. This vision was decidedly apocalyptic, lending great drama to the symbolic message and perhaps dispensing tension or exaltation among the viewers.
One should be quite clear about what Muscovite ideology was not saying in the sixteenth century. Moscow was not, for example, styling itself the ‘Third Rome’, heir to Rome and Byzantium and natural leader of the world. The ‘Moscow, the Third Rome’ text was a minor theme encountered in only a few ecclesiastical texts; it was originally used only to exhort the tsars to be just and humble, not to justify overweening power. It was most warmly embraced in the seventeenth century, and then by the schismatic Old Believers, at the same time that it was being discredited by the official Church. Nor did Muscovite ideology primarily exalt the tsar as next to God in power and as separate and above the common man. Although this viewpoint, associated with the Byzantine philosopher Agapetus, makes its appearance in mid-sixteenth-century texts, it was usually balanced with Agapetus’ injunction to rulers to govern justly and with mercy. Nor did Muscovy see itself as a secular or pluralistic kingdom. There is no trace in sixteenth-century Muscovy of the keen debates over the natio that flourished in sixteenth-century England, France, Poland, and seventeenth-century Ukraine. Russia was outside that world of discourse; it defined itself in religious, not secular terms, as a family and community, not a state.
Much of this imagery directly appealed to the élite by making use of allegorical military themes. Moscow’s boyars and élite, although illiterate, could absorb a consistent vision of the state and their place in it by gazing at the frescos, battle standards, and icons that decorated the churches and chambers where they attended the tsar. Allegorically these depicted the state as the Lord’s heavenly army, a remarkably apt and probably compelling image for a state whose élite was defined by military service.
The image of the state as a Godly community of virtuous warriors and dependents of the tsar was acted out in collective meetings that first appeared in the mid-sixteenth century. Councils of the Land (zemskie sobory) were summoned at the initiative of the ruler; he set the agenda which usually concerned the issue of war and peace, but occasionally succession and taxation. Those present generally came from non-taxed social strata. The Councils were not parliamentary assemblies; they possessed neither legal definition, nor legislative initiative, nor decision-making power, nor consistent and representative composition. They seem to have fulfilled other functions than legislation; indeed, in the wake of the abolition of regional governors, they served as means of communication of state policy to the countryside to mobilize support for its military and fiscal policy. They also played an important symbolic role by physically creating a community of tsar and people in ritual fashion that may have worked cathartically as Emile Durkheim described rituals working to energize the community, to build bonds, and to resolve tensions. Clearly these were the challenges that stood before Muscovite rulers in the sixteenth century as they sought to bolster stability in constantly growing and vastly diverse lands.
The Autocratic Project
They were not alone in facing such challenges. Religious, linguistic, cultural, and regional diversity was typical of premodern states across the European plain. French kings, for example, ruled over several language communities and had to contend with a basic division in legal relations between pays d’etat (where estates negotiated laws and finances with the kings) and pays selection (where the king’s officers had direct authority). French towns and rural communities used many different legal codes and fiscal systems; corporate groups—estates, guilds, municipalities, professions—enjoyed privileged status. Rulers tried to make diversity work for them, tolerating differences, co-opting élites, maintaining established customs and regional associations as a means to consolidate their own power in the long run.
At first glance Muscovy would seem to have been less successful at these ‘absolutizing’ goals than England or France in the sixteenth century. With the débâcles of the oprichnina, the Livonian Wars, exorbitant taxation, and peasant flight, Muscovy ended the sixteenth century impoverished and politically vulnerable. But if judged over the longer term, Muscovy had achieved a surprising degree of success. The course charted by Ivan III and Vasilii III endured. Ivan IV did not transform political relationships or institutions, nor create a new élite. Many boyar families who dominated politics from Ivan III’s time survived the oprichnina and remained part of the élite into the next century; the new families that Ivan IV patronized by and large fell to provincial gentry status by the end of the century. Resource mobilization, development of a bureaucracy, military reform, and the consolidation of the élite survived the traumas of the 1560s-1580s, as did the march towards enserfment.