The dominee is already on the stage, a pale young man in a black suit and white tie. He preaches in a high, sing-song voice, drawing out the long vowels, pronouncing every letter of every word punctiliously. When the preaching is over, they have to stand for the prayer. What is it proper for a Catholic to do during a Christian prayer? Does he close his eyes and move his lips, or does he pretend not to be there? He cannot see any of the real Catholics; he puts on a blank look and allows his eyes to go out of focus.
The dominee sits down. The songbooks are handed out; it is time for the singing. One of the women teachers steps forward to conduct. ‘Al die veld is vrolik, al die voëltjies sing,’ sing the juniors. Then the seniors stand up. ‘Uit die blou van onse hemel,’ they sing in their deep voices, standing to attention, gazing sternly ahead: the national anthem, their national anthem. Tentatively, nervously, the younger boys join in. Leaning over them, waving with her arms as though scooping feathers, the teacher tries to uplift them, encourage them. ‘Ons sal antwoord op jou roepstem, ons sal offer wat jy vra,’ they sing: we will answer your call.
At last it is over. The teachers descend from the platform, first the principal, then the dominee, then the rest of them. The boys file out of the hall. A fist strikes him in the kidneys, a short, quick jab, invisible. ‘Jood!’ a voice whispers. Then he is out, he is free, he can breathe fresh air again.
Despite the menaces of the real Catholics, despite the hovering possibility that the priest will visit his parents and unmask him, he is thankful for the inspiration that made him choose Rome. He is grateful to the Church that shelters him; he has no regrets, does not wish to stop being a Catholic. If being a Christian means singing hymns and listening to sermons and then coming out to torment the Jews, he has no wish to be a Christian. The fault is not his if the Catholics of Worcester are Catholic without being Roman, if they know nothing about Horatius and his comrades holding the bridge over the Tiber (‘Tiber, Father Tiber, to whom we Romans pray’), about Leonidas and his Spartans holding the pass at Thermopylae, about Roland holding the pass against the Saracens. He can think of nothing more heroic than holding a pass, nothing nobler than giving up one’s life to save other people, who will afterwards weep over one’s corpse. That is what he would like to be: a hero. That is what proper Roman Catholicism should be about.
It is a summer evening, cool after the long, hot day. He is in the public gardens, where he has been playing cricket with Greenberg and Goldstein: Greenberg, who is solid in class but not good at cricket; Goldstein, who has large brown eyes and wears sandals and is quite dashing. It is late, well past seven-thirty. Save for the three of them, the gardens are deserted. They have had to give up their cricket: it is too dark to see the ball. So they have wrestling fights as if they were children again, rolling about on the grass, tickling each other, laughing and giggling. He stands up, takes a deep breath. A surge of exultation passes through him. He thinks: ‘I have never been happier in my life. I would like to be with Greenberg and Goldstein forever.’
They part. It is true. He would like to live like this forever, riding his bicycle through the wide and empty streets of Worcester in the dusk of a summer’s day, when all the other children have been called in and he alone is abroad, like a king.
Five
Being a Catholic is a part of his life reserved for school. Preferring the Russians to the Americans is a secret so dark that he can reveal it to no one. Liking the Russians is a serious matter. It can have you ostracized. It can have you sent to jail.
In a box in his cupboard he keeps the book of drawings he did at the height of his passion for the Russians in 1947. The drawings, in heavy lead pencil coloured in with wax crayons, show Russian planes shooting American planes out of the sky, Russian ships sinking American ships. Though the fervour of that year, when a wave of enmity against the Russians suddenly burst out on the radio and everyone had to take sides, has subsided, he retains his secret loyalty: loyalty to the Russians, but even more loyalty to himself as he was when he did the drawings.
There is no one here in Worcester who knows he likes the Russians. In Cape Town there used to be his friend Nicky, with whom he played war games with lead soldiers and a spring-loaded cannon that fired matchsticks; but when he found how dangerous his allegiances were, what he stood to lose, he first swore Nicky to secrecy, then, to make doubly sure, told him he had changed sides and now liked the Americans.
In Worcester no one but he likes the Russians. His loyalty to the Red Star sets him absolutely apart.
Where did he pick up this infatuation, that strikes even him as odd? His mother’s name is Vera: Vera, with its icy capital V, an arrow plunging downwards. Vera, she once told him, was a Russian name. When the Russians and the Americans were first set before him as antagonists between whom he had to choose (‘Who do you like, Smuts or Malan? Who do you like, Superman or Captain Marvel? Who do you like, the Russians or the Americans?’), he chose the Russians as he chose the Romans: because he likes the letter, r, particularly the capital R, the strongest of all the letters.
He chose the Russians in 1947 when everyone else was choosing the Americans; having chosen them, he threw himself into reading about them. His father owned a three-volume history of World War Two. He loved these books and pored over them, pored over photographs of Russian soldiers in white ski uniforms, Russian soldiers with tommy guns dodging among the ruins of Stalingrad, Russian tank commanders staring ahead through their binoculars. (The Russian T-34 was the best tank in the world, better than the American Sherman, better even than the German Tiger.) Again and again he came back to a painting of a Russian pilot banking his dive-bomber over a burning and devastated German tank column. He adopted everything Russian. He adopted stern but fatherly Field Marshal Stalin, the greatest and most far-sighted strategist of the war; he adopted the borzoi, the Russian wolfhound, swiftest of all dogs. He knew everything there was to know about Russia: its land area in square miles, its coal and steel output in tons, the length of each of its great rivers, the Volga, the Dnieper, the Yenisei, the Ob.
Then came the realization, from the disapproval of his parents, from the puzzlement of his friends, from what they reported when they told their own parents about him: liking the Russians was not part of a game, it was not allowed.
Always, it seems, there is something that goes wrong. Whatever he wants, whatever he likes, has sooner or later to be turned into a secret. He begins to think of himself as one of those spiders that live in a hole in the ground sealed with a trapdoor. Always the spider has to be scuttling back into its hole, closing the trapdoor behind it, shutting out the world, hiding.
In Worcester he keeps his Russian past a secret, hides the reprehensible book of drawings, with their smoke-trails of enemy fighters crashing into the ocean and battleships sliding bow-first under the waves. For drawing he substitutes games of imaginary cricket. He uses a wooden beach bat and a tennis ball. The challenge is to keep the ball in the air as long as possible. For hours on end he circles the dining-room table patting the ball in the air. All the vases and ornaments have been cleared away; every time the ball strikes the ceiling a shower of fine red dust descends.