Trine sighs.
‘You know what the media are like. Every headline is now going to preface the allegations with “very serious”. The disclaimer won’t be mentioned until halfway down the story.’
‘Typical. Anything else?’
‘No. That’s all for now.’
‘Okay.’
‘Call me when you get there.’
‘Mm.’
But Trine doesn’t want to call or talk to anyone. She just wants to get out of Oslo.
She glances up at the rear-view mirror and sees the black Audi behind her with the two men in the front. I bet they’re sweating, she thinks, given the situation and the job they have to do. They are going to an unnamed location and haven’t been able to secure it yet. She sympathises with them. What if something were to happen to the Justice Secretary on their watch?
Chapter 19
He studies the colours and the contrasts on the screen. He can see that he needs to brighten the surroundings, intensify their colour. Or maybe it’s fine as it is.
He likes the mood in the picture. The early morning mist lying across the ground at the nursery. The trees around it, wrapped in nature’s floating cotton wool. He should have taken some pictures of that as well, not just of the boy who has sand around his mouth. He is not smiling in this particular picture. He sits on the ground, lost in a world of his own. His waders keep him dry and warm. He is blissfully ignorant that the world only seems to be a safe place. Anything could happen to a boy of two and a half.
He selects the boy, increases the contrast so his colouring stands out more sharply against the dim morning light, and plays with various filters. Even though he doesn’t need to, he prints out the picture. Soon a long, whooshing sound starts up under his desk. And the boy appears, clear and bright.
He studies the face, the cheekbones he can barely make out under the chubby toddler cheeks. Looks at the nose and the mouth. The teeth.
Does he bear any resemblance to me?
He knows the thought is absurd, but he can’t help himself. And he imagines her, imagines them, hand-in-hand, the way she often drags the boy along, usually because she is late for work. But she can’t have been late for work today given the leisurely pace with which she walked. And always so beautiful. Still so bloody beautiful. And the boy. Small and untouched.
At least for now.
He sits down in front of his computer again and feels the soft latex around his fingers when he rubs them together. He goes on Facebook to check the latest updates. Shakes his head. Everyone is so bloody happy and successful. He starts to play a computer game, but finds it impossible to concentrate.
He thinks about yesterday and how it all happened before he had time to savour it. The old woman died almost immediately. He didn’t really know what he had done before he had done it and so he never saw the light go out. He never felt the struggle, no matter how short and feeble it would have been, in her fingers.
Four intense beeps from his mobile snap him out of his reverie. He picks up the phone and heaves a sigh.
He visualises his mother on her lunch break at work calling him to find out what he is up to, if he would like to come home for dinner tomorrow. He can’t be bothered to reply. Nag, nag, nag. Every time the same questions: ‘Have you been down to the job centre yet?’ ‘How do you pass the time?’
If only you knew, he thinks. And he won’t be coming home for dinner tomorrow. He has plans. Big plans.
He looks at the boy again. Then he scrunches up the printout and throws it at the wall, finds his USB-driven mini Hoover, points its nozzle at the keyboard and removes any breadcrumbs or dust that might have settled in the last few days. And especially any DNA.
When he has finished, he pushes himself away from the desk, opens the desk drawer and looks at the open envelope with the large, green ‘G’ on the outside. He takes it out and puts it next to a wrap – slightly bigger than a street dose – of morphine capsules.
He can hardly wait until the next struggle. He is desperate to experience that. He wants to see the light. Especially when it goes out.
Chapter 20
Back at the offices of 123news Henning sits down at his desk and reflects. Did he actually glean anything from his meeting with Pia Nøkleby?
Only a professional liar can control the reflexes of their facial muscles when confronted with compromising information. The tell is in the movements of the eyes. But rather than getting nervous or appearing ill at ease, Pia looked inquisitive and alert.
Is she really that good a liar?
If that’s the case he has to find another way of solving the Indicia problem. And he thinks he has.
According to 6tiermes7, Henning’s secret Internet source, a man called Andreas Kjær was the officer on duty on the night of the fire. It’s not unthinkable that he might remember something from that night. Perhaps he can provide Henning with information about which patrol car he despatched to investigate what Tore Pulli was doing in Markveien around 8.30 p.m. Perhaps the officers in that patrol car could be traced. It’s definitely worth following up, especially now when Henning has some free time. The police investigation at the care home is trundling along and the online newspapers are focusing mainly on Trine.
Henning discovers that Directory Enquiries list several Andreas Kjærs, but only one who lives in Oslo. Henning steps inside an office the size of a telephone booth and calls the number. A deep, male voice answers after just two rings.
‘Hi, my name’s Henning Juul. I’m looking for Andreas Kjær.’
‘That’s me.’
‘Hi,’ Henning says again. ‘I’m calling because two years ago you were working at Oslo Police’s control centre. Is that right?’
‘Yes, that’s correct. I’m still there.’
‘Okay. Fine. I have a question that might be a bit – which might not make sense straightaway, but I ask you to bear with me because it’s important.’
Henning gets no reply and takes it as a sign that he should keep talking.
‘On 11 September in 2007 there was a fire in my flat in Markveien in Grünerløkka. You were on duty that night and I know that a patrol car was despatched to Markveien 32 shortly before the fire started.’
Henning stops to make sure that Kjær is keeping up with him.
‘Okay?’ Kjær says, sounding unwilling. ‘I’m sorry to hear that. But why are you calling me?’
‘Because you were on duty that night. I also know that it was—’
‘How do you know that?’
‘I lost my son in that fire,’ Henning says and clears his throat. ‘And apart from being more than understandably keen to know what happened, I’m also a journalist. I have sources.’
Kjær says nothing. Henning decides to plough on.
‘A traffic warden had observed a man sitting in a car several evenings in a row outside the building where I lived; he got suspicious, called it in and you despatched a patrol car to the address.’
Henning holds another pause.
‘Ring any bells, Kjær?’
Silence.
‘The man sitting in the car was Tore Pulli,’ Henning continues when Kjær still doesn’t say anything. ‘You’ve heard of him, haven’t you?’
‘Yes, of course. But I don’t remember the case.’
‘Are you sure? It would be really helpful if you could try to think back. Like I said, it’s very important to me.’
‘I understand,’ Kjær replies. ‘But yes, I’m sure. And even if I did remember that case I wouldn’t be able to discuss it with you.’