"I haven't worked since I lived in Portland," she said in a quiet voice, her eyes downcast. She was used to being turned down.
"Excellent," he simpered. "Your head won't be filled with wrong work concepts." He was a master at camouflaged doublespeak. After a few minutes in his presence one almost began to make sense out of his utterances, so seemingly connected were the cleverly pseudologic patterns. "Do you have family here?" he asked pleasantly, crossing his legs and almost suffocating as he did so.
"No. Not anymore. Everyone's passed away. My brother and his wife and their two children are all I have, and that's who I was working for when I lived in Portland. If I may ask, what exactly would this position with your antique gallery entail?" She was seated so primly it was all he could do not to walk over and touch her, just to see how high she would jump. Her legs were squeezed so tightly together it was absurd. She held a huge purse in front of her private parts, clasped in a death grip by those hands encased in the stupid white gloves. He couldn't have selected someone more ideal. Chaingang thought he might be in love!
"Of course. Primarily you'd be responsible for keeping our financial records, which are simple in the extreme. You'd open our small amount of business mail that comes in from the periodical auction, cash the checks and so on, and answer the phone. It would not be a demanding job for more than a few days each mouth—the sort of business when things are hectic for a couple of days and then you just sit around idle until the next auction comes up." Consciously, he was forcing his word patterns to match hers. The question that began "what exactly would this position with your antique gallery entail?" was echoed, for instance, in the phrase "the sort of business when things are hectic." He had matched the rise and fall of her speech cadences precisely.
He was also matching his voice and its rhythms to the effeminate clothes, the sissified speech affectations, and the woman's obvious expectations, based on her call—and now on her body language—but he was quite careful not to lay it on too thickly. All he wanted was enough to counterbalance her natural fears, offset his massive size a bit, and give her something to remember him by. He was more animated than usual, and he never allowed his rubbery face to sink into the look it normally wore when in repose.
"There is one other thing I wonder about—and it's something I would pay extra for, in fact considerably extra. A telephone. You know, I was going to break my longstanding rule and install a phone in the gallery itself, but I detest doing that. They're so intrusive! And—no more than we'd use it, I wonder…would you consider renting me the use of your phone for one day each month? Say for an additional two hundred a month?"
"Oh, certainly. I have a private line at my apartment, and you could use it one day a month. Would the calls be local?"
"Um. I wouldn't be using it to call out. We'd be receiving calls on it. I could run the number as our auction line."
"Of course. That would be fine." She shook her head. "I wouldn't charge that much, though. Not just for you using it one day a month."
"I appreciate that, Miss Roach. However I would like to pay it for this reason. Occasionally—I mean, perhaps two or three times a month—I might get a customer inquiring about an item listed in the mail auction. And if you didn't mind, here's what I'd like you to do: You answer the telephone in your normal way, and if they ask if this is the Norville Gallery you tell them yes, but that the director is out, and that I will return their call. Each evening I would give you a call and you'd pass those numbers along to me. You'd seldom get such inquiries, so it wouldn't become a bother. But if you'd be willing to allow the use of your phone in that manner I'd make your salary fourteen hundred a month instead of twelve hundred a month."
"Certainly," she said quickly, mentally counting the financial windfall. They spoke some more about the gallery and what the auctions were like. He'd chosen his person well. Elaine Roach was rather at ease now, evidently pleased by the nature of the work and the pay scale.
"It's done then." He stood up heavily and she got to her feet. "I'll start you on salary instantly, and I'll call you in the morning with your first day's duties." He saw something in her face, sensitive to sea changes as ever. "Monday, rather. I forgot what day it was." He said this in a hushed, prim voice, and she nodded her understanding, She had nothing against a homosexual employer. Perhaps she would find this a pleasant association after all. She mentally made a note to remember to use the word "gay" instead of homosexual.
"So, Mr. Norville, I'll be working out of my apartment essentially, and not at the gallery?"
"Yes. Pretty much so, essentially. You'll make a trip to the bank and post office now and again, but for the most part you'll just stay all nice and cozy, in your apartment." She brightened as he fed her lines back to her. Clearly she was someone who didn't relish being back out in the work force.
The job sounded wonderfully ideal to Elaine Roach, who had not been treated kindly by her fifty-four years on the planet. It was almost too good to be true. She also thought she sensed Mr. Norville's genuine pleasure with her qualifications and it was reassuring that at last she had met someone whose needs she in some way filled.
They said their goodbyes, and he came back inside the hotel room. If she learned at some point that Giles Cunningham was the name on the register as occupant of the room in which she'd met Tommy Norville, it could be explained away in the most understandable terms. Giles and Tommy were roommates. He would wait awhile and Tommy Norville would now cease to be, for a bit, except in print and over the phones.
For the moment, the image that stared back at Tommy Norville in the Hyatt Regency's mirror was one that bore surprisingly little resemblance—size aside—from that of the man who had not long ago occupied Cell 10 in the Violent Unit of D-Seg at Marion Federal Penitentiary. Clothes did indeed make the man. The bleached, newly shorn hair, and such touches as the "seamstress" bifocals, made a remarkable change. But it was his movements, in character, that added texture to the Norville persona.
Chaingang had observed an actor on a television talk show proclaiming what a terrific training ground the daytime soaps were for thespians. He'd watched a few minutes of these programs and found their broadly played, scenery-chewing histrionics laughably inept. Along with his many unique gifts, Bunkowski had the natural skills of a consummate actor: keen powers of observation and mimicry, a predisposition for thorough preparation, the ability to instantly summon up stored emotion, and the feel for a character's center. The acting and reacting he'd seen on the daytime dramas had been ludicrously unconvincing.
He intuitively knew that he'd hammed up the Norville character. If he played him again—and he would—the next time he'd not draw on such a broad stereotype. He filed away a quick critique of his kinesiology and a mental list of suggestions for how he might better locate Tommy's center, when next he came to life.
With that done he shed the character as much as possible. A cap would cover the hair when Giles Cunningham checked out, and he would forget to drop his door opener at the desk. The bellhop who took his bag to a waiting cab would find himself the beneficiary of another oversize tip, with a request to return the key card with thanks. The bill had been prepaid with checkout in mind. The fewer persons who saw Mr. Cunningham prior to his becoming nonexistent, the colder a trail he'd leave behind.