“That being the case,” the voice says, “it’s not such a big deal for you to reveal them. And when you do so, we’ll set you free.” “If I give you the codes, you’ll kill me,” I say. “Not true.” “Prove it.” He pauses. “We’ll do that, Sam. All in good time.”
I glance at Creed. He’s still inspecting his enclosure, moving his hands across the surfaces, slowly but surely, inch by inch. I notice he hasn’t pushed or hit or kicked the walls or thrown anything against them, as I did. Perhaps when he gets to that point, he’ll realize there’s no way out. Then maybe he’ll give me some sort of signal or at least attempt to communicate.
I remove a sandwich from my cooler and begin eating. No need to worry about passing the metal tracking device Creed made me swallow. He’s found me already, for whatever that’s worth.
For the time being, I appear to be okay. While I’m not convinced they’re going to let me go after I give them the codes, I’m encouraged that they’re saying they will and even more encouraged by their comment about proving it to me “in good time.”
Chapter 21
Many hours have passed. I have no way of knowing the exact number. I’ve been unable to sleep because the lights have been burning since the moment they were turned on. There is a ventilation system that recirculates the air every fifteen or twenty minutes. I still haven’t powered up the computer in my cell. The voice has remained silent since making the promise about offering proof.
I glance at Creed’s cell. In all this time, he’s never taken his eyes or hands off the walls. He’s lying on the floor now, moving his hands along the bottom edge. He’s really pissing me off. I wonder how long he intends to touch the glass before trying to do something useful.
Suddenly, the lights go off and stay off for a couple of minutes. When they come back on, Creed’s truck begins moving. I wonder why they don’t want me to see the driver, but I’m thinking that’s a good thing. If they intended to kill me, they wouldn’t care if I could identify them, right?
His truck moves toward the far wall, maybe a hundred feet away, and the lights go off again. This time, they stay off for—I’m guessing now—fifteen minutes. When they come back on, Creed’s cage is covered with a black tarpaulin. Then the garage-type door opens again and another truck enters.
They’re going to show me Rachel!
The voice clicks on. “Sam, stand by. We’re going to make a gesture of good faith.”
The back part of the truck is covered with a red tarpaulin. It comes to a stop at an extreme angle, with a portion of the back facing me. Then another truck enters through the same door. This one has a blue tarp covering the truck bed. The driver of this truck positions it in such a way that our three trucks have formed a triangle, with my truck being the base. The lights go out again for a few minutes, and when they come on, I see that a small section of tarp on each truck has been cut away in such a manner I can see one person in each cage and they can see me.
But they can’t see each other.
The two people are Rachel and Karen Vogel. Karen sees me and immediately starts sobbing and banging on her glass. Rachel appears to be cursing me.
The voice says, “This should be interesting, Sam. Keep in mind, they can’t see each other or hear each other; nor can they hear you.”
Suddenly, I can hear both women through my speakers. Karen is shouting, “Sam! Sam! Can you hear me?”
I look at her and nod. Then I look at Rachel. She’s following my gaze but can’t see anything because her blue tarp is blocking her vision. She has no idea there’s a truck, a cage, or a woman less than ten feet away. As I turn back to Karen, I can see her also trying to follow my vision.
“What’s there, Sam? Are you safe?” she says.
“Look at me, you son of a bitch,” Rachel hisses. “Look at me!” she shouts. I look at her. She struggles to make her voice steady. “You can hear me?” I nod. “Give them the fucking codes and let’s get out of here,” she says. I know Rachel can’t hear me so I mouth the words, “Are you okay?” “Why can’t I hear you?” she says. I glance at Karen. “Who are you talking to?” she says. “Can you hear me, Sam?” I nod. Rachel says, “Who the fuck are you talking to?”
I sigh. The voice was right. It is interesting.
Karen says, “Sam, look at me. Are you okay?”
I mouth, “I’m fi ne. Are you okay?” “I can’t hear you, Sam. I’m scared. What’s happening?” I shake my head while mouthing the words, “I don’t know.” “Sam?” she says. “Can you still hear me?” “Yes.” “I love you.” I bite my lip. “Do you love me?” I nod. “Yes.” Rachel says, “Sam, look at me. What’s going on? Who are you talking to?” I gesture toward my ears to imply I can no longer hear her. My captor’s voice says, “Chicken shit.” I say, “No kidding.” In my cell, Rachel’s and Karen’s voices suddenly go mute. The voice says, “Sam, we’ve shown good faith. Now it’s your turn.” “What do you mean?” “We’ve proven to you that Rachel is alive and unharmed. And we’ve shown you Karen as a bonus.” “So what?” I say. “You said you’d give me proof that you’ll let us go.” “That’s not quite what I said. But let’s not split hairs. We’re still willing to let you go if you enter the codes.” “What about Rachel and Karen?” “We have plans for all of you,” the voice says. “But those plans depend entirely on your cooperation.” “What kind of plans?” I say. “For now, we’re going to play a little game,” the voice says. “We’ll start by having you turn on your computer.”
I pause a minute. The voice says, “We’re not kidding around, Sam. Just power up your computer and look at the screen. The rest is up to you.”
I sit on the floor and put the computer in my lap. I glance at the two girls and see their mouths moving a hundred miles an hour. I can tell they’re both asking me over and over if I can hear them. Jesus, you’d think they’d get a clue. No, I can’t fucking hear you! I say in my head.
I power up the computer. Moments later, I hear the familiar tune that tells me it’s ready. A screen appears with the numbers one through eighteen, one under the other. To the right of each number, there are sixteen white boxes and a larger yellow box. I’m supposed to put the codes in the boxes. I wonder what the yellow boxes are for.
Ah, I realize. The names. I instantly start typing on the keypad, trying to find a way to get online. But I can’t even get beyond this screen. “Your computer is locked,” the voice says. “I’m not going to give you the codes,” I say. “You might want to reconsider.” “Why’s that?”
“Because if you don’t give us at least one of the codes in the next sixty seconds, we’re going to remove the girls’ covers, turn on their speakers, and tell each of them what you’ve been up to with the other.” “They’re going to find out anyway,” I say. “It’s just a matter of time.” “Is that your final answer?” the voice asks. I lean to my right and look at Creed’s truck. “He’s not going anywhere,” the voice says. “Okay,” I say. “Good choice. Now enter a code.” “No,” I say. “I meant okay, you can remove the tarps and tell the girls what I’ve been up to.” I think I hear the voice sigh. “It’s your funeral,” he says. The lights go out.
Chapter 22
When the lights come on, the tarps have been removed. Now I can see both cages, both girls, and they can see each other. They stare at each other and then at me. The voice says, “They can see each other, but we haven’t turned on their speakers yet. It’s not too late, Sam. Karen doesn’t know you’re married, and Rachel doesn’t know you’re cheating. Type in a code, and we’ll tell them a story to get you off the hook.”