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Her father’s voice, as always, is ready at the edges of her mind, waiting for the moment when the prayers end and there is space for her own thoughts.

There was a time at the beginning—she can no longer remember quite how long it went on—when his closeness was almost unbearable because it reminded her so powerfully of everything she could no longer have. But the idea of being without him had been even worse, and eventually the grief had softened, so that his presence had become benign: a living teacher as much as a dead father. Of course she knows it is its own transgression for a nun to live in her past rather than her convent present, but his companionship has become so normal she doesn’t bother to take it to confession anymore. There is a limit to the penance one can do for a sin that one cannot—will not— give up.

Watching over the sleeping young woman now, she invites him in again.

You must be sure to note the extra dose in your records. I know, I know, a few drops may seem a little, but they can be a lot. Ah, what a harmony there is in measurement, child. Authority and empiricism, trial and observation: the combination of ancient knowledge and our new world. Of course, we can’t do as the Greeks did and test our remedies on criminals. If that were possible, we might have rediscovered the secret of theriac by now, and our dominion over all poisons would be secure. Imagine that! Still, we have already found much that was lost. And when you are unsure, or when there is no patient on whom to test new compounds or balances, you can always try them on yourself Though with potions that deaden the senses you should take every precaution and mark the moments constantly before you fall asleep, so that you will have a close enough approximation when you wake.

She smiles. It was fine enough advice for all those university students who had stood in line for hours in the fog of a Ferrarese winter to gain entrance to his lectures and dissections. Over the years she had even met a few of them: his army of eager young scholar-physicians dedicated to prying the secrets out of God’s wondrous universe. She too had grown fat on his wisdom alongside them, though of course she could never show it in public. While his acolytes went on to courts and universities, taking their knowledge with them, she was tenured into another form of God’s service, one where the pursuit of knowledge was second to acts of devotion, eight times a day, seven days a week, until death would them part. No wonder it had hurt so much at the beginning. There was precious little space for experiment within these walls. No time for a nun to become her own patient here.

Still, having worked her way to the office of dispensary sister, she does now as he would have done: harvests her plants, distills their juices, and notes down their influences. While the steps may be small, she moves forward. It is more than she would have been allowed without him outside.

She puts a hand on the girl’s pulse: steady, if a little slow. How long will she sleep? It is late already. They will never wake her in time for Lauds, perhaps not even for Prime and Terce, though if they do rouse her she will have no appetite for resistance. Whatever the power of her will, for a while at least it will be tempered by physical compliance. The girl won’t thank her for it, but Zuana more than most knows it is a gift of sorts. If true acceptance comes only from God, there is nevertheless a kind of comfort to be gained from the passing of time: hour upon hour, day upon day, time falling like thick flakes of snow, the next laid upon the last, again and again, until what has been is gradually covered over, its original shape and color hidden under the blanket of what is now.

Eventually the Matins bell rings out from the chapel. She hears the watch sister’s footfalls on the flagstones as she makes her way through the cloisters. The knocks on the doors are sharp tonight. Habit (how apt that they should wear on their bodies what they also have to wear on their souls) will have some of them up and moving before they even know they are awake. But there will be others who have only just found sleep and will want to stay within it. In such circumstances, the watch sister is allowed to enter and shake the sleeper once by the shoulder. The ones who don’t rise then will be confessing their misdemeanor to the abbess later in chapter.

The cell doors start to open, followed by the shuffling of feet as the nuns gather and move after the watch sister, a procession of black shadows in the gloom, candles flickering like fireflies in the darkness. As they pass the novice’s door, someone stifles a yawn.

Zuana waits. While the abbess knows of her night wanderings, it is important that she should disturb the routine of the convent as little as possible. The door to the chapel groans open on heavy hinges, then closes again after the procession has passed through. Further snarls of wood mark out a first latecomer, then a second. The sound of chanting is already seeping under the door as she leaves the cell and crosses into the darkness. In front of her she notices a small figure with a slight limp moving out into the courtyard from the upstairs cloister. This is a night wandering that wants to keep itself hidden. She lets the image slide from her mind. There has been enough emotion spent tonight. No point in making more trouble.

She waits until the chapel door is closed again, then enters quickly, head bowed, moving between the choir stalls to where the great crucifix hangs down in front of the grille that divides the nuns from the outer public church. She prostrates herself before it, registering the momentary shock of cold stone through her robes, before slipping into her place at the end of the second row of the choir stalls. She is without her breviary—the book left sitting on the table in her cell. While she knows the lessons and the psalms by heart, its absence is still a misdemeanor. The abbess’s eye passes quickly over her. Zuana opens her mouth and begins to sing.

The convent is not at its best tonight. Winter has scoured a number of throats, and the chanting is disturbed by ragged bouts of coughing and sniffing. At night the church is fiercely cold, and across the choir stalls the dozen or so novices are struggling. With their fat cheeks and downy skin they look too young to be up both so late and so early. When they are tired, Zuana has noticed, some of them rub their eyes with their fists like small children. The convent’s indefatigable novice mistress, Suora Umiliana, is of the opinion that each new batch is worse than the last, more selfish and prone to the vanities of life. The truth is probably more complex, since Umiliana herself is also changing, growing more fervent and demanding with the years, while they at least remain young. Either way Zuana feels sympathy for them. Girls of their age are greedy for sleep, and Matins, slicing its way through the middle of the night, is the harshest of all the convent offices.

Yet its brutality is also its great sweetness, for its very meaning is to coax and draw up the soul through the body’s resistance, and when one is pulled from sleep there can be less distraction from the noise and chatter of the mind. Zuana knows sisters who, as they age, grow to love this service above all others, to feed off it like nectar, for once you have disciplined yourself to transcend tiredness, the wonder of being in His presence while the rest of the world is asleep is a rare gift, a form of privilege without pride, feasting without gluttony.

A few can become so close to God during such moments that they have been known to see angels hovering above them or, in one case, the figure of Christ lifting His arms off the great wooden crucifix and stretching out toward them. Such tremors of the soul happen more at Matins than at any other devotion, which is helpful for the young ones, as the occasional drama of palpitations or even fainting keeps them open to the possibility of ecstasy. Even Zuana herself, who has never been prone to visions, has felt moments of wonder: the way in which the night silence seems to make the voices more melodious, or how their breaths make the candles flare in the darkness, causing the most solid statues to melt, sending liquid shadows dancing onto the walls.