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'Good.'

Reaching into a drawer, the Captain brought out a box which was, in the lacquered sheen of its gloss, every bit a match for his pipe. When he opened the lid, several objects were revealed to be lying inside, on a lining of red silk, nested ingeniously together. One by one, like an apothecary at a counter, the Captain picked the objects apart and placed them on the table in front of him: a needle with a metal tip and a bamboo stem; a long-handled spoon of similar design; a tiny silver knife; a small round container, made of ivory and so ornately carved that Zachary would not have been surprised to see a ruby or diamond lying inside. But instead there was a lump of opium, dull in appearance, muddy in colour and texture. Arming himself with the knife, Captain Chillingworth cut off a minuscule piece and placed it in the bowl of the long-handled spoon. Then, removing the chimney from the lamp, he held the spoon directly over the flame, keeping it there until the gum changed consistency and turned liquid. Now, with the ceremonious air of a priest performing a ritual of communion, he handed Zachary the pipe: 'Be sure to work your bellows hard when I put the droplet in: a gulp or two is all you'll get before it's gone.' Now, moving with the greatest care, the Captain dipped the needle's tip into the opium and held it over the flame. As soon as the drop began to sizzle, he thrust it into the pipe's bulb. 'Yes! Now! let not a wisp escape!'

Zachary put the stem to his lips and drew in a breath of rich, oily smoke.

'Work the pump! Hold it in!'

After Zachary had drawn on the stem twice more, the pipe was exhausted of its smoke.

'Sit back in your chair,' said Captain Chillingworth. 'Do you feel it? Has the earth lost its hold on your body yet?'

Zachary nodded: it was true that somehow the pull of gravity seemed to have eased; his body had become as light as a cloud; every trace of tension had drained out of his muscles; they had become so relaxed, so yielding that he could not be sure that his limbs still existed. To sit in a chair now was the last thing he wanted to do; he wanted to be prone, to lie down. He put out a hand to steady himself, and watched his fingers travel, like slow-worms, to the edge of the table. Then he pushed himself up, half expecting his feet to be unusable – but they were perfectly steady and well capable of supporting his weight.

He heard the Captain speaking, as if from a great distance: 'Are you too be-dundered to walk? You are welcome to the use of my cot.'

'My cabin's just a step away, sir.'

'As you please, as you please. The effects will pass in an hour or two and you will wake refreshed.'

'Thank you, sir.' Zachary felt himself to be floating as he moved to the door.

He was almost there when the Captain said: 'Wait a minute, Reid – what was it that you wanted to see me about?'

Zachary came to a stop with his hand on the door; to his surprise he found that the loosening of his muscles and the clouding of his senses had not led to any loss of memory. His mind was, if anything, unnaturally clear: not only did he recall that he had come to speak to the Captain about Serang Ali, he also understood that the opium had saved him from choosing a coward's course. For it was clear to him now that whatever had happened between himself and the serang had to be resolved between the two of them, and them alone. Was it because the fumes had given him a clearer vision of the world? Or was it because they had allowed him to look into parts of himself where he had never ventured before? Whatever the case, he saw now that it was a rare, difficult and improbable thing for two people from worlds apart to find themselves linked by a tie of pure sympathy, a feeling that owed nothing to the rules and expectations of others. He understood also that when such a bond comes into being, its truths and falsehoods, its obligations and privileges, exist only for the people who are linked by it, and then in such a way that only they can judge the honour and dishonour of how they conduct themselves in relation to each other. It was for him, Zachary, to find an honourable resolution to his dealings with Serang Ali; in this would lie his manumission into adulthood, his knowledge of the steadiness of his helm.

'Yes, Reid? What did you want to talk about?'

'It was about our position, sir,' said Zachary. 'When I looked at the charts today, I had the feeling that we had strayed quite a long way eastwards.'

The Captain shook his head. 'No, Reid – we're exactly where we should be. In this season there's a southerly current off the Andamans and I thought to take advantage of it; we'll stay on this tack for a while yet.'

'I see, sir, I'm sorry. If you'll forgive me…'

'Yes go, go.'

Crossing the cuddy, Zachary felt none of the unsteadiness that accompanies inebriation; his movements were slow, but in no wise irregular. Once inside his cabin, he took off his banyan and trowsers and stretched out on his bunk in his underclothing. On closing his eyes he lapsed into a state of rest that was far deeper than sleep, and yet also more awake, for his mind was filled with shapes and colours: although these visions were extraordinarily vivid they were utterly tranquil, being untroubled by sensuality or desire. How long this state lasted he did not know, but his awareness of its waning started when faces and figures entered his visions again. He fell into a state of dreaming, in which a woman kept approaching and receding, keeping her face hidden, eluding him even though he knew her to be tantalizingly close. Just as he was becoming conscious of a distant ringing sound, the veil fell away from her face and he saw that she was Paulette; she was coming towards him, walking into his arms, offering him her lips. He woke to find himself drenched in sweat, dimly conscious that the last chime of the eighth bell had just sounded and that it was his watch next.

*

A marriage proposal being a sensitive affair, Deeti had to be careful in picking a time and place where she could discuss the matter with Heeru without being overheard. No opportunity arose until early the next morning, when the two women happened to find themselves alone on the main deck. Seizing the moment, Deeti took Heeru's elbow and led her to the jamna devis.

What is it, Bhauji?

It wasn't often that anyone paid Heeru much attention, and she began to stammer in apprehension, thinking she'd done something wrong and was in for a scolding: Ká horahelba? Is something wrong?

Under the cover of her ghungta, Deeti smiled: There's nothing wrong, Heeru – to tell the truth, I am happy today – áj bara khusbáni. I have some news for you.

News? What news? Ká khabarbá? Heeru dug her knuckles into her cheeks and whimpered: Is it good or bad?

That's for you to decide. Listen…

No sooner had Deeti started to explain than she began to wish she'd chosen some other venue for this talk, some place where they could have dropped their ghungtas: with their faces covered, it was impossible to know what Heeru was thinking. But it was too late now, she would have to go through with it.

When the news of the proposal had been conveyed in full, she said: Ká ré, Heeru? What do you think: tell me?

Ká kahatbá bhauji? What can I say?

From the sound of her voice, Deeti knew she was crying, so she put an arm around her, pulling her into a huddle: Heeru, don't be afraid; you can say what you like.

Several minutes passed before Heeru could speak, and even then it was in a sobbing, disjointed rush: Bhauji… I hadn't thought, didn't expect… are you sure? Bhauji, they say in Mareech, a woman on her own will be torn apart… devoured… so many men and so few women… can you think what it would be like, Bhauji, to be alone there… Oh Bhauji… I never thought…

Deeti could not figure out where exactly this was heading. Ágé ke bát kal hoilé, she said sharply. You can talk about the future tomorrow. What's your answer for now?