Magdalena’s pallet is on the floor against the back wall, next to a water jug and a plate, a bucket for excrement nearby. Recently, Letizia has reported, there has been almost nothing in it to empty. But then the less one takes in, the less there is to evacuate, and over the years, in her relentless quest for God, Suora Magdalena has been waging a steady war of attrition on her body, training it to survive on almost nothing.
When she entered the convent the century itself had been young, and there are no other sisters left alive from that time. Everyone, though—Zuana included—knows something of the story: how as a humble novice from the poorest family she had been able to go for weeks on end with only the host to sustain her, and that while she was in such a blessed state her hands and feet bled in sympathy with Christ’s own.
Such godliness had been all the fashion then and Duke Ercole, a man with an appetite for holy women, who collected piety as others collected china or antiquities, had found her in a nearby town and installed her in Santa Caterina, where he and his family would visit, bringing members of the court to hear her prophecies—for sometimes she would go into ecstasies for them.
Rumor was that she had been small even then—some said she weighed so little that it wasn’t hard to believe she could lift herself off the ground. It had been the time of the French invasions and the northern wars, and every city was searching for a way to protect itself. Such humble, uneducated women—living saints, as they were known then—who found God through prayers and their own goodness were talismans of purity in a world of corruption. But once Luther and his dissenters started lighting their fires of heresy across the mountains, such untutored salvation became suspect. After Ercole died the royal visits dried up—and so, it seemed, did Magdalena’s stigmata.
By the time Zuana arrived, she was a forgotten figure who, by her own request, never left her cell, and even those who might have shared her hunger for God were wary of her reputation. Successive bouts of fasting had left her too weak to attend chapel, and over the years convent confessors had proved either too tired or too forgetful to bring God’s food directly to her, so that for some time now she had lived without the host. Her cell door remained closed, and gradually even the memory of the memories had started to dry up. Since she had become dispensary sister, it had fallen to Zuana to oversee her care, which she did as best she could, making sure that her food was delivered and interceding in the appointment of a conversa who would not be cruel to her. There was nothing more anyone could do. Magdalena’s self-inflicted pariah status was a fact of convent life, unquestioned and secure. The rest was up to God.
It seems He may have spoken now.
Her body is so wasted that Zuana can barely register the shape of it under the blanket. Her skullcap has fallen from her head, and the stubble of white hair sits like frost on hard ground. But her face—oh, her face is vibrant: her eyes are fixed open, bright and shining in a sea of wrinkled skin, and she is smiling, a wild exuberant smile, lips apart, as if she has seen something so wondrous that she has taken a gasping breath in anticipation of laughter, only to find it caught in her throat.
Zuana uncorks the camphor salts and passes the bottle under her nose.
She remains transfixed, not a flicker of response.
The room grows dark again as Letizia’s form blocks the doorway. “Oh, sweet Jesus. He has taken her, hasn’t He?”
“Is this how you found her?”
“Yes, yes. Oh, but you should have heard the laughter.”
“Move from the doorway. I need more light.”
The old nun’s right hand is clasped over a crucifix, the knuckles bone-white. Zuana moves under the blanket to find the left hand; it lies loosely by her side, cold to the touch. When she brings it into the light she sees skin so thin and bruised and veins so pronounced they look like membranes on an animal’s stomach. She searches the underside of her wrist for any sign of a life pulse.
“Oh, Lord Jesus, take her soul. Lord Jesus, take her soul.” Behind her, Letizia’s moaning prayers fill the room.
Under her fingers she feels a faint fluttering beat. Then another. Slow, but there, surely. She slides a hand under the back of the old woman’s neck to try to lift her up, and her fingers register a run of vertebrae distinct as standing stones in a graveyard. But the body is rigid and will not move. Rigor mortis with a pulse? She looks back into the eyes, staring, unblinking, bright, with no film, no dullness at all. Dead, but with eyes that are still alive? She bends her cheek to her nostrils. Closer, the strange perfume seems stronger from the open mouth. And then, soft but unmistakable, she feels the heat of an exhaled breath.
“Lord Jesus, take her soul.”
The cell becomes gloomy again.
“Move, I said. I need more light.”
“What’s wrong with her?” But it is Serafina’s voice she hears now, harsh with fear. “Is she dead?”
“What are you doing here?” Zuana does not take her eyes off the old woman’s face.
“I heard someone running. And laughter. I …I was scared, alone in my cell.”
If it is the truth, it sounds disingenuous in her mouth. Such disobedience will mean penance if Zuana chooses to report it, but there is no time to think about that now. Somewhere she knows that she would have done the same thing, the spice of curiosity overwhelming the blandness of prudence.
The light returns as the girl steps in closer. “Oh, the smell …what is it? Is it death? Is she dead?”
Zuana picks up the jug by the bed and, lifting it high, splashes a thin stream of water on the old woman’s face. Nothing. Except this time, as the breath leaves her body, there is the faintest aah.
“No, she’s not dead.”
“What is it, then?” Serafina’s voice is as hushed as the room. “What’s happened to her?”
“I think she is in an ecstasy.”
“Oh! Oh, I knew it.” The conversa lets out a new moan. “You should have heard the laughter. It was as if Our Lady and all the saints and angels of heaven were in here keeping company with her.”
“That’s enough, Letizia,” Zuana says harshly. “Go and fetch the abbess. Tell her I need her here now.”
In the silence that follows Letizia’s exit, Zuana can feel Serafina’s fascination behind her. Maybe this disobedience has purpose after all. Even the most recalcitrant novice cannot help but be moved by the white heat at the center of the flame.
“Come.” She turns to her. “Since you are here, you had better see for yourself. There is nothing to be afraid of.”
“I’m not afraid,” she says boldly.
Zuana makes room for her by the pallet. And, of course, as soon as she sees the old woman’s face Serafina cannot take her eyes off her.
“Ooh, she looks so …so joyful. And the smell—”
“It happens sometimes. It is the scent of flowers, but more than flowers.”
“How do you know she is not dead?”
“Here, take her hand. Don’t worry; she doesn’t feel anything. Under her wrist where the great vein is …feel it? Feel the beat. Try again. Got it? Now, see how slow it is. Remember how fast it was in the sister with a fever.”
“But doesn’t that mean she is dying?”
“No. If it’s like the last time, she can stay like this for hours.”
“The last time? You have seen this before?”
When had it been? Seven—eight years ago? Maybe longer. Summer. As hot as hell itself. Suora Magdalena had been upright on the pallet then, her arms bent in front of her as if she were cradling a baby, her head flung back in what seemed like a paralysis of joy.