Faegan finally abandoned the disappointing scroll he had been reading and wheeled himself over to a nearby table. He took up his violin and bow, placed the instrument under his chin, and began to play. When he heard the sweet, sorrowful refrain begin, Wigg raised a critical eyebrow but did not look up.
Faegan often took up his ancient instrument when he was under great mental stress. Sometimes he would simply leave it on a table and allow the craft to select the notes and seesaw the resin-laden bow. Today he preferred to play it himself, and to let his mind soar freely with the music. Wigg shook his head and sighed.
After a half hour or so, Faegan abruptly stopped what he was doing and lowered his instrument. Wigg looked up to see that a strange expression had suddenly crossed his friend's face.
"What is it?"
Faegan quickly held up one arm, indicating that he wanted silence. The others looked up to see him suddenly begin wheeling his chair about the room, much the way they themselves might pace about while trying to think. Then he abruptly stopped and quickly swiveled his chair back toward the others. He looked directly at Wigg.
"We have been going about this all wrong," he said.
Wigg raised himself up in his chair. "How so?"
Letting go a great cackle, Faegan happily clapped his palms together. "Don't you see? We've all been thinking in exactly the opposite way we should have been!"
A skeptical look on her face, Abbey leaned over and whispered to Wigg, "What's he blathering about this time?"
"What I'm blathering about, dear lady, is the route to the solution of our problem," Faegan replied happily, his wizard's ears having heard every word.
Wigg folded his arms over his chest. "Pray tell us, then."
"It's all so simple, yet at the same time so complex," Faegan answered. He wheeled himself back to the table. "If any of you commanded the gift of Consummate Recollection, you would understand."
Celeste gave her father a wry look, then turned back to Faegan. "Understand what?"
"We have been searching for references to Tristan's blood," Faegan answered. "At first glance that would seem the correct thing to do. But we were looking for a way to go forward to solve our problem. What we should have been looking for was an act of reversal."
"There are many references to acts of reversal in the Tome," Wigg countered. "The reversal of spells and incantations has long been one of the subdivisions of the craft. There are likely to be as many references to them as there are to anything else-perhaps even more. I understand your line of reasoning, but I fail to see how this will narrow our search."
"All of what you say is true," Faegan agreed. The self-satisfied smile crossed his face again. "But tell me, how many references could there possibly be to the supposed reversal of endowed blood? The Tome states that only the Jin'Sai will ever be able to make use of the craft without first having been trained. And that if and when he does, his blood will turn azure. That has of course already occurred. So it would logically follow that if I use my gift to search for the phrase 'blood reversal,' the Tome will direct us to what we are searching for." His smile surfaced again. "Or at the very least take us much closer."
Wigg rubbed his chin. He had to admit that what Faegan was saying made sense. "Then I suggest you get started," he said.
Faegan nodded. Turning his chair around, he looked over at the black pedestal that held the Tome of the Paragon. He called upon the craft, and the white leather-bound book rose hauntingly from its place. It glided across the room to land before him on the table.
Faegan then looked over at Adrian. "Please take up a quill and parchment," he said, "and write down each of the page numbers as I dictate them. It is vitally important that you leave none of them out. Do you understand?"
"Yes," Adrian said. She carefully dipped the quill into the waiting ink bottle. "I am ready."
Faegan closed his eyes. After a few moments he began to speak haltingly, naming specific volumes and page numbers. When he finished, he opened his eyes. Adrian had recorded six different references.
Faegan eagerly grabbed up the parchment and made a mental note of the numbers. He closed his eyes again. The Tome opened itself, and its pages began turning over until they stopped at the first of Adrian's references. Faegan opened his eyes.
"And now we shall see what we shall see," he said, rubbing his hands together like a schoolboy in a candy shop.
Faegan looked down at the first of the referenced pages. As his eyes ran across them, the words duplicated themselves in gleaming azure and rose into the air. One by one they joined to form paragraphs, the paragraphs forming a completed page.
As the five of them sat there reading the glowing page and the others that followed, they were astounded by what they learned.
CHAPTER XVII
As she neared the exit of the stone labyrinth, Satine could see the natural light streaming in up ahead. She knew that she was going to be all right, but she had never been so exhausted. Her nerves had jangled and her heart had raced for the last two hours. Her face and body were soaked with sweat, her breathing was labored, and her hands shook noticeably. Taking a deep breath, she forced herself to calm down.
Somehow she had made the correct decision at each of the twenty deadly intersections, and she would live another day.
Walking her horse out of the square-cut tunnel and into the light, she raised one arm up to block the sun. She squinted, trying to reaccustom her eyes to being outdoors. Though she was about to enter a place that held no attraction for her other than the goods that Reznik provided, her nerves welcomed the change of scene.
After having been on a horse for most of the day, she decided to stretch her legs. She slid from her saddle and walked around to face the gelding. She gave his face a comforting rub. She checked her weapons, took the reins in one hand, and began walking toward Valrenkium, the village of partial adepts.
She stood upon the short rise overlooking the secret town. Coming here was dangerous, the place ugly and distasteful. This particular group of partials were among the most secretive and deadly practitioners of the craft known to man. They called themselves the Corporeals, and for very good reason.
Reznik had told her that "Valrenkium" meant "The Parish of Death" in Old Eutracian. The partial adepts who lived here employed their skills in the organic arts of the craft to produce potions, poisons, and other means of death and mayhem. Supposedly, many of the abominations of the craft that had long plagued Eutracia could be traced back to this place.
To the casual observer, the village appeared to be much like any of the other hamlets scattered across Eutracia. Quaint brick houses stood in neat rows, their windows open. Smoke drifted lazily from their chimneys. Children laughed and played, dogs barked, and chickens ran about in the streets. Vendors sat in stalls displaying their wares. The sounds of a blacksmith's hammer could be heard, pounding out its double clang.
But as Satine drew closer, she saw the gibbets lining the road into town. The curved iron cages, barely big enough for a single prisoner to stand up in, turned slowly in the wind. As she walked by, voices called out to her. Those still possessing enough strength reached out beseechingly from between the iron bands. She lowered her head and continued on.
Other gibbets held those already past help, their bloated and rotting corpses slumped within. They are the lucky ones, she thought.
Captured from the countryside and brought to Valrenkium to die of exposure, many of these prisoners would be taken down only after their dead bodies had aged sufficiently for use. Like a good cheese or a keg of wine, Reznik had said once, laughing. Others were used the moment they arrived; some were allowed to live for a time, depending upon the needs of the Corporeal partial adepts.
Every time Satine visited Valrenkium, her first instinct was to cut the gibbets down and set the prisoners free. But she resisted the urge. Not only would such a move endanger her life, it would also do no good. The entire village was surrounded by the same rocky bluffs through which the tunnel had just led her, and their tops were constantly ringed with archers. She couldn't imagine herself scaling those sheer stone walls, let alone any of the weakened prisoners doing so. Besides, she needed to stay in the Corporeals' good graces, at least through this visit. After today, the whole lot of them could go to the Afterlife, for all she cared.