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      Russia has had no peer on the international chess scene. The first Russian world chess champion was Alexander Alekhine (Alekhine, Alexander), who left Russia after the revolution in 1917. Undaunted by Alekhine's departure, the Soviet Union was able to produce top-ranked players by funding chess schools to find and train talented children. The best of these students were then supported by the state—they were the first chess professionals—at a time when no one in the West could make a living wage from chess alone. From 1948, Soviet and Russian grand masters, including Mikhail Botvinnik (Botvinnik, Mikhail Moiseyevich), Vasily Smyslov (Smyslov, Vasily Vasilyevich), Boris Spassky (Spassky, Boris Vasilyevich), Anatoly Karpov (Karpov, Anatoly Yevgenyevich), Garry Kasparov (Kasparov, Garry), and Vladimir Kramnik (Kramnik, Vladimir), held the title of world champion almost continuously. During the same period, three Russian women reigned as women's world champion: Ludmilla Rudenko, Olga Rubtsova, and Elizaveta Bykova. Earlier, Vera Menchik-Stevenson (Menchik-Stevenson, Vera Francevna), who became a British citizen in 1937, was world champion from 1927 until her death in 1944.

 

      On the amateur level, the lack of facilities and equipment has prevented many average Russian citizens from participating in sporting activities, but jogging, football, and fishing are popular pastimes.

 

Media and publishing

      Russian 19th-century journalism was extremely vigorous, with newspapers and monthly “thick” journals being the most important forums. Daily newspapers and monthly journals of all political and artistic stripes continued to appear in the immediate aftermath of the 1917 revolution. However, the state's desire to control sources of information and propagandamanifested itself quickly, and most independent publications were eliminated by the early 1920s. What remained were the ubiquitous daily duo of Pravda (“Truth”) and Izvestiya(“News”). Journals were in a somewhat better position, especially those that published mostly works of literature. Periodicals such as Krasnaya nov (“Red Virgin Soil”) and LEF (“The Left Front of Art”) published much significant literature in the 1920s. In the 1960s this tradition was revived by the journal Novy Mir (“New World”), which in the 1980s was joined by a revitalized Ogonyok (“Spark”), though the latter was only briefly innovative.

 

      Radio and television from the time of their appearance in the Soviet Union were heavily dominated by the Communist Party apparatus and were seen as primary tools for propaganda. Until the mid-1980s most television programming consisted of either direct or indirect propaganda spiced with high art (e.g., filmed concerts and plays) and occasional grade-B thriller motion pictures.

 

      During the glasnost period groundbreaking television programming helped create the situation in which the Soviet state was destroyed. Government control of the media began to weaken, and by 1989 official censorship had been completely abolished. A significant portion of the press was privatized, but important elements still remained under the control and regulation of the government, particularly the television news media. Among the leading newspapers, Rossiyskaya Gazeta (“Russian Newspaper”) is the government's official organ and enjoys wide circulation. Independent newspapers, such as the weekly Argumenty i Fakty (“Arguments and Facts”), the daily Moskovskii Komsomolets (“Moscow Komsomol”), andNezavisimaya Gazeta (“Independent Newspaper”), also exert influence and are widely read. Pravda declined in significance during the 1980s, and Komsomolskaya Pravda (“Komsomol Truth”) and Sovetskaya Rossiya (“Soviet Russia”) became the principal news sources for Russian communists. There are also several independent newspapers (e.g., The Moscow Times) that publish in English.

 

      In the early post-Soviet years, Russian television exhibited signs of independence from the central government, but by the mid-1990s the Yeltsin government was exerting considerable influence. Much of Russian television is under state control; for example, Russian Public Television (Obschestvennoye Rossiyskoye Televideniye; ORT) is owned by the state, and another channel, commonly called Russian TV, is operated by the state-run Russian State Television and Radio Broadcasting Company (Vserossiyskaya Gosudartstvennaya Teleradiokompaniya). There were also several independent commercial television stations, some with wide viewership, such as Independent Television (Nezavisimoye Televideniye; NTV) and TV-6, both of which were available throughout Russia. Moreover, there were several hundred television stations that broadcast only regionally or locally. Some independently owned outlets that criticized the government found themselves the subject of official harassment during the presidency of Vladimir Putin; for example, TV-6 was ordered to cease broadcasting, and media tycoons Vladimir Gusinsky and Boris Berezovksy lost their media holdings and were forced into exile. The government operates two press agencies, ITAR-TASS, which succeeded the Soviet-era TASS agency, and the Russian Information Agency-Novosti.

 

Andrew B. Wachtel Olga L. Medvedkov Yuri V. Medvedkov