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Simon was on the balcony of Mary Margaret Wildeblood's apartment again and somebody was staring out at him in horror. "My God, it's Bigfoot!"

Simon reentered the form, and contemplated it.

Civilization was destroyed by nuclear holocaust in May 1984 because Furbish Lousewart was a certain kind of man and Franklin Delano Roosevelt Stuart was a certain other kind of man; and they were what they were because of genetic programs and accidental imprints and conditioning and some learning, and because of the society around them; and that society was the resultant of various conflicting historical and neurogenetic causes; and Lousewart became President because of a thousand other factors, only one of which, the accident at Three Mile Island in 1979, was itself the resultant of thousands of factors, including the usual struggles between the engineers and the financiers; and to explain Stuart you would have to start with the institution of slavery six thousand years earlier; and…

Everything in the novel was inevitable, as everything in the supercontinuum containing the novel was inevitable.

And yet Simon had escaped from the novel.

Although not a member of the Warren Belch Society, Simon Moon was, of course, aware of the theory that there was a universe somewhere in which Bacon's major works were still attributed to somebody else. Simon, naturally, was not imaginative enough to conceive that in that universe Bacon had died of pneumonia while conducting experiments in refrigeration. In Simon's usual universe, the author of Novum Organum, The New Atlantis, King Lear, etc., had lived on to discover the inverse-square law of gravitation, and Isaac Newton was remembered only as a somewhat eccentric astrologer.

In another novel, midway between the old universe and the new, Simon himself had been shot dead by a Chicago cop during the Democratic Convention of 1968. Over there, Bacon had been bold enough to admit publicly his high rank in the Invisible College (Illuminati) and had been beheaded by James I for heresy. In that universe, not just civilization, but all life on Terra, came to a very hideous end in 1984, because the President was constipated one day and made the wrong decision. Their technology was so advanced that half the solar system went nova along with Earth.

In the next universe Simon explored, we were saved because a red-haired Tantric Engineer named Babs Lashtal gave the Prez a first-class Grade-A blow job in the Oval Room at 10 A.M., relaxed his tense muscles, pacified his glands, soothed his frustrations, and inspired him to act relatively sane for the rest of the day. He did not push the button, thereby preserving millions of species of living forms on Earth and thousands of microscopic species on Venus.

Babs Lashtal, of course, was regarded with contempt by all right-thinking people, who had no idea that they owed their lives to her skillful extraction of presidential spermatozoa by means of tender, gentle, gracefully rhythmic kissing, licking, and sucking of the presidential wand.

Even if they had known about it, the right-thinking people would still say Babs should be ashamed of herself.

The whole novel was rather didactic, Simon decided. It was written only to prove a point: Never underestimate the importance of a blow job. It had been necessary to write such a novel because the people over there were so ignorant and superstitious they still called Tantric Engineers "whores" and other degrading names.

Every universe is inevitable; but there are as many universes as there are probability matrices. The Metapro-grammer chooses which universe he will enter.

There is a love that binds it all together, and that love is expressed in primate language as the love of a parent for a child, so Simon was not surprised to find Tim Moon pervading everything, or at least a kind of continuous Tim Moon potential that could be encoded again in another book or that could remain latent for long times, vaguely permeating every book. There were hundreds of thousands of other Wobs there, Frank Little and Joe Hill and Pat Murfin and Neal Rest and Big Bill Heywood and they were all singing like an outlaw Hallelujah Chorus:

Though cowards cringe and traitors sneer

We'll keep the Black Flag flying here

and Dad himself spoke to me, I swear it, saying, "Just tell them this, son: Capitalism is still nothing but a shit sandwich. The more bread you have, the less shit you've got to eat, and the less bread you have, the more shit you've got to eat. Tell them all." And yet that seems to mark the experience as brain-generated: the style is Simon-pwer not Tim-pater even if the idea is most certainly something old Tim Moon would want to communicate. A collaboration perhaps between the part of Tim Moon that lives on in Simon's memory banks and the part that lives eternally in the Mind of the Author of Our Being.

"Hey, wait, before you turn the page and get into the next section, I want to say one more thing. Those faucets on the sink mean something. Every time I stare at them in deep meditation I almost remember something important. Two faucets on a sink, one saying H and one saying C. Remember H. C. That's important."

The e continues to fall.

THE GYPSY SWITCH

The future exists first in Imagination, then in Will, then in Reality.

–eve hubbard

In spring 1963, while a Mr. Oswald was ordering a Carcano-Mannlicher rifle through the mail, Hugh Crane was in Cambridge, meeting with a famous psychologist who had recently been ejected from Harvard for original research and poor usage of the First Amendment.

"It takes you beyond the body rapture of marijuana?" Crane asked.

"That's the least of it," said the psychologist. "It takes you into something like the parallel universe of science fiction. I'm beginning to think they're parallel neurological universes or different styles of head-games…"

"Games?" Crane said.

"Life-scripts, novels," the psychologist suggested, trying other metaphors.

"I dig it," Crane said quietly. "How soon can I try this lysergic acid di-what's-it?"

"Diethylamide."

"How soon?" Crane repeated. "You've got a very willing guinea pig, Dr. Frankenstein."

Gary Grant had already told all the show-biz columnists that this magic chemical had changed his whole life for the better; Cagliostro, typically, went further and began urging its use on everyone. When the backlash struck he and the researcher who had initiated him and a few other researchers and a couple of famous poets and novelists were widely denounced as "high priests of the drug cult." He became a favorite topic for the Sunday supplements and the more ox-like men's magazines-any hack could make a lively story by rehashing his pot arrests, his morals busts, the rumors about other sexual oddities, his public advocacy of LSD and anarcho-atheism, his mantra, "There is no governor anywhere," and the increasingly popular speculation that his escapes were actually performed through black magic.

It was a disappointment to all the people who loved hating him when he suddenly married the screen's best known sex goddess, Norma Nelson, and settled down to what appeared to be a very monogamous and un-newsworthy fidelity trip.

Norma herself was delighted that all those rumors about his sadism were obviously untrue. Their sex life was quite normal, and the Mass of the Holy Ghost was performed without restraints. She discovered, also, the basic secret of his escapes: he never accepted a challenge at once, always jetting on "urgent business" to another part of the country and only taking languid notice of the wager, casually accepting it with total cool, a few days later. The interlude, she found, was spent in duplicating the conditions proposed and finding the gimmick that would work and the misdirection that would distract attention at the crucial moment. She also learned the essence of the okanna borra, or "gypsy switch," which is the basis of almost all magic and most con games. The people who thought their own screws, bolts, and chains were used in Cagliostro's escapes were as mistaken as those who think the handkerchief with a hundred dollars that they give the gypsy for blessing is the same handkerchief that comes back to them.