For at Kiev, although the right bank of the river was high and topped with palisades, the left bank was low; and here, as at countless other places in the Dniepr’s vast system, the river had flooded its banks. It lay, glistening over the fields, which received its water and its rich silt. Each spring, through this wonderful immersion, all things were made anew.
As the city came closer, the boy fidgeted. Recently he had been having growing pains in his knees. But above all, he could hardly contain his excitement.
For just the week before Igor had told him: ‘It’s time to decide what we shall do with you. I shall take you to see Father Luke.’
It was a tremendous honour. Father Luke was his father’s spiritual counsellor and Igor never took a major decision without going to see him. When he spoke of the old monk, he would lower his voice in respect, for ‘The old monk knows all things,’ he would declare. And he always went to see him alone. Even Ivanushka’s two elder brothers had never been taken to see him. No wonder then that Ivanushka had blushed, and then gone pale when his father had told him.
Again and again, he had already pictured the scene. The kindly old man – tall, with a richly flowing white beard, a broad, seraphic face, eyes like suns – would see at once he had before him a young hero; would rest his hands in a blessing upon his head and declare: ‘It is God’s will, Ivan, that you shall be a noble warrior.’ This was how it would be. He gazed first at his father, then towards the rampart, with happy trust.
And Igor looked at his son. Was he doing right? It seemed to him that he was, and yet he was going to betray him.
How handsome his family was. It gave him a thrill of happiness just to look at them. They were in the main room of the big wooden house. Light was streaming in through the windows which were made not of glass but of the translucent silicate, found in local rocks, called mica. The light also caught the yellow clay tiles on the floor, so that the room seemed flooded with light.
On the table lay the remains of breakfast. By one wall was a large stove; in the corner opposite hung a little icon of St Nicholas with a small clay lamp hanging from three silver chains in front of it. On a chest on the right side of the room stood two large copper candlesticks, gleaming dully. The wax candles in them were, for the present, unlit. In the centre of the room, in the heavy carved oak chair that had been waxed and polished until it shone like ebony, sat his mother.
‘Well, Ivanushka, are you ready?’ He was ready. He gazed at her joyfully.
A rich, deep pink brocade gown fell to her ankles. Her girdle was sewn with gold. The sleeves of her gown were wide, and the slender arms that emerged from them were encased in white silk. On one wrist she wore a bracelet of silver, set with stones – green amethysts from Asia, warm amber from the Baltic north. Her pendant earrings were set with pearls. From her slim neck hung a golden crescent on a chain. Thus did the noblewomen of Rus dress themselves, like the Grecian ladies of imperial Constantinople.
How pale her broad brow was; how elegantly her hand rested on the carved lion on the arm of the chair, her long fingers with their golden rings gracefully pointing downwards. How sweet her face was, how kind. Yet, as she gazed at him, it seemed somehow sad. Why was she sad?
His two brothers were there as well. They were both dressed in gowns, with rich belts and handsome sable collars: Sviatopolk, with his pale and lovely Polish bride, and Boris. He tried to love them equally; but though he admired them both, he could not help being a little afraid of Sviatopolk. People said Sviatopolk was the image of his father: yet was he? For while Igor often had a distant and reserved look in his eyes, there was something in Sviatopolk’s face that was secretly angry, bitter. Why should that be? And though both brothers would occasionally cuff him, when Sviatopolk hit him, it always hurt just a fraction more than he had expected.
On his father’s instructions, Ivanushka wore only a simple linen shirt and trousers – the long shirt hanging outside and held in with a belt. Somewhat against his mother’s will, he had been allowed to keep on his favourite green boots. But his face and hands had been thoroughly scrubbed in the big copper basin that stood on the washstand.
Igor, too, was similarly dressed, his shirt only distinguishable from that of a peasant by the fineness of the embroidery at the edges. ‘For rich ornament is not fitting, up there,’ he would say severely. Ivanushka’s eyes were shining. He had been too excited to eat more than a little bread and oatmeal porridge called kasha. Now, kissing his mother and his brother, he ran out and moments later, mounted on his pony, felt the cool, damp morning air on his cheek as he clattered into the street.
It was muddy. The houses of the nobles were mostly large wooden structures on one or two floors, with tall wooden roofs like tents and outbuildings behind. Each was in the middle of a small plot of ground enclosed by a stake fence; and these plots were, at present, so sodden from the melted snow and spring rain that planks had been laid on the path from the outer gate to the stables. The street outside was boarded in some places too, but where it was not, the horses’ hoofs almost disappeared into the mud.
Ivanushka, on his grey pony, rode respectfully behind his father. The nobleman was a splendid figure: a simple black cloak hung from his shoulders over his white shirt, and Ivanushka stared at his proud, straight back with boundless admiration. The jet-black horse that Igor rode was his finest. The ancient imperial name it bore had undergone a slight modification in its passage across the generations into Slavic: it was called Troyan.
The simple folk that father and son passed put their right hand on their heart and bowed from the waist; even the robed priests inclined their heads respectfully. For Igor was a muzh – a nobleman. The blood-money to be paid if he was killed was forty silver grivnas, whereas killing a free peasant, a smerd, cost a fine of only five.
Even the names of the ruling class were often different. The princes, and a few of their greatest retainers, frequently bore the ‘royal’ names that ended in slav, meaning praise; or mir, world. Such, for instance, were the great Vladimir and his son Yaroslav. For the nobility, Scandinavian names like Riurik or Oleg were still quite often used. Even Igor’s wife, though of noble Slav family, bore the name Olga, the Russian version of the nordic Helga. A peasant, on the other hand, would probably bear some simple old slavic name like Ilya, or Shchek, or Mal.
But it was a special form of address that marked out the noble beyond doubt. For while a peasant might be plain Ilya, a noble also added his father’s name, his patronymic. Thus young Ivan was called Ivan, son of Igor: Ivan Igorevich. And the three brothers might be referred to as ‘sons of Igor’ – the Igorevichi. For Igor was not only a noble: he was a valued member of the druzhina of the Prince of Kiev himself.
There were many princes in the land of Rus. Each of the trading cities on the great river routes had a prince as its protector, and all of them were descendants of the norseman named Oleg who had taken Kiev from the Khazars two centuries before. At the moment, the greatest cities in the vast river-trading empire were in the hands of the sons of the last prince of Kiev, the mighty Yaroslav the Wise. The sons of Yaroslav had organized the succession by rote – the eldest brother taking the greatest city, Kiev, and the rest taking the lesser cities by order of seniority, and owing obedience to the eldest. Thus while Igor’s master was now the senior, or Grand Prince of Kiev, the city of Chernigov, to the north, was in the hands of his younger brother Svyatoslav; careful Vsevolod, younger still, held smaller Pereiaslav in the south. If one of the brothers died, he was succeeded not by his son but by his next brother, so that all the younger brothers in the pecking order would move up to a greater city.