Our comfortable hotel possessed not a single characteristic feature, except a line on the printed placard of regulations posted in each room. The line said, "The price of this room is four rubles [or whatever it was] a day, except in Contract Time." "Contract Time," I found, meant the Annual Fair, in February, when the normal population of about one hundred and sixty-six thousand is swelled by "arrivers"-as travelers are commonly designated on the signboards of the lower-class hotels-from all the country round about. When, prompted by this remarkable warning, I inquired the prices during the fair, the clerk replied sweetly,-no other word will do justice to his manner,-"All we can get!" Such frankness is what the French call "brutal."
The principal street of the town, the Krestchatik, formerly the bed of a stream, in front of our windows, was in the throes of sewer-building. More civilization! Sewage from the higher land had lodged there in temporary pools. The weather was very hot. The fine large yellow bricks, furnished by the local clay-beds, of which the buildings and sidewalks were made, were dazzling with heat. It is only when one leaves the low-lying new town, and ascends the hills, on which the old dwellers wisely built, or reaches the suburbs, that one begins thoroughly to comprehend the enthusiastic praises of many Russians who regard Kieff as the most beautiful town in the empire.
The glare of the yellow brick melts softly into the verdure of the residence quarter, and is tempered into inoffensiveness in the Old Town by the admixture of older and plainer structures, which refresh the eye. But the chief charm, unfailing, inexhaustible as the sight of the ocean, is the view from the cliffs. Beyond the silver sweep of the river at their feet, animated with steamers and small boats, stretches the illimitable steppe, where the purple and emerald shadows of the sea depths and shallows are enriched with hues of golden or velvet brown and misty blue. The steppe is no longer an unbroken expanse of waving plume-grass and flowers, wherein riders and horses are lost to sight as, in Gogol's celebrated tale, were Taras Bulba and his sons, fresh from the famous Academy of Kieff, which lies at our feet, below the cliffs. Increasing population has converted this virgin soil into vast grainfields, less picturesque near at hand than the wild growth, but still deserving, from afar, of Gogol's enraptured apostrophe: "Devil take you, steppe, how beautiful you are!"
Naturally, our first pilgrimage was to the famous Kievo-Petcherskaya Lavra, that is, the First-Class Monastery of the Kieff Catacombs, the chief monastic institution and goal of pilgrims in all the country, of which we had caught a glimpse from the opposite shore of the river, as we approached the town. Buildings have not extended so densely in this direction but that a semblance of ascetic retirement is still preserved. Between the monastery and the city lies the city park, which is not much patronized by the citizens, and for good reasons. To the rich wildness of nature is added the wildness of man. Hordes of desperadoes, "the barefoot brigade," the dregs of the local population, have taken up their residence there every spring, of late years, in the ravines and the caves which they have excavated, in humble imitation of the holy men of the monastery of old. From time to time the police make a skirmish there, but an unpleasant element of danger is still connected with a visit to this section of the city's heart, which deters most people from making the attempt.
Beyond this lie the heights, on which stand the fortress and the Catacombs Monastery. Opposite the arsenal opens the "Holy Gate;" all Russian monasteries seem to have a holy gate. "The wall, fourteen feet in height, and more in some places, surrounding the principal court, was built by Hetman Mazeppa," says the local guide-book. Thus promptly did we come upon traces of that dashing Kazak chieftain, who would seem, judging from the solid silver tombs for saints, the churches, academy, and many other offerings of that nature in Kieff alone, to have spent the intervals between his deeds of outrageous treachery and immorality in acts of ostentatious piety. In fact, his piety had an object, as piety of that rampant variety usually has. He meditated betraying Little Russia into the power of Poland; and knowing well how heartily the Little Russians detested the Poles because of the submission to the Pope of Rome in those Greek churches designated as Uniates, he sought to soothe their suspicions and allay their fears by this display of attachment to the national church. His vaingloriousness was shown by his habit of having his coat of arms placed on bells, ikonostasi, [14] and windows of the churches he built. In one case, he caused his portrait to be inserted in the holy door of the ikonostas,-a very improper procedure,-where it remained until the middle of the last century. Highly colored frescoes of the special monastery saints and of historical incidents adorned the wall outside the holy gate. Inside, we found a monk presiding over a table, on which stood the image of the saint of the day, a platter covered with a cross-adorned cloth, for offerings, and various objects of piety for sale.
The first thing which struck us, as we entered the great court, was the peculiar South Russian taste for filling in the line of roof between the numerous domes with curving pediments and tapering turned-wood spirelets surmounted by golden stars and winged seraphs' heads surrounded by rays. The effect of so many points of gold against the white of the walls, combined with the gold of the crosses, the high tints of the external frescoes, and the gold of the cupolas, is very brilliant, no doubt; but it is confusing, and constitutes what, for want of a better word, I must call a Byzantine-rococo style of architecture. The domes, under Western influence, during the many centuries when Kieff was divorced from Russia, under Polish and Lithuanian rule, assumed forms which lack the purity and grace of those in Russia proper. Octagonal cupolas supported on thick, sloping bases involuntarily remind one of the cup-and-ball game. Not content with this degenerate beginning, they pursue their errors heavenward. Instead of terminating directly in a cross, they are surmounted by a lantern frescoed with saints, a second octagonal dome, a ball, and a cross. These octagons constitute a feature in all South Russian churches.
Along the sides of the court leading to the great Assumption Cathedral stood long, plain one and two story buildings, the cells of the monks. Rugs of fine coloring and design were airing on the railings in front of them. I examined their texture, found it thick and silky, but could not class it with any manufacture of my acquaintance. I looked about for some one to question. A monk was approaching. His long, abundant hair flowed in waves from beneath the black veil which hung from his tall, cylindrical klobuk, resembling a rimless silk hat. His artistically cut black robe fell in graceful folds. I should describe him as dandified, did I dare apply such an adjective to an ecclesiastical recluse. I asked him where such rugs were to be found. He answered that they were of peasant manufacture, and that I could probably find them in Podol, the market below the cliffs. These specimens had been presented to the monastery by "zealous benefactors."
Then he took his turn at questioning. I presume that my accent was not perfect, or that I had omitted some point of etiquette in which an Orthodox Russian would have been drilled, such as asking his blessing and kissing his hand in gratitude, by way of saying "good-morning," or something of that sort. His manner was that of a man of the world, artistically tinged with monastic conventionality, and I wondered whether he were not an ex-officer of the Guards who had wearied of Court and gayeties. He offered to show us about, and took us to the printing-house, founded in the sixteenth century. It is still one of the best and most extensive in the country, with a department of chromo-lithography attached for the preparation of cheap pictures of saints. One of the finest views in town is from the balcony at the rear of this building, and the monk explained all the points to us.