He moved from the viewing monitor to his desk and dialed the phone. After two rings, Chip Webster over at NUMA answered.
"Hello."
"Chip? This is Tom Greenwald."
"What have you got for me, Tom?"
"Bad news. Your men were captured."
"Not what I wanted to hear," Webster said. "Damn!"
"I have excellent images of them being loaded into a helicopter, in chains, and surrounded by a dozen armed security guards."
"Determine a heading for the copter?" asked Webster.
"My satellite had passed out of view only a minute after it lifted off. My guess is that it was heading to the northeast."
"Further into the desert?"
"Looks that way," answered Greenwald. "The pilot might have made a wide swing in a different direction, but I have no way of knowing."
"Admiral Sandecker isn't going to like this turn."
"I'll stay on it," said Greenwald. "If I turn up anything new, I'll call immediately."
"Thank you, Tom. I owe you a big favor for this one."
Greenwald hung up and stared at the image on the monitor. "Poor bastards," he muttered to himself. "I wouldn't want to be in their shoes."
The welcoming committee at Tebezza stayed home. Pitt and Giordino clearly didn't rate a reception by the local dignitaries. Two Tuaregs greeted them silently from behind automatic rifles as a third locked iron shackles around their hands and ankles. The worn condition of the chains and cuffs gave the impression they had passed through several owners.
Pitt and Giordino were shoved roughly into the back of a small Renault truck. One Tuareg drove while the other two climbed in the back, held their rifles across their thighs, and kept wary eyes on the prisoners through the slit in their indigo litham headdresses.
Pitt paid the guards only the slightest attention as the engine was started and the truck moved away from the landing field. The helicopter that had flown them from Fort Foureau quickly lifted into the furnace-baked sir for its return flight. Already Pitt was weighing chances for escape. His eyes were studying the surrounding landscape. No fences stretched anywhere, no guard houses rising from the sand. Any attempt to cross 400 kilometers of open desert while restrained by manacles made security obstacles entirely unnecessary. Successful escape seemed impossible, but he quickly thrust aside thoughts of total hopelessness. Prospects of escape were dim, but not totally gone.
This was pure desert with not a growing thing in sight. Low brown dunes rose like warts as far as Pitt could see, separated by small valleys of brilliant white sand. Only toward the west did a high plateau of rock rise above the desert floor. It was treacherous country, and yet there was a beauty about it that was difficult to describe. It reminded Pitt of the background scenery in the old motion picture, Song of the Desert.
Sitting with his back against the side of the truck bed, he tilted his head and peered forward around the cab. The road, if it could be called that, was only tire tracks leading toward the plateau. No structures stood on the barren land; no equipment or vehicles were in evidence. No sign of ore tailings. He began to wonder if mining operations at Tebezza were a myth.
Within twenty minutes the truck slowed, then turned into a narrow ravine cut into the plateau. So soft was the sand that had drifted into the deep-walled crack that prisoners and guards together had to get out and help push the truck to firmer ground. After nearly a kilometer the driver swung into a cave just large enough for the truck to pass through. Then it entered a long gallery excavated in the rock.
The driver braked the truck in front of a brightly lighted tunnel. The guards jumped out to the ground. Obeying the silent gestures of the gun muzzles, Pitt and Giordino awkwardly climbed down in their restricting shackles. The guards motioned them into the tunnel and they shuffled off, thankful to be out of the sun and in a cool underground atmosphere.
The gallery became a corridor with fluted walls and a tile-glazed floor. They were marched past a series of arched openings cut into the rock and fitted with antique carved doors. The guards stopped at a large double door at the end of the corridor, opened it, and pushed them inside. Both men were surprised to find themselves standing on thick blue carpet in a reception room as luxurious as any inside a New York, Fifth Avenue corporate executive's office. The walls were painted in a light blue to match the carpet and were decorated with photographs of breathtaking desert sunrises and sunsets. The lighting came from tall chrome lamps with soft gray shades.
Directly in the center was an acacia desk with matching sofa and chairs in gray leather. In the rear corners, as though guarding a door to the sanctum sanctorum, stood two bronze sculptures of a Tuareg man and woman in proud poses. The air in the room was cool but not dank smelling. Pitt was sure he detected a slight aroma of orange blossom.
A woman sat behind the desk, quite beautiful with glowing purple-gray eyes and long black hair that fell to her buttocks behind the backrest of her chair. Her facial features were Mediterranean, of exactly what national origin, Pitt was unable to tell. She looked up and studied the two men for a moment as nonchalantly as if she was classifying salesmen. Then she rose from a chair, revealing an hourglass body wrapped in a garment draped like an Indian sari, opened the door between the sculptures, and silently held out her hand for them to enter.
They stepped into a large chamber with high-domed ceiling, lined on all four sides with bookshelves that were niched into solid rock. The entire room was one giant sculpture, chiseled as it was excavated. A huge, horseshoe shaped desk rose from the rock as if it was part of the floor, its top strewn with engineering diagrams and papers. The desk faced two long stone benches separated by an intricately sculpted coffee table. Besides the books and desk litter, the only object not cut from rock was a wooden scale model of a mine gallery shored up with timbers that stood off to one side of the unusual room.
An extremely tall man was standing in the far corner, absorbed in a book he had pulled from a shelf. He stood in a purple robe of the nomads with a white litham bound around his head. Beneath his robe, a pair of snakeskin cowboy boots protruded incongruously. Pitt and Giordino stood there several moments before he turned and acknowledged their presence with a scant glance. Then his eyes flicked back to the pages of the book as if his visitors had turned around and departed.
"Nice place you've got here," Giordino opened loudly, his voice echoing off the stone. "Must have cost you a bundle."
"Could use some windows," Pitt said, surveying the bookcases. Then he looked up. "A stained-glass skylight might help brighten up things a bit."
O'Bannion casually inserted the book between two volumes and stared at them with bemused curiosity. "You'd have to drill 120 meters through solid rock to reach the surface and sunlight. Not exactly worth the expense. I have more practical projects for my workers."
"Don't you mean slaves," said Pitt.
O'Bannion gave a slight lift to his shoulders. "Slaves, laborers, prisoners, they're all the same at Tebezza." He slid the book back on its shelf and approached them.
Pitt had never stood that close to someone who stood almost two heads above him. He had to tilt his head sharply backward to stare up into his captor's eyes.
"And we're the latest edition to your army of drones."
"As Mr. Massarde no doubt informed you, digging in t' w mines is a less painful option than being tortured by General Kazim's thugs. You should consider yourselves thankful."
"I don't suppose there's any chance for parole, Mr…"
"My name is Selig O'Bannion. I manage the operation of the mine. And no, there is no parole. Once you go down into the pits, you will not come out."
"Even for burial?" asked Giordino without a hint of fear.