There were some murmured assents.
"I said, 'Ready?'"
"Hoo yah!" The old SEAL battle cry seemed to draw the tired men together, to focus them. But God, Murdock thought, they're still operating at the ragged edge. Are they going to be ready in time?
He'd learned about Operation Sun Hammer only that morning, when he'd first seen the wall-sized blueprints and detailed scale models of the Yuduki Maru that the team would be using for their briefings. He was at once excited by the prospect, and scared. Was the platoon ready so soon after Cotter's death? Could it be made ready? He still didn't know.
The four men took their positions, careful to stay outside the possible fire zone through the door. Roselli was to the left of the door, with Higgins and the shotgun next to him and a step out from the wall. Brown and Garcia were to the right, squeezed up against the wall with Brown in the lead.
Room entries provided a special tactical challenge for a small assault team. Only one or, at the most, two men could go through a door at a time, and while they were in the doorway they were trapped in what was known as the "fatal funnel," where gunmen inside had a clear shot at them while they were still processing what their eyes and ears told them as they burst through the door. Their decisions had to be both immediate and correct. A misstep or a momentary hesitation could result in two men getting tangled up in the doorway or tripping over an unexpected piece of furniture. A bad call could get a hostage killed or give the bad guys time to open fire. Room entries were carefully choreographed, with different dances for different situations, and each was rehearsed time after time after time, until the decision-making and the movements were all automatic.
Murdock checked the men's positions, nodded, then said, "See you inside." Opening the plywood door, which was centered in the south wall of the structure, he stepped into the killing house.
The dummies had already been positioned by the range captains. Each was a fairly lifelike mannequin similar to those in a department store, though all showed signs of wear and tear and roughly patched bullet holes. The sitting figures slumped with the peculiar lifelessness of propped-up store dummies; the standing figures, suspended on thin wires from the rafters overhead, swayed a little with the air currents in the room. The lighting had been arranged so that it would be in the assault team's eyes, and it cast larger-than-life shadows against the bare, chipped walls.
A male mannequin in civilian clothes sat on a battered sofa directly opposite the door, his wrists handcuffed behind him. At his back, standing behind the sofa, was a female figure, also in civilian clothes and distinguishable as a terrorist only by the automatic pistol taped to her hand and resting inconspicuously on the sofa's back. To the right, near the northeast corner, were two standing figures, a woman in jeans and sweater, her hands fastened behind her back, and a man holding an AK-47 behind her, positioned in such a way that he was partly blocked by the hostage from the vantage point of someone coming through the door. A third terrorist, wearing army fatigues, hung from the ceiling in the southeast corner; and finally, by the west wall, a single uniformed male terrorist sat slumped behind a card table, an AK propped up next to him.
Murdock took a quick look around to make certain that everything was ready. As a final touch, he quietly picked up the low coffee table from its place in front of the sofa and positioned it carefully about two feet from the door. Then he took his place in the northwest corner well out of the line of fire, he hoped took out a stopwatch with one black-gloved hand, and switched on his radio.
"Okay, MacKenzie. Ready."
"Yes, sir. Blue Squad Stand ready... go!" Murdock hit the stopwatch timer button. Almost simultaneous with the word "go," he heard the deep-throated boom of Higgins's Remington shotgun, the snick-snack of a manually pumped round, and a second boom as thunderous as the first. The door's hinges, impacted by one-ounce slugs, disintegrated into bits of metal, loose screws, and splinters, and the door smashed back into the room an instant later. A small, black object the size and shape of a cardboard toilet-paper tube bounced across the floor, then gave off a loud crack, a simulation of the flash-bang grenade that would have stunned and blinded everyone in the room if it had been real.
The SEALs came through before the simulator's echoes in the small room had died. Roselli was first, "button-hooking," or rolling around the door frame to the right, toward the southwest corner; Brown was a split second behind him, button-hooking left as Garcia came through the center, vaulting both the coffee table and the wreckage of the door as lightly as any world-class gymnast. Gunfire crashed in tight groups of three, so quickly triggered they sounded like full-auto shots. The terrorist in the southeast corner jerked and spun on his wire, half of his head blown away by three fast shots from Brown; Garcia, far enough into the room to see past the female hostage, took down the man with the AK, while Brown pivoted into the southeast corner, aimed across the room, and put three rounds into the female terrorist behind the sofa. Roselli shot the terrorist behind the table, spun, and put three more rounds into the female terrorist an instant behind Brown's shots, blasting the mannequin's head to fragments and severed it from its wire. A piece of the mannequin's head, a clump of curly yellow hair still attached, bounced off Murdock's flak vest. Garcia leaped across the sofa, checking behind it for any nasty surprises a hidden terrorist, say then spun with his Beretta still extended rigidly in front of his body, shifting from corner to corner of the room. "Clear!" he yelled.
"Clear!"
"Clear!" Brown and Roselli chorused in almost perfect unison.
Higgins, crouched in the doorway behind the coffee table, his shotgun covering everyone in the room, joined in. "Clear!"
Murdock's thumb came down on the stopwatch button.
"Five-point-one-eight seconds," he said, reading the numerals off the watch. "That's still slow, people. Damned slow. We can do it in four and a half easy!"
Collectively, the SEALs sagged as they came down off their combat high. Thumbs dropped half-loaded magazines into gloved hands, and then slides were ratcheted back, expending chambered rounds that clinked on the concrete floor. MacKenzie and Ellsworth stepped into the room, squeezing past Higgins and the ruin of the door.
"Assessment," Murdock snapped. He walked over to where the female hostage was slowly turning on her wire. Her right shoulder had been neatly popped from its socket, and a bullet hole showed in her sweater. "Let's take a look at what went wrong. Garcia, I think you cut it a little close on this one. You killed the tango but you also crippled his hostage."
"I was a little rushed, Lieutenant. I was a bit off balance after jumping that fucking table, and I triggered while I was still bringing my aim up."
"I also noticed you turn away from Tilly the Terrorist over there behind the couch. Didn't you see her?"
"I saw her, Sir," Boomer said. "But I thought the guy with the AK, coming in behind the girl, was the bigger threat. His gun was up, Tilly's was down. Besides, she had a hand gun while he had an assault rifle."
"She was also right next to a hostage and she was the last one to die. How could you have taken her down faster?"
The analysis went on for several more seconds before it was interrupted by a sharp, steady beeping. Murdock reached down to his harness and thumbed off the pager. "Excuse me, people. Duty calls. Master Chief, walk them through again, will you?"
"Aye, aye, sir."
Making his way out of the killing house, Murdock walked across the barren dirt outside to a small command center, where a telephone had been set up. Punching in a number, he held the receiver to his ear. "Murdock."