Except she is not dead yet.
“I saw Him,” she says, so softly that the voice barely reaches those inside the room. “Yes, I do think I saw Him.”
“Oh, but it is a miracle.” In contrast, Suora Umiliana’s voice carries far out into the courtyard beyond.
PART THREE
CHAPTER THIRTY-ONE
IN THEIR RESPECTIVE cells, Zuana and Serafina sleep their way through the first days of Lent. The cleansing of the city continues around them. It rains so much that the gutters and the gargoyle mouths cannot keep up with the flow, and the cloisters run with filthy streams. The water seeps under the doors of the cells, and the hems of the sisters’ habits grow sodden as they walk. Even the convent cats retreat indoors, curling themselves inside the warm wood of the choir stalls, to be shooed away at the beginning of every office.
The Murano glass goblets and the ceramic plates are packed back into their dowry chests; the dresses, boots, and wigs are returned to their owners; and the sounds of the stage being dismantled are nowhere near as thrilling as those of its construction. In the kitchens the roasting and the baking pans are shelved, and the sisters contemplate their first fasts, encouraged, no doubt, by the prevailing aromas of boiling vegetables and watery soups.
It is a time for quiet contemplation and considered abstinence. Yet no one is downhearted. Far from it. While Lent usually brings a sense of anticlimax, this year it has been replaced by a bubbling excitement. In the aftermath of the revelation in the novice’s cell, something is happening in the convent. Everyone, novices as well as sisters, is praying more (what else is there to do?), and there is a building anticipation toward the coming chapter meeting.
The girl is cared for by Letizia and her old conversa, who clean the cell around her and, on the orders left by Suora Zuana, hang the leftover pomades from the refectory to freshen the air. When she finally wakes, too weak to walk, Federica brings the kitchen to her. Novices are not required to fast during Lent (it is not recommended for any nun under the age of twenty-five), but though Federica has saved tidbits from the last of the feast, Serafina eats almost nothing. The illness has hollowed out any appetite, and it would be better if she took some sustenance, but she is adamant and refuses everything but liquid. When visited by Suora Umiliana, she begs that she may be allowed to take confession in preparation for the host. The novice mistress, in turn, speaks to the abbess. It is hardly a request that anyone can deny her. As she is clearly too ill to go to Father Romero, he comes to her. It is a while since he has set foot in the cloisters, and the abbess sees to it that he has a flask of wine to sustain him on his long journey. He stays inside her cell for some time. It is a matter for conjecture whether or not he remains awake for all of it.
As he leaves, Madonna Chiara stands watching him pad across the cloisters, a conversa holding up a covering to keep him from the worst of the rain. Whatever he has just heard, he cannot tell and she will not ask. She wonders how long it will be until he dies. He barely remembers any of the sisters’ names, anyway.
The abbess folds her hands and gives a little sigh. She has a busy few weeks in front of her. Whatever work Carnival entails, there is always more to be done afterward: account books to be checked, outgoings to be set against offerings, supplies to be reordered, and letters of thanks to be written. Her attention had been elsewhere when the “wondrous event” in Serafina’s cell took place, so that by the time she arrived it was already over and she could only hear about it secondhand.
She has no illusions, however, as to its possible importance. Lent is a period when traditionally the convent falls back on its own resources, spiritual as well as material, and any abbess must be alive to the undercurrents and tensions that might surface. Having lived for thirty-seven of her forty-three years inside Santa Caterina, there is not much about her convent and its sisters of which Madonna Chiara is not aware, and even without the extended drama of the novice or the reemergence of Suora Magdalena, Umiliana’s challenge to her authority has been building for some time. With the outside world taken care of— relationship with the bishop good, the benefactors fed and entertained, and a good list of requests for new entrants, with dowry offers to be negotiated upward if demand continues to be so healthy—it is time to look inward.
IN HER CELL, given dispensation to miss the morning offices, Zuana finally wakes during the afternoon work hour. Her sleep has been deep and dreamless. She washes in a bowl of warm water, which one of the converse has delivered outside her door along with a new pad of rich-smelling soap and a fresh washing towel. As her own dowry is not sufficient to fund such regular luxuries, she understands this to be a gift from the convent stores and is grateful for it. The smell of the girl’s bodily expulsions still clings to her and she washes herself vigorously. She takes special pleasure—yes, she accepts the word—in lathering up the soap on her head. Her hair has grown during the winter months and she likes the wet weight of it, the shiver of massage as her fingers move over her scalp. She leaves her head bare as she uses the cloth to wash her arms and then her body under her shift.
Working as she does in the infirmary, she is less of a stranger to women’s bodies than most nuns, but in general she takes little interest in her own. Of course there have been moments in her life when she has wondered what it is she will never feel, even once or twice explored her own dark sweetness, but her battles with the flesh have proved to be, at most, passing cravings, absorbed and subdued as much by the challenges of work as the discipline of prayer.
The soap is soft on her skin and lathers up like sea foam. She can detect a hint of almond and calendula within it—perhaps it comes from the abbess’s own stores—and registers a quiet delight in the way the smell and the softness complement each other.
She understands that the fight with the flesh is not always so easy for others. Serafina is far from the only young woman to have brought her virginity to Jesus while in the grip of desire for a more carnal husband. Of course there are ways to earth such lightning bolts. Over the years there have been nights when, unable to sleep because of some problem or remedy she has detected a sudden wind of rushed breathing and moaning sliding out from under one cell door or another. Sometimes it is hard to tell the pain from the pleasure; but either way it is a sound that can ignite yearning in those who hear it, and Zuana has become adept at increasing the volume of her own thoughts to blot it out. It is not up to her to damn or save the souls of others.
She rinses and dries herself quickly, rubbing her hair until it sticks out like a spiked halo around her, though with no mirror in her cell she will never see the effect.
If, or when, such transgression becomes obvious—and in the end it always does—the induced confession will be a private matter, the sister or sisters finding themselves subject to penance and regular discipline. Either it passes—the excess of energy transmuted into the love of Our Lord—or they become better at concealing it. Amid the filth of heretic propaganda, the most popular scandals are those of priests and nuns scaling the walls or squeezing their way through the confession grille to reach one another. The idea of women sinning with themselves or each other is too poisonous even for those who would wash away the structure of the church along with its sins.