The captain led gallantly to the attack, but was bowled over by a chunk of coal that burst on his head in black baptism. The need of the police was to break the blockade in front before the mob could break in at the rear, and Bill Totts’ need was to hold the wagon till the mob did break through. So the battle of the coal went on.
The crowd had recognized its champion. “Big” Bill, as usual, had come to the front, and Catherine Van Vorst was bewildered by the cries of “Bill! O you Bill!” that arose on every hand. Pat Morrissey, on his wagon seat, was jumping and screaming in an ecstasy, “Eat ’em, Bill! Eat ’em! Eat ’em alive!” From the sidewalk she heard a woman’s voice cry out, “Look out, Bill — front end!” Bill took the warning and with well-directed coal cleaned the front end of the wagon of assailants. Catherine Van Vorst turned her head and saw on the curb of the sidewalk a woman with vivid coloring and flashing black eyes who was staring with all her soul at the man who had been Freddie Drummond a few minutes before.
The windows of the office building became vociferous with applause. A fresh shower of office chairs and filing cabinets descended. The mob had broken through on one side the line of wagons, and was advancing, each segregated policeman the center of a fighting group. The scabs were torn from their seats, the traces of the horses cut, and the frightened animals put in flight. Many policemen crawled under the coal wagon for safety, while the loose horses, with here and there a policeman on their backs or struggling at their heads to hold them, surged across the sidewalk opposite the jam and broke into Market Street.
Catherine Van Vorst heard the woman’s voice calling in warning. She was back on the curb again, and crying out:
“Beat it, Bill! Now’s your time! Beat it!”
The police for the moment had been swept away. Bill Totts leaped to the pavement and made his way to the woman on the sidewalk. Catherine Van Vorst saw her throw her arms around him and kiss him on the lips; and Catherine Van Vorst watched him curiously as he went on down the sidewalk, one arm around the woman, both talking and laughing, and he with a volubility and abandon she could never have dreamed possible.
The police were back again and clearing the jam while waiting for reinforcements and new drivers and horses. The mob had done its work and was scattering, and Catherine Van Vorst, still watching, could see the man she had known as Freddie Drummond. He towered a head above the crowd. His arm was still about the woman. And she in the motorcar, watching, saw the pair cross Market Street, cross the Slot, and disappear down Third Street into the labor ghetto.
In the years that followed no more lectures were given in the University of California by one Freddie Drummond, and no more books on economics and the labor question appeared over the name of Frederick A. Drummond. On the other hand there arose a new labor leader, William Totts by name. He it was who married Mary Condon, President of the International Glove Workers’ Union No. 974; and he it was who called the notorious Cooks and Waiters’ Strike, which, before its successful termination, brought out with it scores of other unions, among which, of the more remotely allied, were the Chicken Pickers and the Undertakers.
Part II
Shadows in the fog
The collector comes after payday
by Fletcher Flora[5]
Lower Market Street
Frankie looked through a lot of bars before he found the old man. He was sitting in a booth in a joint on lower Market Street with a dame Frankie didn’t know. They were both sitting on the same side of the booth, and Frankie could see that their thighs were plastered together like a couple of strips of Scotch tape.
“Come on home, Pop,” Frankie said. “You come on home.”
The woman looked up at him, and her lips twisted in a scarlet sneer. The scarlet was smeared on the lips, as if she’d been doing a lot of kissing, and the lips had a kind of bruised and swollen look, as if the kisses had been pretty enthusiastic.
“Go to hell away, sonny,” she said.
She lifted her martini glass by its thin stem and tilted it against her mouth. Frankie reached across the booth in front of the old man and slapped the glass out of her hand. It shivered with a thin, musical sound against the wall, and gin and vermouth splashed down between the full, alert breasts that were half out of her low-cut dress. The olive bounced on the table and rolled off.
The woman raised up as far as she could in the cramped booth, her eyes hot and smoky with gin and rage.
“You little son of a bitch,” she said softly.
Frankie grabbed her by a wrist and twisted the skin around on the bone.
“Leave Pop alone,” he said. “You quit acting like a tramp and leave him alone.”
Then the old man hacked down on Frankie’s arm with the horny edge of his hand. It was like getting hit with a dull hatchet. Frankie’s fingers went numb, dropping away from the woman’s wrist, and he swung sideways with his left hand at the old man’s face. The old man caught the fist in a big palm and gave Frankie a hard shove backward.
“Blow, sonny,” he said.
For a guy not young at all, he was plenty tough. His eyes were like two yellow agates, and his mouth was a thin, cruel trap under a bold nose. From the way his body behaved, it was obvious that he still had good muscular coordination. He was poised, balanced like a trained fighter.
Frankie saw everything in a kind of pink, billowing mist. He moved back up to the booth with his fists clenched, and in spite of everything he could do, tears of fury and frustration spilled out of his eyes and streaked his cheeks.
“You get the hell out of this,” he said. “You ought to be ashamed, drinking and playing around this way.”
The old man slipped out of the booth, quick as a snake, and chopped Frankie in the mouth with a short right that traveled straight as a piston. Frankie hit the floor and rolled over, spitting a tooth and blood. He was crazy. Getting up, he staggered back at the old man, cursing and sobbing and swinging like a girl. This time the old man set him up with a left jab and threw a bomb. Frankie went over backward like a post, his head smacking with a wet rotten sound.
No one bothered about him. Except to laugh, that is. Lying there on the floor, he could hear the laughter rise and diminish and rise again. It was the final and utter degradation of a guy who’d never had much dignity to start with. Rolling over and struggling up to his hands and knees, he was violently sick, his stomach contracting and expanding in harsh spasms. After a long time, he got the rest of the way to his feet in slow, agonizing stages. His chin and shirt front were foul with blood and spittle.
In the booth, ignoring him, the old man and the woman were in a hot clinch, their mouths adhering in mutual suction. The lecherous old man’s right hand was busy, and Frankie saw through his private red fog the quivering reaction of the woman’s straining body. Turning away, Frankie went out. The floor kept tilting up under his feet and then dropping suddenly away. All around him, he could hear the ribald laughter.
It was six blocks to the place where he’d parked his old Plymouth. He walked slowly along the littered, narrow street, hugging the dark buildings, the night air a knife in his lungs. Now and then he stopped to lean against solid brick until the erratic pavement leveled off and held still. Once, at the mouth of an alley, he was sick again, bringing up a thin, bitter fluid into his mouth.
It took him almost an hour to get back to the shabby walkup apartment that was the best a guy with no luck could manage. In the bathroom, he splashed cold water on his face, gasping with pain. The smoky mirror above the lavatory distorted his face, exaggerating the ugliness of smashed, swollen lips drawn back from bloody gums. He patted his face dry with a towel and poured himself a double shot in the living room. He tossed the whiskey far back into his mouth beyond his raw lips, gagging and choking from the sudden fiery wash in his throat.