Thomas Enger
SCARRED
Translated from the Norwegian by Charlotte Barslund
Prologue
Werner is dead.
He really is; he knows that now.
He needed to stand beside the small, rectangular grave before he could grasp it. Properly take it in. He had to see the coffin first, see the mourners. Their dark clothes, their dark eyes.
Werner is gone.
For ever.
Fluffy snowflakes fall to the ground around him; some are caught in a never-ending, whirling spiral. The snow makes his eyes water, but he doesn’t mind. It makes it look as if he is crying.
He turns to his mother. There are cold trails down her cheeks. She continues to stare at the glossy, brown coffin. And beside her his father, who could barely tie his own tie this morning because his hands were shaking so badly. Who needed help shaving. Who ran outside last week in only a T-shirt and underpants though it was the middle of the day and big, white snowflakes were falling. Who screamed while he clawed through the snow like a maniac. Who pulled Werner out of the heavy whiteness.
But Werner’s lips had already turned blue.
They’d done it before, Werner and him, built caves inside the snowdrifts and dug tunnels connecting them. They would crawl through them though they knew they could collapse at any moment. And later – the thrill of emerging out into the light, still in one piece. They would dice with death and win.
Until that day.
Everyone is here. All of Werner’s classmates. Even some of his teachers have come to the funeral. There are people here he has never seen before. Family friends. Friends of friends. Everyone is sad. Or maybe they’re just pretending, like him.
They lower his brother into the black void. They sing with voices that can barely be heard. But he doesn’t want to sing. Or talk to anyone. Later, people gather in his house. He has something to eat and drink. He’s the only member of his family who does.
In the afternoon he sneaks up to his room, plays a cassette tape and flops down on his bed. Music usually makes him feel good, but not today. It takes him a while before he realises why.
Something in the room has changed.
He gets up from the bed and wanders up and down while he tries to work out what it is. And then he sees the photograph on the wall, a picture of Werner staring down at him, a picture that wasn’t there before, but hangs there now. His knees almost buckle.
He hasn’t told anyone how he watched the roof cave in on his brother. How he didn’t lift a finger, not for a long time, but relished the sensation surging through him. He was master of life and death. He was the only one who could save Werner.
The apple of their father’s eye.
He knows who put up the photograph, obviously; he remembers his father’s screams when the doctors said there was nothing more they could do. You can’t give up, he begged them, please, please don’t give up! And the look on his face when they came home from the hospital later that day, when they sat around the dinner table in the time that followed and no one said a word. There was no mistaking it. Was it because he wasn’t crying?
No.
It was because he hadn’t said sorry.
It had been his idea. His game. And he knows taking the picture down won’t help. His father will keep putting it back up, again and again. Making it impossible for him to forget.
Werner always used to smile when he had his picture taken, but he doesn’t on this one. He just looks straight at the camera. His hair is combed to one side and almost covers his eyes, but not enough to extinguish the light in them. The muffled screams he let out under those white, lethal masses come back. Like an echo.
By the time he sits down on his bed again, it has grown dark outside. It stopped snowing a long time ago, but the snow could have swept right through the room without him noticing anything but the light in his brother’s eyes. The light that can’t be snuffed out.
Werner isn’t dead.
He isn’t really; he knows that now.
But next time, he thinks. Next time will be different.
September 2009
Sunday
Chapter 1
Ole Christian Sund puts down the glass on the bedside table with a soft thud.
‘There,’ he says, smiling to the resident whose moist, stiff eyes stare out into the room. Sund wipes away a trickle of water from the corner of the man’s mouth, meeting resistance only from the stubble on his chin. The skin is so pale it’s practically transparent.
‘Do you need anything else?’ Sund says in a loud voice.
The lines in the man’s face remain unchanged. Sund looks tenderly at the resident, a man who has been with them for eighteen months, but who keeps death waiting. There’s not much left of him, only lifeless skin and bones, hair detaching itself from his scalp, a glassy stare that rarely changes focus. Not even the eyelids seem to be working any more.
Sund thinks, he looks like my dad. He spent the last years of his life like this; barely aware of his surroundings. Most of the time his eyes would seek out the ceiling or some object in the room, lost in a world of their own. It’s six years since he died, but it still feels like yesterday.
Sund leaves quietly. In the corridor he meets a resident with a relative, a grandchild possibly, out for some gentle exercise. He smiles to them and takes out his mobile: it’s just after five in the afternoon. A sinking feeling starts in the pit of his stomach.
Soon she’ll be here to pick Ulrik up and yet another week will come and go without him being a part of his son’s life. At most he’ll get to hear about it – if Martine can be bothered to reply to his text messages.
He knows he’s pestering her, but as he can’t be there every day and hear the news from Ulrik’s own mouth, at least he can hear it from hers. How the boy is, what he learned in school that day. Friends he played with at home or visited. All the things he misses out on because Martine and he stopped loving each other. Or rather – because she stopped loving him.
And though he thinks he has found a new love, he hates the thought that another man might have taken his place not just in Martine’s bed, but also in Ulrik’s life. That Ulrik might start to love his new dad while his real dad is just someone who makes him come to work with him when they were supposed to be having fun together.
If he could afford to turn down the extra shift, he would have. Fortunately he managed to find a fully charged electric wheelchair in Ward 4 for Ulrik to play with as long as he promised to look out for the residents. And he did, of course he did, he’s such a good boy. He loves zooming around the care home. The last time Sund saw him he was doing precisely that.
But where has the little tyke got to now?
Sund’s shoes make a steady sound against the floor as he starts checking passages and common rooms. In the television lounge he finds only Guttorm and a couple of the other residents embroiled in a heated argument over which channel to watch. Sund carries on looking, but can’t see a happy, whooping nine-year-old in a wheelchair anywhere. He searches the corridors on both sides of the building’s long H-shape. And finally, outside one of the resident’s rooms, he spots his little boy who no longer seems quite so small in a place where death waits around every corner.
Sund smiles to himself as he always does when he watches his son without his being aware of it. But something is wrong with the boy in the wheelchair. His hands are wedged between his thighs. His feet are crossed. And he’s rocking back and forth while his eyes seek out something on the floor, but there’s nothing there except the cold light from the fluorescent tubes in the ceiling.