‘I’ve had a go at cooking,’ he says.
Trine blows air through her nostrils and smiles tenderly.
‘You know what a great cook I am,’ he quips.
Trine can’t help laughing.
‘It’ll be ready in ten minutes, I think. Or it will be if Nigella knew what she was doing when she wrote this book.’
Trine had forgotten how good it feels to laugh, how good it is to be home. How much she loves this handsome man, how much she longs to give him everything he wants, right now, because he is so kind to her. Because he doesn’t press her for answers, but is willing to wait until she is ready.
They eat slowly while they talk about work. That is to say, Pål Fredrik talks and Trine listens. She takes a few bites of the marinated chicken, sips the chambré wine. But though she tries, she can’t manage to eat very much. Eating doesn’t feel right. Nor does drinking or talking. To think about what she has done and look him in the eye at the same time is torture.
You can’t tell him, she thinks to herself. You just can’t.
After dinner they sit down on the sofa with some more wine. Listen to music. Chet Baker. Trine has never liked jazz all that much, but the sensitive trumpet-playing goes well with the soft lighting. They don’t turn on the TV. They don’t ask each other anything. Their teeth turn dark blue, but when Pål Fredrik returns with another bottle of red wine, there is a harder and more determined quality to his footsteps.
‘I have a plan,’ he announces and sits down. ‘I’m going to get you very drunk.’
He isn’t smiling or laughing. The light in his eyes bores into hers.
‘But it’s not so that you’ll blurt out the truth. I’m actually not that interested in what the papers say. I believe you when you say that you didn’t do the things they’re accusing you of.’
He pauses before he goes on.
‘But we’ve been married quite a long time now, Trine. And though I might know you better than anyone, I don’t think I can say that I know you all that well.’
Trine bows her head.
‘We live our lives in the public eye. I signed up for it, I’ve enjoyed it. But not any more. Not after this. You owe me much more explanation than what’s written in the papers, Trine.’
He pauses again.
‘I’ll only say this to you once.’
He waits until she looks up at him.
‘I love you. I’ll probably always love you. But if you want me to stay, then you have to give me all of you. I want all of you. It’s about time that you tell me who you really are, Trine. Who Trine Juul is. Who Trine Juul was before she met me.’
He tries to penetrate her gaze, but she shuts him out.
‘You can start by telling me about your family,’ he says firmly. ‘Tell me about your parents. Tell me about Henning. What happened to you? Why are you no longer in touch?’
Trine lifts her head and looks at him anxiously.
‘Henning?’ she says. ‘Have you been talking to him?’
Pål Fredrik is about to reply, but he stops. And Trine sees that she is right.
‘He came to me, Trine. He also sent me a text message last night to tell me that he’d found you and that you were still alive.’
Trine stands and starts walking over to the living-room window. She turns her back to him. Pål Fredrik doesn’t follow her. Trine stops at the piano.
‘He was only trying to help you,’ Pål Fredrik says and gets up. ‘And now you’re doing it again.’
He comes over to her.
‘Every time I ask you about Henning and your family, you shut me out. I asked Henning why, but he says he has no idea why the two of you fell out. So what’s really going on here?’
She spins around to face him.
‘Is that what he said? That he doesn’t know?’
‘Yes.’
Again, she walks away from him, but Pål Fredrik follows her. Neither of them says anything for a long time. He positions himself in front of her, takes her by the shoulders and tries to look into her eyes. She can’t manage to look back at him so she wriggles free and goes over to her wine glass and swallows a big gulp. She puts down the glass hard.
Pål Fredrik continues to follow her. He says nothing. He just looks at her.
Trine thinks about all the things she doesn’t want to think about. Events she has been trying to forget. What she saw that night. The subject of some of her nightmares.
It takes a long time before she can look at him.
‘I’ve never told anyone,’ she begins. ‘And you must take this with you to your grave. Will you promise me that?’
Pål Fredrik nods quickly.
Trine sighs and drinks another mouthful of wine. She massages her temples. Then she sits down. The room is silent. Chet Baker stopped playing long ago.
She lowers her gaze. She knows she won’t be able to look at him while she talks. So she picks a spot on the coffee table in front of her. And she says: ‘I’ve told you about my dad?’
Pål Fredrik nods.
‘He died when I was fifteen years old.’
She can barely hear her own voice. She pauses again.
‘You want to know why we don’t talk to each other in my family?’ she says and looks at Pål Fredrik. ‘Why I can’t bear to have anything to do with Henning?’
Pål Fredrik nods again.
‘I need to tell you a couple of things about my dad.’
Chapter 64
Henning stays at the office until late that afternoon. He spends most of his time in the small telephone cubicle where he can talk undisturbed.
He finally realised who to call. And when he has finished, he has a good feeling about it. Things have been set in motion. He has done everything he can do. The rest is up to Trine.
There are still people left in the office, but most have gone home. Henning sits down in his chair, unlocks his mobile and sees to his immense frustration that no one has called him back yet. Neither Ole Christian Sund nor Erna Pedersen’s old neighbours.
But there’s nothing new about that. A journalist casts his line hoping to get a bite. Usually he ends up with nothing.
Henning is about to try Bjarne Brogeland again when a number further down his call list catches his attention. It’s the number for Andreas Kjær. The man who was on duty on the night Henning’s flat burned down. There was something curt about the way he spoke to me, wasn’t there? Henning asks himself. Kjær couldn’t wait to get rid of me especially once I mentioned Tore Pulli’s name.
And again Henning thinks about priorities. What is more important – the suicide in Grorud or the fire in his own flat?
He puts down the telephone, goes online and discovers that the Kjær family lives in Tåsen Allé. He leaves the office and finds the nearest bus stop.
Forty minutes later Henning is standing on the drive outside a large, red house. The roof tiles might once have been orange, now they are dark brown. The ridge tiles are sagging.
Henning walks past a trailer with a pile of shingle and up some stone steps staying close to the black painted railings, and presses the doorbell. He takes a step back, waits and checks the time on his mobile. 5.30 p.m. No one answers. He rings the bell a couple of times and waits again. He hears no footsteps coming from inside the house.
Henning swears under his breath, then he steps back down on the crunchy gravel in front of the house. He takes a brief moment to decide before he walks out on to the dewy grass, continues past the garage and around to the rear of the house. He stops next to a tall hedge. The smell of freshly mown grass reminds Henning of his childhood garden back in Kløfta, big with lots of pine cones, a peat bog and tall trees.