“It looks like the shack from The Beverly Hillbillies.”
“Or The Texas Chainsaw Massacre.”
Herb parked next to a Ford pickup truck that looked old enough to run on regular gas.
“Ready to meet the monster’s father?”
Herb nodded and we got out of the car. The closer we walked, the worse it looked. The roof was missing half its shingles. Several boards on the front porch had rotted away. So much white paint was flaking off the sides, the house looked like a paper birch tree.
I took out my badge, and noticed Benedict already had his in hand. Wouldn’t be smart to surprise the occupant. It was too easy to picture him crouched behind the front door with a shotgun, waiting for strangers to trespass.
Herb hesitated before getting onto the porch, eyeing it dubiously. I went first. The warped wood groaned, but it took my weight. Benedict followed, stepping gingerly.
I knocked, a thin, hollow sound.
“Bud Kork? This is the police.”
We waited.
No answer.
I knocked again.
“Mr. Kork? We see your truck outside. We know you’re home.”
A voice filtered through the closed door. “Come on in. I’m getting dressed.”
I looked at Herb, and we both put our hands on our holsters. He pushed the door open, and I went in fast and stepped quickly to the left.
The house was dark and smelled like something had died under the floorboards. A single fly buzzed around in the stuffy, fetid air. I located a switch on the wall and flipped it on, bathing the room in a sickly yellow glow from a bare forty-watt bulb hanging from the ceiling.
The room took the word mess to new heights.
There were several stacks of old newspapers, piled high as my shoulder. A dozen broken television sets, some older than me, lined up along the walls. A large box of rusty gears sat atop a cracked aquarium filled with dry grass. The walls were bare, except for a dusty framed portrait of a severe-looking Jesus, staring down from heaven. The caption beneath read: God is always watching.
Herb followed me in, pausing to look around. He was humming something softly, which I recognized as the violin riff from the shower scene in Psycho.
I stepped over a bushel basket of balled-up Wonder Bread bags, and walked toward the doorway at the end of the room.
“Mr. Kork?”
“In the kitchen.”
He had a cracked, broken voice, like he might burst into tears. I navigated more garbage and peeked through the doorway.
A painfully thin old man stood in the tiny kitchen, his entire body twitching and shaking from Parkinson’s disease. He wore a stained white undershirt that hung on him like drapes, and a pair of beige slacks, equally stained, with holes in both knees. His face was a skull with a thin layer of age-spotted skin stretched over it. Thin, colorless lips. A hook nose. Bulbous, rheumy eyes. His head was bald, but he had bushy white eyebrows long enough to comb, and enough ear hair to stuff a pillow.
I showed him my star.
“I’m Lieutenant Daniels. This is Sergeant Benedict. We’d like to ask you a few questions.”
He nodded, his oversized Adam’s apple bobbing up and down. “About the devil. Questions about the devil.”
I stepped closer, the stench of his body odor preventing me from getting within touching distance.
“What about the devil, Mr. Kork?”
“Well, you know all about the devil, don’t you? You’ve met him.”
“I’ve met the devil?”
Parroting tends to draw people out, make them more compliant. Even if they weren’t making sense.
“The devil. Charles. My son. Terrible boy. Knew it from the day he shot out his mother’s cloaca.”
“Cloaca?” Herb raised an eyebrow.
“Her dirty bits. Female parts. His mother was a harlot. The whore of Babylon. Bore me the devil for a son, praise Jesus Christ Almighty in heaven above.”
Bud made the sign of the cross, then fished a black rosary from his pocket and kissed it with trembling lips.
I frowned. This wasn’t our guy. He couldn’t have made the video of Diane’s death, or shot at me in her house. He was too disconnected, too frail, the Parkinson’s too advanced.
“Where is your wife, Mr. Kork?” Herb asked.
“Roasting in the flames of hellfire.”
“Do you have other children?”
Kork looked beyond us, into space. “Had a daughter. My blessed little angel. Helper and defender of mankind. She sits at God’s right hand and watches me from heaven, protects me from sin and from myself and from unnatural urges.”
“She’s deceased?”
His eyes glazed over. “Taken from me. By Charles. The devil took my angel. Matthew 4:1; ‘then Jesus was led up by the Spirit into the wilderness to be tempted by the devil.’ Corruption of the flesh, of the soul, my poor little girl.”
“Do you have any other relatives, Mr. Kork?”
He shook his head. “No flesh of my flesh, no blood of my blood.”
“Cousins? Nephews?”
He made fists and pounded on his thighs. “NO FLESH OF MY FLESH AND NO BLOOD OF MY BLOOD!”
This wasn’t getting us anywhere.
“Jack…” Herb nudged me and pointed with his chin. Behind Kork was a refrigerator, old enough to still be called an icebox. Next to that, an open pantry, the shelf inside loaded with mason jars.
The law was clear when it came to search and seizure. A cop can only search if given permission, or with a warrant. Kork inviting us into his house wasn’t the same as permission to search, but if while in the house we saw evidence of anything illegal or suspicious, the evidence was admissible in court.
The mason jars lining the shelf looked to be the same type as the jar full of toes. I sidestepped Kork and peered into the cabinet.
“Mr. Kork, what’s this?”
I pointed to a jar full of small round things. Some were tan. Some pink. Some green.
He grunted. “Used gum. Help yourself if you want some, but I chewed all the flavor out.”
“This jar is similar to another jar we found, full of human toes. Do you know anything about that?”
Another faraway looked crossed Kork’s face.
“Mr. Kork? Did you hear me?”
“Niblets,” he breathed.
“Speak up, Mr. Kork.”
“Sweet.”
“What’s sweet?”
His focus came back, and he looked at me, a thin line of drool sliding down the corner of his mouth.
“The toes of babes. Sweet, like corn Niblets.”
Alarms went off in my head. I noticed Herb’s hand had returned to the butt of his gun.
“Did you own a jar of human toes, Mr. Kork? Some of them from children?”
“ ‘And they were bringing children to him, that he might touch them.’ Mark 10:13.”
“Mr. Kork, may we search your premises?”
“Two Peter 2:14. ‘They have eyes full of adultery, insatiable for sin. They entice unsteady souls. They have hearts trained in greed. Accursed children!’ ”
Herb came up to Bud, put a hand on his shoulder.
“Mr. Kork, do we have your permission to search your house?”
Bud blinked, then looked at Herb.
“What did you say?”
“Your house, Mr. Kork. We’d like to search it.”
He grunted, nodding. “Go ahead. Help yourself.”
I began sorting through the cabinets. Herb tried the drawers.
“You might want to start in the root cellar.”
I stopped, stared at the old man. “What’s in the cellar, Mr. Kork?”
Bud Kork peered down at his bare feet, then put the rosary against his lips.
“That’s where I buried the bodies.”
CHAPTER 21
BUD KORK LED us out of the kitchen. He had a slow, bow-legged gait that seemed to cause him pain with every step. He took us past several cluttered, dirty rooms and through a closed door at the end of the hall.
A soiled bare mattress sat on the floor, pointy springs jutting out through the fabric. As in the first room, the walls were bare, save for a giant black crucifix hanging crookedly over the bed.