To Willoughby he said, “You look like an emperor in those robes, Francis.”
“Aye, like Prester John!” Willoughby cried. “Like Tamburlaine himself! Aye, am I not majestic?” He slapped Phillips gaily on the shoulder, a rough playful poke that spun him halfway about, coughing and wheezing. “We flew in the air, as the eagles do, as the demons do, as the angels do! Soared like angels! Like angels!” He came close, looming over Phillips. “I would have gone to England, but the wench Belilala said there was an enchantment on me that would keep me from England just now; and so we voyaged to Cathay. Tell me this, fellow, will you go witness for me when we see England again? Swear that all that has befallen us did in truth befall? For I fear they will say I am as mad as Marco Polo, when I tell them of flying to Cathay.”
“One madman backing another?” Phillips asked. “What can I tell you? You still think you’ll reach England, do you?” Rage rose to the surface in him, bubbling hot. “Ah, Francis, Francis, do you know your Shakespeare? Did you go to the plays? We aren’t real. We aren’t real. We are such stuff as dreams are made on, the two of us. That’s all we are. O brave new world! What England? Where? There’s no England. There’s no Francis Willoughby. There’s no Charles Phillips. What we are is—”
“Let him be, Charles,” a cool voice cut in.
He turned. Belilala, in the robes of an empress, coming down the steps of the Silver Terrace.
“I know the truth,” he said bitterly. “Y’ang-Yeovil told me. The visitor from the twenty-fifth century. I saw him in New Chicago.”
“Did you see Gioia there, too?” Belilala asked.
“Briefly. She looks much older.”
“Yes. I know. She was here recently.”
“And has gone on, I suppose?”
“To Mohenjo again, yes. Go after her, Charles. Leave poor Francis alone. I told her to wait for you. I told her that she needs you, and you need her.”
“Very kind of you. But what good is it, Belilala? I don’t even exist. And she’s going to die.”
“You exist. How can you doubt that you exist? You feel, don’t you? You suffer. You love. You love Gioia: is that not so? And you are loved by Gioia. Would Gioia love what is not real?”
“You think she loves me?”
“I know she does. Go to her, Charles. Go. I told her to wait for you in Mohenjo.”
Phillips nodded numbly. What was there to lose?
“Go to her,” said Belilala again. “Now.”
“Yes,” Phillips said. “I’ll go now.” He turned to Willoughby. “If ever we meet in London, friend, I’ll testify for you. Fear nothing. All will be well, Francis.”
He left them and set his course for Mohenjo-daro, half expecting to find the robots already tearing it down. Mohenjo-daro was still there, no lovelier than before. He went to the baths, thinking he might find Gioia there. She was not; but he came upon Nissandra, Stengard, Fenimon. “She has gone to Alexandria,” Fenimon told him. “She wants to see it one last time, before they close it.”
“They’re almost ready to open Constantinople,” Stengard explained. “The capital of Byzantium, you know, the great city by the Golden Horn. They’ll take Alexandria away, you understand, when Byzantium opens. They say it’s going to be marvelous. We’ll see you there for the opening, naturally?”
“Naturally,” Phillips said.
He flew to Alexandria. He felt lost and weary. All this is hopeless folly, he told himself. I am nothing but a puppet jerking about on its strings. But somewhere above the shining breast of the Arabian Sea the deeper implications of something that Belilala had said to him started to sink in, and he felt his bitterness, his rage, his despair, all suddenly beginning to leave him. You exist. How can you doubt that you exist? Would Gioia love what is not real? Of course. Of course. Y’ang-Yeovil had been wrong: visitors were something more than mere illusions. Indeed, Y’ang-Yeovil had voiced the truth of their condition without understanding what he was really saying: We think, we talk, we fall in love. Yes. That was the heart of the situation. The visitors might be artificial, but they were not unreal. Belilala had been trying to tell him that just the other night. You suffer. You love. You love Gioia. Would Gioia love what is not real? Surely he was real, or at any rate real enough. What he was was something strange, something that would probably have been all but incomprehensible to the twentieth-century people whom he had been designed to simulate. But that did not mean that he was unreal. Did one have to be of woman born to be real? No. No. No. His kind of reality was a sufficient reality. He had no need to be ashamed of it. And, understanding that, he understood that Gioia did not need to grow old and die. There was a way by which she could be saved, if only she would embrace it. If only she would.
When he landed in Alexandria he went immediately to the hotel on the slopes of the Paneium where they had stayed on their first visit, so very long ago; and there she was, sitting quietly on a patio with a view of the harbor and the Lighthouse. There was something calm and resigned about the way she sat. She had given up. She did not even have the strength to flee from him any longer.
“Gioia,” he said gently.
She looked older than she had in New Chicago. Her face was drawn and sallow and her eyes seemed sunken; and she was not even bothering these days to deal with the white strands that stood out in stark contrast against the darkness of her hair. He sat down beside her and put his hand over hers and looked out toward the obelisks, the palaces, the temples, the Lighthouse. At length he said, “I know what I really am now.”
“Do you, Charles?” She sounded very far away.
“In my age we called it software. All I am is a set of commands, responses, cross-references, operating some sort of artificial body. It’s infinitely better software then we could have imagined. But we were only just beginning to learn how, after all. They pumped me full of twentieth-century reflexes. The right moods, the right appetites, the right irrationalities, the right sort of combativeness. Somebody knows a lot about what it was like to be a twentieth-century man. They did a good job with Willoughby, too, all that Elizabethan rhetoric and swagger. And I suppose they got Y’ang-Yeovil right. He seems to think so: who better to judge? The twenty-fifth century, the Republic of Upper Han, people with gray-green skin, half Chinese and half Martian for all I know. Somebody knows. Somebody here is very good at programming, Gioia.”
She was not looking at him.
“I feel frightened, Charles,” she said in that same distant way.
“Of me? Of the things I’m saying?”
“No, not of you. Don’t you see what has happened to me?”
“I see you. There are changes.”
“I lived a long time wondering when the changes would begin. I thought maybe they wouldn’t, not really. Who wants to believe they’ll get old? But it started when we were in Alexandria that first time. In Chang-an it got much worse. And now—now—”
He said abruptly, “Stengard tells me they’ll be opening Constantinople very soon.”
“So?”
“Don’t you want to be there when it opens?”
“I’m becoming old and ugly, Charles.”
“We’ll go to Constantinople together. We’ll leave tomorrow, eh? What do you say? We’ll charter a boat. It’s a quick little hop, right across the Mediterranean. Sailing to Byzantium! There was a poem, you know, in my time. Not forgotten, I guess, because they’ve programmed it into me. All these thousands of years, and someone still remembers old Yeats. The young in one another’s arms, birds in the trees. Come with me to Byzantium, Gioia.”