Theodora says she’s never fielded a call made by the perpetrator of the crime and would it be okay for her to get her manager?
“Theodora,” I say. “Hurry up.”
Mars paces in front of the bare refrigerator. “I ain’t goin’ to jail for this,” he says.
“I’m not going to jail for this.”
He throws up his hands. “Then let’s get the fuck out of here!”
A voice comes on the other end — pert, breath-minty. “This is the manager. Can I ask with whom I am speaking?”
“Sometimes they call me the keepsake klepto, the swindler of sentiment. Send someone who knows about animals. A dog has been shot.” I replace the receiver and face Mars.
“You can do what you want,” I say. “But this is over for me. I’m sorry I cursed at you, but you don’t shoot the effing dog.”
Mars looks shocked. “I thought that’s what we were doing here!”
“You don’t… shoot… the effing… dog.”
A moment passes. Except for the small motor of Jake’s breathing, the house is quiet as a wish.
“I feel bad for you,” he says. “You’re so—”
“Fancy-ass?” I say.
He shakes his head. “Ineffectual.”
The last I see of Mars are the red panties hanging from his back pocket, the final part of him to make it over the Andersons’ vigorously landscaped bushes. Then there is the new horror of a neighbor’s barking retriever, sprinting the length of fence next to him before finding with a sharp pop the end of its chain. Mars disappears. The retriever thinks about it, quiets.
There is nothing to do but wait. I retrieve the watermark Chardonnay from the basement and pour myself a glass.
Blood blooms in the fur near Jake’s tail.
I squat next to him against the cold wall. “Magic dog.”
I turn the glass in my hand. I don’t know what to look for but I’d bet it is a good wine — fruity or woody or mossy or whatever. Even Anna would have appreciated wine like this, though she would have had nothing but disdain for a man who keeps bottles of it loaded like torpedoes in his basement.
Anna liked a glass of beer on the porch at sunset. That was her thing.
My vision dulls with tears. I hear sirens.
Jake issues a small woof. The bullet clipped his back but didn’t penetrate; I can see where it lodged itself into the kitchen wall. He’s stunned and nervous, but he’s okay. I move my hand over the full length of his body so he knows he is still in the world.
Carry Me Home, Sisters of Saint Joseph
I am quitting a boy like people quit smoking. I am not quitting smoking. The pamphlet insists: Each time you crave a cigarette, eat an apple or start a hobby! Each time I think about Clive, I smoke a cigarette. If I have already smoked a cigarette, I eat an apple. If I have already eaten an apple, I start a hobby. I smoke two packs a day. I pogo-stick, butterfly-collect, macramé, decoupage. I eat nothing but apples. I sit in my kitchen, a hundred of them arranged on the table. If I can eat this pyramid of apples, I will be over Clive.
The pamphlet insists: Identify and eschew all triggers! Clive was a rodeo clown. When a rodeo comes on TV, its riders attempting to buck and kick into my mind, I turn it off. I eschew you, rodeo. Clive was also a devout Christian. I drive two blocks out of my way to avoid Saint Teresa of Avila. I eschew you, church.
The pamphlet isn’t all hard love. After time passes, it admits, you can reclaim your triggers. For instance, answering an ad for a groundskeeper and general helper and moving into the basement of Saint Teresa of Avila.
Saint Teresa of Avila’s convent shelters fifteen sisters of Saint Joseph. On the first day, Sister Crooked Part leads me around the halls, pointing out significant rooms and answering my questions. Teresa is the patron saint of headache sufferers. Her symbols are a heart, an arrow, and a book. The sisters of Saint Joseph are a teaching order. They do not fly and they do not sleep in cubbies built into a wall, their names spelled out in puffy paint. Do I have any serious questions?
“Are there patron saints for everything?”
Nuns should wear nametags. Another one, wearing the same drab dress and habit, leads me to the basement, where I will be staying. My room is dimly furnished and contains a bed, a small desk, and rough-looking blankets the color of dirt. The air is wet. The gaping mouth of a vent hangs over the bed, and through it I hear singing.
Sister Whoever says, “That’s the Sunday choir. Their voices are God’s messengers.”
I listen.
She asks if I have any dietary needs as I hoist my bag on the bed. “All I need are apples.”
On the desk I prop up the pamphlet on how to quit smoking. Next to it, three cartons of Marlboro Lights.
Sister Whoever says, “Trying to quit?”
“Dear Christ no.”
By the stairs, we pass an ordered line of silk slippers, fifteen pairs or so, different colors and sizes.
“What’s up with the shoes?” I say.
She doesn’t answer but continues to the courtyard I will be expected to maintain.
She frowns toward a lineup of sagging tomato plants. “We don’t have much luck. Lots of vines but no tomatoes. One or two for sandwiches. Maybe you could talk to them?”
Into the courtyard sweeps another nun, followed by a line of children. They walk with their index fingers poised over their lips. Each child wears rain gear designed to look like an animal or insect: tiger, fish, ladybug, duck. The procession halts at Sister Whoever, whose name turns out to be Helena. Helena introduces me to Sister Charlene, who removes her finger just long enough to whisper hello. Sister Helena explains what I will be doing at Saint Teresa. I sense movement near me and look down into the big browns of a little boy. He has a frog rain slicker and a bowl haircut that went out in, what, 1984?
“Meow,” he says.
“I’m afraid you’ve received wrong information.”
“Your nose moves when you talk.” He looks disappointed in me.
Sister Charlene makes two sharp claps with her hands, startling us both. “Christopher! Back in line!”
He rejoins his classmates. Sister Helena says, “Charlene thinks you should talk to the tomato plants. Encourage them to grow.”
Sister Charlene smiles. “Say, How are you doing today, tomatoes?”
Sister Helena: “Reward their progress.”
I wait for them to reveal whether they are joking. The kids jostle in their slickers.
Sister Charlene leads them out of the courtyard and Sister Helena has business in the kitchen, so I am left alone with the tomatoes. I feel nervous, like a newcomer at a party, trying to smalltalk with a person I’ve just met.
I say, “How you bitches doin’?”
…
I do laundry. I dust shelves. At dusk I sweep the courtyard. It is a catchall, a dust collector. I start by the corner where the tomato vines slouch toward hell, and end up near my small window. The sisters of Saint Joseph allow me to keep my pogo stick in the courtyard. When I finish sweeping I pogo around, inordinately proud of the clean space.
Sister Helena takes a turn. It’s her first time on one. I yell pointers from where I lean, crunching an apple. Her skirt tucked between her small knees, she makes a happy zigzag through the courtyard. She doesn’t know how to disembark and wobbles into the vegetable garden. The tomato plants break her fall.
Later she says, “What is your relationship to God?”
I fill a plastic bag with ice cubes. We sit at the mahogany breakfast table, where every morning I serve oatmeal to the fifteen sisters of Saint Joseph. Some like it milkier than others. Sister Helena never complains.