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“Yassen Gregorovich!” he exclaimed, pointing me to a chair in the office, which was almost circular with an iron chandelier in the middle. There were floor to ceiling bookshelves, two windows looking out over woodland, and half a dozen clocks, each one showing a different time. A pair of solid iron filing cabinets stood against one wall. Mr Nye wore the key that opened them around his neck. “Welcome to Malagosto,” he went on. “Welcome indeed. I always take the greatest pleasure in meeting the new recruits because, you see, when you leave here you will not be the same. We are going to turn you into something very special and when I meet you after that, it may well be that I do not want to. You will be dangerous. I will be afraid of you. Everyone who meets you, even without knowing why, will be afraid of you. I hope that thought does not distress you, Yassen, because if it does you should not be here. You are going to become a contract killer and although you will be rich and you will be comfortable, I am telling you now, it is a very lonely path.”

There was a knock at the door and a second man appeared, barely half the height of the headmaster, dressed in a linen suit and brown shoes, with a round face and a small beard. He seemed quite nervous of Mr Nye, his eyes blinking behind his tortoise-shell glasses. “You wanted to see me, headmaster?” he enquired. He had a French accent, much more distinct than Colette’s.

“Ah yes, Oliver!” He gestured in my direction. “This is our newest recruit. His name is Yassen Gregorovich. Mrs Rothman sent him over from the Widow’s Palace.”

“Delighted.” The little man nodded at me.

“This is Oliver d’Arc. He will be your personal tutor and he will also be taking many of your classes. If you’re unhappy, if you have any problems, you go to him.”

“Thank you,” I said, but I had already decided that if I had any problems I would most certainly keep them to myself. This was the sort of place where any weakness would only be used against you.

“I am here for you any time you need me,” d’Arc assured me.

I would spend a lot of time with Oliver d’Arc while I was on Malagosto but I never completely trusted him. I don’t think I ever knew him. Everything about him – his appearance, the way he spoke, probably even his name – was an act put on for the students’ benefit. Later on, after Nye was killed by one of his own students, d’Arc became the headmaster and, by all accounts, he was very good at the job.

“Do you have any questions, Yassen?” Mr Nye asked.

“No, sir,” I said.

“That’s good. But before you turn in for the night, there’s something I want you to do for me, I hope you don’t mind. It shouldn’t take more than a couple of hours.”

That was when I noticed that Oliver d’Arc was holding a spade.

My first job on Malagosto was to bury Mr Grant in the little cemetery in the woods. It was a final resting place that he would share with plague victims who had died four hundred years before him, although I had no doubt that there were other more recent arrivals too, men and women who had failed Scorpia just like him. It was an unpleasant, grisly task, digging on my own in the darkness. Even Sharkovsky had never asked me to do such a thing – but it’s possible that it was meant to be a warning to me. Mrs Rothman had let me live. She had even recruited me. But this is what I could look forward to if I let her down.

As I dragged Mr Grant off the stretcher and tipped him into the hole which I had dug, I couldn’t help but wonder if someone would do the same for me one day. For what it’s worth, it is the only time I have ever had such thoughts. When your business is death, the only death you should never consider is your own. It had begun to rain slightly, a thin drizzle that only made my task more unpleasant. I filled in the grave, flattened it with the spade, then carried the stretcher back to the main complex. Oliver d’Arc was waiting for me with a brandy and a hot chocolate. He escorted me to my room and even insisted on running a bath for me, adding a good measure of “Floris of London” bath oil to the foaming water. I was glad when he finally left. I was afraid he was going to offer to scrub my back.

Five months…

No two days were ever exactly the same, although we were always woken at half past five in the morning for a one-hour run around the island followed by a forty-minute swim – out to a stump of rock and back again. Breakfast was at half past seven, served in a beautiful dining room with a sixteenth-century mosaic on the floor, wooden angels carved around the windows and a faded view of heaven painted on the domed ceiling above our heads. The food was always excellent. All four students ate together and I usually found myself sitting next to Colette. As she had warned me, Marat and Sam weren’t exactly unfriendly but they hardly ever spoke to me. Sam was dark and very intense. Marat seemed more laid-back, sitting in class with his legs crossed and his hands behind his back. After they had graduated, they decided to work together as a team and were extremely successful but I never saw them again.

Morning lessons took place in the classrooms. We learned about guns and knives, how to create a booby trap, and how to make a bomb using seven different ingredients that you could find in any supermarket. There was one teacher – he was red-headed, scrawny and had tattoos all over his upper body – who brought in a different weapon for us to practice with every day: not just guns but knives, swords, throwing spikes, ninja fighting fans and even a medieval crossbow… he actually insisted on firing an apple off Marat’s head. His name was Gordon Ross and he came from a city called Glasgow, in Scotland. He had briefly been assistant to the Chief Armourer at MI6 until Scorpia had tempted him away at five times his original salary.

The first time we met, I impressed him by stripping down an AK-47 machine gun in eighteen seconds. My old friend Leo, of course, would have done it faster. Ross was actually a knife man. His two great heroes were William Fairbairn and Eric Sykes, who together had created the ultimate fighting knife for British commandos during the Second World War. Ross was an expert with throwing knives and he’d had a set specially designed and weighted for his hand. Put him twenty metres from a target and there wasn’t a student on the island who could beat him for speed or accuracy, even when he was competing against guns.

Ross also had a fascination with gadgets. He didn’t manufacture any himself but he had made a study of the secret weaponry provided by all the different intelligence services and he had managed to steal several items, which he brought in for us to examine. There was a credit card developed by the CIA. One edge was razor-sharp. The French had come up with a string of onions… several of them were grenades. His own employers, MI6, had provided an antiseptic cream that could eat through metals, a fountain pen that fired a poisoned nib, and a Power Plus battery that concealed a radio transmitter. You simply gave the whole thing a half-twist and it would set off a beacon to summon immediate help. All these devices amused him but at the end of the day he dismissed them as toys. He preferred his knives.

Weapons and self-defence were only part of my training. I was surprised to find myself going back to school in the old-fashioned sense; I learned maths, English, Arabic, science – even classical music, art and cookery. Oliver d’Arc took some of these classes. However, I will not forget the day I was introduced to the unsmiling Italian woman who never told anyone her name but called herself the Countess. It may well be that she was a true aristocrat. She certainly behaved like one, insisting that we stand when she entered and always address her as “ma’am”. She was about fifty, exquisitely dressed, with expensive jewellery and perfect manners. When she stood up, she expected us to do so too. The Countess took us shopping and to art galleries in Venice. She made us read newspapers and celebrity magazines and often talked about the people in the photographs. At first, I had absolutely no idea what she was doing on the island.