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Zuana listens, mesmerized by the older nun’s flow. If only I could pray like that, she thinks: pray with my whole being poured into each and every word. Pray as if I could hear Him listening.

The prayers end, and Umiliana leans over and puts her finger gently on the girl’s forehead before rising. “Shall I ask the abbess to bring Father Romero?”

“No.” Zuana’s voice is clear. “She is not going to die.” The abbess’s words have become her own. “This reaction to the remedy is to be expected. She will wake soon.”

But while Umiliana has been praying, Serafina’s face has moved from pale to a kind of gray, and though her lips are open it is hard to know if she is still breathing. It was too much, Zuana thinks. If not the poppy, then the hellebore. I gave her too much …God help me.

“We must keep praying for her. That is all we can do.” The novice mistress takes hold of Zuana’s fingers and squeezes them. “Do not despair,” she says, as if she knows that this is one of Zuana’s darkest temptations. “You have done all that could be asked of you. He will know that.”

Oh, but I haven’t, Zuana thinks. Not at all. And He will know that, too.

Time passes. She strokes the girl’s head and pulls a cover over her. The bell sounds for supper, and once more she hears the shuffle of feet across the cloisters. She pinches herself to stay awake.

There is nothing more to be done, Faustina.

She shakes her head. “There has to be. There has to be something.”

You are only a healer. There comes a point when you must give it up to God.

“Ha! You sound like Umiliana.”

Why don’t you leave her for a while? Walk out in the air. Maybe take something to give you energy. Do you keep infusion of angelica root? I think you must.

“Yes. Yes, I do.”

Then take a dose of it, with some mint essence. Make it strong. It will help you get through the night. But before you go, give her some more rosemary water.

“What if she vomits it back up while I am gone?”

If she does, there will be only a little bile. Not enough to choke on if she is on her side. At least it will show some sign of life.

“Papa, Papa, I don’t want her to die.”

I’m afraid you have grown too fond of her, child. It does not make for good healing. Go now. You have done all you can.

IT SEEMS DAYS since she was last in the infirmary. The two elder nuns are asleep, while Clementia lies in her bed, singing quietly to herself. The room is clean, the floor washed, the hanging baskets fresh, and the night candle already prepared on the small altar. Letizia has done a good job. Life, it seems, must go on. The very thought makes her want to cry. You are tired, Zuana, she says to herself sternly. And too much tiredness makes one maudlin.

In the dispensary she finds the angelica root and mixes it with a little wine and peppermint. It has kept her awake before and it will do so again. She swallows the preparation and feels it moving into her stomach. It will take a while to work. She transfers more to another vial. She will need something for the second night, if indeed there is going to be one.

The bell marking the end of supper is already ringing as she leaves the room. She must hurry. The sisters will be returning to their cells and this is not the time to meet anyone, however kind and sympathetic.

But as she crosses back over the courtyard she sees something that makes her heart pound. In the corner of the cloisters, the door to the girl’s cell that she had closed so carefully behind her is now wide open.

There is no way the girl could have done it herself. So who is in there? Has the abbess returned, bringing her supper? In which case why hasn’t she closed the door?

She runs across the courtyard, regardless of the rules. As she nears the open door she hears something—more a sound than a voice—a whining, like a line of taut thread vibrating in the air.

Inside, on the floor by the mattress, a figure is crouched, so small and bowed it looks more goblin than human, the head larger than the body and naked, save for a covering of white stubble over scabby skin.

For a moment Zuana stands transfixed in the doorway. Then as she goes closer the keening turns into words.

“See—oh, yes, you can see Him. Yes, yes, I know you can. He is come to welcome you back. Oh, see how He bleeds for you, Serafina. Feel His breath on your face. If you open your eyes He will be there. He has been waiting for you to find Him. He has been waiting so long for you.”

“Suora Magdalena.” Zuana tries to keep her own voice gentle.

The old woman does not turn but simply tilts her head to one side, like a beady-eyed bird detecting a sound. “Not yet, not yet. I am with the child. See—she is better.” She gives a sudden girlish giggle. “See what He has done for her?”

And as she comes closer, Zuana does indeed see. For the girl, lying on her side on the mattress, is awake, her eyes open and blinking.

Zuana takes a sharp breath and moves toward her, dropping to her knees next to the old woman.

“Serafina!” she says urgently.

The eyes are huge in her thin face, and there is a strange blankness to them, as if she has woken to something she does not yet understand. Three months ago she had been so young. Well, she is not young anymore. But she is alive.

“Welcome, welcome.” Zuana cannot stop smiling. The girl stares at her, then seems to give a small nod.

“What happened?” Zuana’s question is directed at the old woman, but she is not listening, simply rocking to and fro, singing to herself, the holy goblin returned.

Behind, out in the courtyard, Zuana can hear people moving. She must get up and close the door.

It is already too late.

“Oh, Sweet Lord Jesus, she is alive!” Suora Umiliana is standing in the doorway, a few brave souls willing to risk disobedience gathered behind her. “Suora Magdalena has brought her back to us.”

But Magdalena is not listening to her either. She has taken hold of the girl’s hand, thin claw on soft flesh, and is stroking the skin. “See, see, I said He would come.”

The girl tries to pull herself up on the mattress but does not have the strength. Zuana supports her until she is almost sitting.

Umiliana is inside the cell now, others crowding in behind her.

Serafina opens her mouth a little, moving her tongue around her blistered lips. She looks at Zuana, then out across the room.

“I saw Him,” she says—and though hers is a sad little voice, its silky beauty all burned out, it reaches everyone in the room. “Yes, I do think I saw Him.”

CHAPTER THIRTY

IN THE BEGINNING there was nothing. Just darkness, blessed darkness, deep and soft, like being wrapped in swaths of black velvet and held within the silence of an eternal night sky. No past. No future. No present. And it was good, this nothingness, an oblivion of mercy with no pain.

It had descended upon her as she moved across the gardens. She did not have to do anything. After all that had been done, nothing more was asked of her. She was not even scared. Zuana’s arms were around her, her voice was in her ears, and she was safe.

“Help me, Serafina. Walk a little, yes? Oh, sweet child, I am so sorry.”

She wants to tell her it is all right. It doesn’t matter anymore. She wants to say she is the one who should be sorry, not Zuana. To thank her for what she has done, and to ask forgiveness, for she is not yet so lost that she doesn’t know that what took place on the dock between them will bring trouble on her head.

“No, no, don’t try to speak. Save your strength. Just a little farther. We can talk later.”

Only there will be no later. Because when the drowsiness comes it is not to be argued with. Behind it she feels the pull of the darkness, with its deep rich velvet touch.

“We are nearly there. Keep walking, keep walking.”