'I see you've heard of him.' Mr Burnham's face turned sombre. 'Yes – this is to be his last voyage, Reid, and I would like it to be a pleasant one. He has suffered some reverses lately and is not in the best of health. He will have Mr Crowle as his first mate – an excellent sailor but a man of somewhat uncertain temper, it must be said. I would be glad to have a sound kind of fellow on board, as second mate. What do you say, Reid? Are you of a mind to sign up again?'
This corresponded so closely to Zachary's hopes that his heart leapt: 'Did you say second mate, sir?'
'Yes, of course,' said Mr Burnham, and then, as if to settle the matter, he added: 'Should be an easy saiclass="underline" get under weigh after the monsoons and be back in six weeks. My subedar will be on board with a platoon of guards and overseers. He's had a lot of experience in this line of work: you won't hear a murmur from the thugs – he knows how to keep them shipshape. And if all goes well, you should be back just in time to join us on our Chinese junket.'
'I beg your pardon, sir?'
Mr Burnham slung an arm around Zachary's shoulders. 'I'm telling you this in confidence, Reid, so hold it close to your chest. The word is that London is putting together an expedition to take on the Celestials. I'd like the Ibis to be a part of it – and you too for that matter. What'd you say, Reid? Are you up for it?'
'You can count on me, sir,' said Zachary fervently. 'Won't find me wanting, not where it's a matter of effort.'
'Good man!' said Mr Burnham, clapping him on the back. 'And the Ibis? Do you think she'd be useful in a scrap? How many guns does she have?'
'Six nine-pounders, sir,' said Zachary. 'But we could add a bigger gun on a swivel mount.'
'Excellent!' said Mr Burnham. 'I like your spirit, Reid. Don't mind telling you: I could use a pucka young chap like you in my firm. If you give a good account of yourself, you'll have your own command by and by.'
Neel lay on his back, watching the light as it rippled across the polished wood of the cabin's ceiling: the blinds on the window filtered the sun's reflection in such a way that he could almost imagine himself to be under the river's surface, with Elokeshi by his side. When he turned to look at her, the illusion seemed even more real, for her half-unclothed body was bathed in a glow that swirled and shimmered exactly like flowing water.
Neel loved these intervals of quiet in their love-making, when she lay dozing beside him. Even when motionless, she seemed to be frozen in dance: her mastery of movement seemed not to be bounded by any limits, being equally evident in stillness and in motion, onstage and in bed. As a performer she was famed for her ability to outwit the quickest tabla-players: in bed, her improvisations created similar pleasures and surprises. The suppleness of her body was such that when he lay on her, mouth to mouth, she could curl her legs around him so as to hold his head steady between the soles of her feet; or when the mood took her, she could arch her back so as to lever him upwards, holding him suspended on the muscular curve of her belly. And it was with a dancer's practised sense of rhythm that she would pace their love-making, so that he was only dimly aware of the cycles of beats that governed their changes of tempo: and the moment of release, too, was always utterly unpredictable yet totally predetermined, as if a mounting, quickening tál were reaching the climactic stillness of its final beat.
But even more than the love-making, he liked these moments afterwards, when she lay spent on the bed, like a dancer after a dizzying tihai, with her sari and her dupattas scattered around her, their loops and knots passing over and around her torso and her limbs. There was never time, in the urgent preliminaries to the first love-making, to properly undress: his own six-yard-long dhoti would wind itself through her nine-yard sari, forming patterns that were even more intricate than the interleaving of their limbs; only afterwards was there the leisure to savour the pleasures of a slowly conjured nakedness. Like many dancers, Elokeshi had a fine voice and could sing exquisite thumris: as she hummed, Neel would unwrap the garments from her limbs, lingering over each part of her body as his fingers bared them to his eyes and his lips: her powerful, arched ankles, with their tinkling silver anklets, her sinuous thighs, with their corded muscles, the downy softness of her mound, the gentle curve of her belly and the upswell of her breasts. And then, when every shred of clothing had been peeled away from both their bodies, they would start again, on their second bout of love-making, long, languid and lasting.
Today Neel had barely started to disentangle Elokeshi's limbs from the knotted cocoon of her clothing, when there was an untimely interruption in the form of a second altercation in the gangway outside the door: once again, the three girls were holding Parimal back from bringing news to his master.
Let him come in, Neel snapped in annoyance. He pulled a dupatta over Elokeshi, as the door was opening, but made no move to reattach his own disarranged clothing. Parimal had been his personal bearer and dresser since he was of an age to walk; he had bathed him and clothed him through the years of his childhood; on the day of Neel's wedding, it was he who had prepared the twelve-year-old boy for his first night with his bride, instructing him in what had to be done: there was no aspect of Neel's person that was unfamiliar to Parimal.
Forgive me, huzoor, Parimal said as he stepped inside. But I thought you should know: Burra-Burnham-sahib has arrived here. He is on the ship right now. If the other sahibs are coming to dinner, then what about him?
The news took Neel by surprise, but after a moment's thought, he nodded: You're right – yes, he must be invited too. Neel pointed to a gown-like garment hanging on a peg: Bring me my choga.
Parimal fetched the choga and held it open while Neel stepped out of bed and slipped his arms into its sleeves. Wait outside, Neel said: I'm going to write another note for you to deliver to the ship.
When Parimal had left the room, Elokeshi threw off her covers. What's happened? she said, sleepily blinking her eyes.
Nothing, said Neel. I just have to write a note. Stay where you are. It won't take long.
Neel dipped his quill in an inkpot and scrawled a few words, but only to change his mind and start again. His hands became a little unsteady as he wrote out a line expressing his pleasure at the prospect of welcoming Mr Benjamin Burnham on the Raskhali budgerow. He stopped, took a deep breath and added: 'Your arrival is indeed a happy coincidence, and it would have pleased my father, the late Raja, who was, as you know, a great believer in signs and omens…'
Some twenty-five years before, when his trading house was still in its infancy, Mr Benjamin Burnham had come to see the old Raja with an eye to leasing one of his properties as an office: he needed a Dufter but was short on capital, he said, and would have to defer the payment of the rent. Unbeknownst to Mr Burnham, while he was presenting his case, a white mouse had appeared under his chair – hidden from the trader, but perfectly visible to the zemindar, it sat still until the Englishman had had his say. A mouse being the familiar of Ganesh-thakur, god of opportunities and remover of obstacles, the old zemindar had taken the visitation to be an indication of divine wilclass="underline" not only had he allowed Mr Burnham to defer his rent for a year, he had also imposed the condition that the Raskhali estate be allowed to invest in the fledgling agency – the Raja was a shrewd judge of people, and in Benjamin Burnham he had recognized a coming man. Of what the Englishman's business would consist, the Raja made no inquiry: he was a zemindar after all, not a bania in a bazar, sitting cross-legged on a countertop.