Palin winced. "I don't think Usha would forgive me if I made you help with dishes. You're our guest, and besides, it's my job. But here, before you leave, there's something I want you to see." Palin led the way to the back of the house and ushered Gerard into a room that turned out to be Usha's studio. She was busy working on a painting, a portrait of Odila, dressed in priestly raiment and standing in front of the temple as it would look when finished.
"Why, that's beautiful!" Gerard said. Then, stepping closer, he took a better look. Within the architectural details and the shadows cast by the building lurked vague, distorted images suggestive of grinning skulls and bloody shrouds, dripping daggers and gallows' ropes. "Oh!"
Usha jabbed her finger vexedly at the painting. "Don't worry. I don't know what all of this means yet." she explained. "I don't know what it has to do with Odila or a temple devoted to healing. I'm afraid maybe it foretells some unhappy event or disruption that is to befall during the dedication ceremony, but I won't be sure until the painting settles and is done."
Gerard was puzzled, knowing little of magic and less of magical painting of the sort Usha specialized in. The Knights of Solamnia had an almost hidebound objection to magic and even though Gerard was no longer a knight, he still shared this attitude. Magic made him uncomfortable, suspicious. "I don't understand," he said warily, intending no discourtesy. "How did those strange images get there if you yourself didn't paint them?"
"This is one of my gifts from the gods that I can't really explain myself," Usha said, gazing unhappily at her work. "Sometimes, when I'm painting a scene or portrait, my mind just goes kind of blank. When I come to my senses again, it's almost as if the painting has painted itself. Sometimes, I won't even notice until the next morning. Then I don't know whether the auguries appeared from my own hand or whether they were etched there magically overnight, in my absence. Often, it takes a while to see what is being revealed, although this example is less subtle, more legible than most. And sometimes the auguries vanish by the time the work is finished. Are they warnings to be heeded, or are they sent to cause the very things they show?"
"What do you mean?" Gerard said. He gestured vaguely at the painting. Palin, his hands clasped behind his back, stood there listening, without saying anything.
Usha was quiet for a while. At last, she began to speak. "Once, I was asked to paint a portrait of a wealthy businessman in Solanthus," she said softly. "He was an influential man, very powerful, and like other men of power, he boasted many enemies.
"All went well with the portrait at first, and the businessman was very pleased with my work. Then a strange thing began to happen. First, the eyes in my painting became glazed, as in death. I would restore their look of vitality each day, putting in the points of reflected light that characterize vital eyes, only to have them turn cloudy again each night. After that, I began to find the mouth open each morning as if in a silent scream. Finally, a bloody line started etching itself across his throat, opening further each day until the bloody line became a gaping wound.
"With great unease, I showed my client these omens and told him they might be warnings of what is to come, unless he took steps to prevent things. He concluded that his enemies were out to kill him, and immediately set out for Palanthas until such time as it seemed safe to return." Usha paused, as if unwilling to continue. "On the way, he was set upon by robbers," she added at last, speaking so softly Gerard had to strain to hear. "He was killed. His throat was cut." She looked Gerard full in the face. "So you see, I must have inadvertently caused his death by showing him what the picture revealed. In a way, I contributed to his death. And now I don't know whether to warn Odila of these portents, or whether it would be better for her if I keep silent."
"But she has to be alerted!" Gerard said vehemently. "We can't just sit by and let whatever it is befall-not if there's a chance we could stop it."
"Gerard, weren't you listening to what I told you? I helped cause that businessman's death!"
But Gerard wasn't listening. He stumbled back from the painting, his eyes wide with horror. "I had a dream a few nights ago," he said in a whisper. "I was standing in the new temple. The statue of Mishakal was holding a body, a corpse, and trying to tell me something, but I couldn't understand what Mishakal was saying. Nor could I tell whose body it was, for it was covered in a bloody sheet."
Usha gasped and clapped a hand over her mouth.
"What?" Gerard said. "What is it?"
But it was Palin who answered. "I had the same dream. And I, too, couldn't tell whose the body was."
"It might have been Odila's!" Gerard declared, turning toward the door.
"Wait," Usha called. "Don't do anything that might cause this fate to happen."
"He must do what he thinks is right, dear," said Palin.
"I must go to Odila," Gerard said, hurrying from the room, "and at least tell her."
Without further ado, he made for the stairway that would take him to ground level, the bridge-walk trembling beneath his frantic steps, and there he met up with a panting guardsman rushing in his direction. "At the temple!" the guardsman gasped, bent forward with his hands on his knees as he tried to catch his breath. "A terrible accident… Must tell the mayor."
"Was anyone injured?" Gerard asked, already feeling a tight foreboding.
"At least one dead." The guardsman straightened.
"Who?" Gerard demanded to know. "Who is dead?" But the guardsman merely shook his head and resumed his sprint in the direction of Palin's house.
Gerard raced toward the temple, fearing the worst.
CHAPTER 12
Gerard burst onto a scene of chaos and panic. On one side of the temple grounds, the scaffolding that had supported workmen had partially collapsed and swung away from the building at a crazy angle. There, people were swarming about aimlessly, trying to help and mostly getting in the way. The few individuals who appeared to possess some sense of purpose were digging among the rubble of fallen beams and stone, evidently looking for victims.
Several injured workmen and clerics had been taken aside and were grouped in a cluster at one edge of the site. Some of them sat dazedly, favoring hurt arms and legs. Others lay stretched out on the ground, moaning occasionally. Odila moved among the injured, offering what comfort she could.
Gerard hurried over to her.
"Are you all right?" he asked, noting with concern a bad scrape above her left eye where oozing blood was congealing to form a dark crust.
She nodded, her face still blank with shock.
"What happened?"
"Some sort of accident. The scaffolding just gave way at one corner."
Gerard scanned the ranks of injured. "An accident! Is anyone badly hurt?"
Odila shook her head, her braids coming loose and spilling hair down one side of her face. "Just one person, and unfortunately that is Salamon Beach," she said, nodding to a figure completely covered with a tattered cloak. "He was right underneath the structure when it collapsed."
Gerard strode over to the figure and peeled back a corner of the cloak. Salamon Beach gazed up at him with milky, sightless eyes. His features sagged with the weight of death. Blood pooled on the ground beneath his head, the back of which had been crushed by falling debris. Gerard covered the dead man again, then started in sudden recognition.
Salamon Beach, cloaked like this and cradled in the arms of Mishakal's statue, plainly evoked the bloodied figure in his dream.
So was this what the dream, and for that matter Usha's painting, had been trying to tell him? That there would be some sort of accident here? If it actually was an accident.