Alexander looked at the letter with dull horror. The children’s inheritance – gone. The entire business was insane, but he knew the old lady too well to think she would change her mind. He had insulted her idol; that was all she knew, or cared about. He showed the letter to Tatiana, remarking with shame: ‘See what your foolish husband has done.’
She would not let him take the blame, however. ‘The old woman is mad, that’s all,’ she said firmly, and even in his distress, Alexander smiled to himself as he embraced her. How much closer they were nowadays.
But what could be done? The first day he wrote the countess a letter. It was returned. On the second, Tatiana wrote to her. That, too, was returned. Early on the morning of the third came a message from Adelaide.
I have spoken again on your behalf – to no avail. She is obdurate. The lawyer has been sent for and he comes tomorrow. If you wish to talk, if there is anything I can do, I shall be at the Ivanovs’ all evening. So you can find me there.
Alexander sighed. What was the point? There was nothing to be done now. Sadly he told Tatiana: ‘It’s no good. I’m afraid we’ve lost it.’ The stupidity of the whole business disgusted him. Miserably he retired to his study to think.
Yet even at this moment of crisis, he did not despair. Perhaps the shock even gave him strength. If the inheritance was gone, he must think of some other way to get money. All morning, grimly determined, he pondered this question. His aims were modest: the days of Bobrov the gambler were long over. He would pay off his debts and put a little money by. It might take years and sometimes be humiliating, he did not care. He would make a start, right away.
And so it was that, at midday, he came out, kissed his wife, and ordered his best carriage and horses.
He was going to Empress Catherine’s summer palace.
It was in the early afternoon that, unbeknownst to Alexander, Tatiana and her children set out in a modest hired carriage, and crossed the Neva to Vasilevsky Island. When they arrived at Countess Turova’s house, however, it was not to her door that they went.
It had not been easy for Tatiana. But the Frenchwoman is the only person, she reasoned, who might get me in to see the countess. If it meant she must suffer the small humiliation of asking her husband’s former mistress to save her, so be it. And when the children asked who they were going to see, she told them: ‘An old friend of mine.’
Her plan was quite simple. Once the countess knew she was in the house, surely she would see her. And when the old woman saw the children, could it fail to soften her? Then Tatiana would explain everything. It was a mother’s plan.
And so it was that an astonished Adelaide de Ronville found herself confronted with three little children and their mother who, staring with clear, blue eyes straight into hers, declared simply: ‘We are in your hands.’
‘Mon Dieu.’ Adelaide gazed at the children. Alexander’s children. She realized, to her surprise, that she had never seen them before. Then she looked quickly at this simple, strong woman, their mother. And because it had happened so unexpectedly, leaving her no time to prepare herself, she experienced a sudden, terrible sense of loss and loneliness so that, for a moment, she found she could not speak.
‘Wait here,’ she said after a few moments. ‘I promise nothing, but I will do what I can.’
She was gone some time. While she waited, Tatiana looked around her curiously. Though she had little understanding of what she saw, she perceived that there was something about the subtle arrangement of the Frenchwoman’s salon that was charming in a way that no room of her own could ever be. Yet what was it? Some of the hangings were old and worn. The colours were muted compared with the bright blues and heavy greens of the Bobrov house. Yet this, it seems, is what he likes, she realized. That the art of Adelaide’s seduction lay in the mind, that the joy of the room’s restful silence was that it evoked a whole civilization – said, in effect: ‘In this house there are countless rooms in which your imagination may wander’ – never occurred to her.
She sat there, holding her children, for nearly an hour. Then Adelaide returned, looking grim.
‘She won’t see you. I’m sorry.’
And this, too, Tatiana was not able to understand.
The Catherine Palace. The huge park containing the imperial summer quarters lay only a short distance to the south-west of St Petersburg. Alexander had reached it in under two hours. He loved the place.
For if anything symbolized the cosmopolitan era of eighteenth-century Russia, it was this building. Like the huge Winter Palace, it had been principally designed by the great architect Rastrelli in Empress Elizabeth’s reign. It was the Russian Versailles. The ornate, rococo façade of the central section was three storeys high, and stretched for well over three hundred yards. Pilasters, caryatids, windows and pediments were picked out in white; the walls were painted blue. At each end, a little cluster of onion domes served to emphasize even further the incredible horizontal line of the place. Catherine had abolished some of the formal gardens for an English park, laid out by John Bush. She had also decided to replace the gilt on the domes with a duller but more sensible paint. ‘But God knows,’ people would remark, ‘there’s enough of Rastrelli’s gold left inside.’
There was indeed. For here was European elegance blended with true Russian sumptuousness. There were huge halls of multicoloured marbles, rooms decorated with jasper and agate; there was even, unique in all the world, a room whose walls were entirely made of amber. The magnificent parquet floors used dozens of woods. And everywhere was the gold that Rastrelli loved, set off with alabaster, lapis, deep reds and dazzling blues, in such brilliant profusion that even visitors from the greatest courts in Europe gasped. How should it be otherwise when this was the capital of the vast Eurasian empire, which could take such treasures from lands which stretched from the Baltic shores all the way to the desert and mountains of the fabulous orient?
The Russian Versailles. Yet it was profoundly different from the great French palace. For where the French King had laid out his vast, proud palace and park with a cold classical geometry, this gorgeous Russian palace was essentially simple. It was a long, brightly painted house in the forest. That was all. Despite its magnificence, there was a charming humility about the place, as though to say: Man is still dwarfed, under this sparkling northern sky and this ever-receding horizon, here at the corner of the endless plain. In this, the rococo Catherine Palace was still entirely Russian.
‘State Councillor Bobrov.’ They gave him directions immediately, and Alexander entered boldly. Yet all the same, he could not help feeling a sense of mortification as he made his way through the huge, gilded halls. With every step, a little voice, long smothered, seemed to say: ‘This should have been yours, not his.’
For the man he had come to see was young Platon Zubov – the Empress Catherine’s new lover.
How inscrutable, indeed, was fate. The very position he had once aspired to occupy now belonged to a handsome young man in his early twenties, who was vain, shallow and ambitious. He was so obvious about it all. Nobody liked him. Yet the whole court sensed – perhaps the empress also knew – that in the autumn of her life, this young lover would be her last.
And this was the young man whose favour Alexander had, for some time, been trying to cultivate. It had not been pleasant. But what else do you do, when you’ve got a family, he told himself. A little while ago he had actually been very useful to the young favourite, hoping to build up a debt of gratitude with him in the future. Now, in this present crisis, it seemed time to cash in the debt at once. That was what he was counting on today.