Kundalini uncoils and goes upward then to the chakra of Svadhisthana, which is located in the spine just above the genitals. Now there is the sound of the tinkling of an anklet. A sexy sound. She looks around. What is here, in Svadhisthana? Vishnu is here, dark blue, with four arms holding a conch, a mace, a wheel, and a lotus. His energy is Rakini and holds a trident, a ' lotus, a drum, and a chisel. Do not ask me what Rakini chisels [laughter, tentative}. Perhaps he is a chiseller [laughter, less tentative}. Perhaps with one of his arms Rakini is an illegal card-sharp dealer going to cheat Vishnu [less laughter, uneasy}. The lotus here is red and has six petals, bearing the letters ba, bha, ma, ya, ra, and la. The chakra's animal is the makara, a great monster like a giant crocodile. He is to water as the elephant is to earth. The principle associated with this Chakra is taste. Kundalini tastes many things now, many sweet things from her childhood and spicy things from her girlhood and sour things from time as a mature woman. The dominating element is water. She feels clean, so very clean, and hears everywhere this rushing sound. The breath of life, Prana, is here and her lungs are full; they expand like clouds. This is a happy chakra, but Kundalini leaves it and goes next to Manipura, at the level of the solar plexus.
Ooh now what is here? Now there is the deep sound of a bell. The god of this chakra is Rudra, who is red and sits upon a bull. He holds in one hand a fire and his energy is called Lakini and is dark blue. Everywhere in this chakra there is fire. There is a great inverted triangle, radiant like the sun, which represents fire. Kundalini swims in this fire. As she ascends it is very common for the person to feel very hot, to feel hot flashes. The head feels giddy. The body tingles. There may be, the sages tell us, constipation or diarrhea. The anus contracts and draws up. The chin sinks down. The eyeballs roll up. There are convulsions and visions. There is an experience of being a witness within the body. Sometimes the body feels as if it is being lifted into the air, and at others as if it is being pressed into the earth. It may feel very large or very small. It may tremble and ache and the tongue may protrude from the mouth. There may be a feeling of having no head. There may be the feeling of seeing things all around even though the eyes are closed. The sexual organ may become very erect and hard and painful. All this agony and embarrassment while Kundalini ascends. The lotus of Manipura has ten blue petals and on them are written da, dha, ha, ta, tha, da, dha, na, pa, and pha. Its principle is that of sight.
Kundalini must travel on. She must continue her ascent. She is merciless upon herself. She wishes to become perfection. She travels upward to Anahata, located at the level of our hearts. Now there is the music of a flute. The music of a single flute. Now there is a golden triangle, as bright as ten million flashes of lightning. Now there is a lotus of vermilion and of twelve petals bearing ka, kha, ga, gha, na, cha, chha, ja, jha, na, ta, and tha. Now there is the god Isha, who is brick-red, dressed in shining white. He represents the whole world system. Space and time now are revealed; they are interlocked. Two triangles represent male and female; they are united. Now purus'ha for the first time is glimpsed, the unmoving essence beyond phenomena. The principle of this chakra is air, which is invisible. Its name, Anahata, means "unstruck," which means "without sound," which is silence. The animal here is the black gazelle, symbolizing lightness, symbolizing Vayu, the god of winds. Air, wind, brightness are all around. Brightness! It is frightening, it is immensity. Kundalini 'dashes from side to side, she desires to ascend in a straight line but must each time untie the knot of the Chakra. Kundalini burns, she makes the yogi to feel very heavy and dizzy and hungry. The saliva pours from his mouth. His jaws, they stick together. His throat feels very dry, as dry as a dead prickly-pear cactus. Isha makes the gestures granting boons and dispelling fear. Isha's energy is called Kakini, who is bright yellow and holds a noose and a skull. These are not such pleasant things.
Kundalini is now halfway through her voyage, in the material body up through the spine, but in the subtle body the sushumna, the central channel around which twine the pingala and the ida in that basic pattern of life called the double helix. Kundalini's voyage is half done and has reached the throat chakra, which is called Vi-shuddha, which means "pure," but resistance remains; the next step is very difficult for it means the dissolving of the apparent union of matter and psyche, the recognition that external facts have nothing to do with internal facts. The yogi, the sannyasin, feels dreadful heat and the flashing of many little lights. Also deep numbness. Also the feeling of poison having been inserted in the body: this is energy, which must burn until the channels have been cleansed and can carry the terrible energy, the terrible shakti. There are many undoubted accounts of these feelings in the writings of the sages. The fifth chakra is located at the base of the skull and is very complicated. The lotus here is a smoky purple, like perhaps the fuzz of grapes, and has sixteen petals, holding the sixteen vowels a, a, i, I, u, u, r, r, j, 1, e, ai, o, au, am, and ah. There is a white triangle and the sound is nothing but Om, Om, the sound of the cosmos. The god here is of two halves, Shiva and Shakti, the two gods male and female combining into Ardhanarishvara, the right half Shiva and glorious white, the left half Shakti and lovely golden. A god of both sexes. No man is just man. No woman is just woman. Men hold the seeds of womanhood within themselves and women hold the seeds of manhood within themselves. Ardhanarishvara represents this. He-let us say he-she-he-she has five faces and three eyes and ten arms. In his-her ten hands he-she holds nine things: a. trident, an 'axe, a sword, a thunderbolt called in Sanskrit "vajra," an endless serpent with uncountable heads called Ananta and upon whom sleeps the great god Vishnu, a bell, a pointed stick with which to urge on a beast, fire (ouch! that must be hot to hold!), and a noose. With the tenth hand Ardhanarishvara makes abhayamudra, the gesture dispelling fear, which our dear friend Kun-dalini surely needs when she looks at those other terrible things being held up [polite laughter}. Ardhanarishvara has his-her hands most full [again, the polite response muted by a certain impatience in the audience, a desire to get on with the ascent}. The element of this Chakra is ether, the element that is to the subtle body as air is to the material body. Its animal is Airavata, the white elephant with six trunks. He is a funny-looking fellow. The heavy, heavy earthy elephant of Muladhara has become etherealized. And that is Vishuddha.
The sixth Chakra is located between the eyebrows. It is called Ajna. It has only two petals. They say ha and ksa. They are white. Everything is moon-white. There is an inverted triangle and it is moon-white. Inside there is the linga. Linga means "phallus" and also the subtle space, the ether. "Li" means to dissolve,and "gam" to go out. There is the mantra Om. Om. OM. OM. It is the vibration from which all things emerge and into which all things are absorbed at the end of the cosmic cycle. There is a bindu-that is a very tiny point where everything is concentrated. The god is Parama-shiva, which means Shiva and Shakti come together in a wonderful fucking. That makes the Mahabindu. Also the energy now is Hakini; he is moon-white and holds a book, a skull, a drum, and other such stuff. Here at Ajna the ida and pingala nadis meet the sushumna nadi and then separate again, running into the right and left nostrils. It tickles the yogi's nose. He has to sneeze: acboo! Ajna is a very high-up Chakra. Kundalini must be very tired when she gets there. She is tired of bells ringing. She is tired of burning sensation. She is tired of sound of waterfall, of being lost in an ocean of light. But she must go on, go on ascending.