He spoke quickly, and in French. “No, I’m a policeman. Inspector Rutledge from London. I’m taking part in the search for the missing Mowbray children.”
She smiled a little, hearing his French, unexpected in a deserted lane in the middle of Dorset, then she caught what he was saying. “Ah. The children. It is very sad, is it not? I hope they will be found alive. But one wonders, as the time goes by. I have no children—” She stopped, then went on wryly, “—it is something one feels, I think, about children, whether one is a parent or not.”
The smile, even as brief as it was, had been like sunlight over the sea. What in God’s name had brought such a creature as this to England? Rutledge glanced at her hands on the wheel and saw a wedding band. That explained it then. A man …
“Yes.” He moved slightly, away from her car.
She took that as a signal that the conversation was finished, although he’d meant it in another sense. “Then I shall leave you to your search. I wish you success with it—and living children at the end of it.”
The motorcar moved off, and as he watched her drive on, he cursed himself for being a tongue-tied fool. He hadn’t even asked her name, or where she lived. And what had brought her here, to this stretch of road connected with a murder investigation. If she knew of any place the police had not thought to search—
“She’s a stranger here hersel’,” Hamish reminded him. “She’d no’ be likely to ken what the police have na’ thought of.”
Which was true. He couldn’t hear her engine in the distance now. She was gone.
Rutledge started his car again and got in.
“And a woman like yon is naught but trouble!” Hamish added for good measure. “Leave her out o’ this business.”
Rutledge laughed. But he could still see the softness of her skin, warm with the sunny day, and the dark tendril of hair that swept across her cheek like a caress. Why was it that French women had a knack for disturbing a man, whether they were beautiful or not? Whatever it was, most of them were born with it, and he didn’t need to understand it to recognize it.
In a ramshackle barn, swaybacked with age and a roof half fallen in, he was startled by a small hawk he’d disturbed. She came sailing down toward him, defending her fledglings, and swooped near enough for him to hear the soft whish of her wing feathers on the still air. And then she was back in the beams again, well hidden. He could feel her eyes watching him. Nothing here, only prints of the heavy nailed boots of searchers.
He hadn’t expected to find anything. The effort had been made in the name of thoroughness. A policeman needed patience. And hope?
At the outskirts of Charlbury, which straggled in Saxon style along the road like beads on a string, he paused long enough to get his bearings.
It was no more than a village, houses facing each other across the high road and, at the far end, a stone church. There was a long narrow green, with its pond and white geese sailing above their reflections like frigates in the sun, an inn, some half-dozen shops, and on a slope behind an outlying farm, a round building with a thatched roof, gleaming whitely. It looked as if it had been stranded there, with no connection to Charlbury except perhaps fate.
Most of the houses were small, but between the common and the church they were larger and better kept. He thought it likely that the well-to-do farmers lived there. The grandest of the lot, with a slate roof and a sizable wing on its westerly side, was set well back from the street and boasted a fine garden behind a low, gated stone wall. There was little activity in Charlbury, as if people were working in their back gardens or on the farms that spread out around the outskirts. One shopkeeper was washing his windows, and farther along a small boy squatted by a bench, teasing a cat with a string. It played with the end desultorily as if preferring to doze peacefully in the sun. The boy gave up as Rutledge watched, and turned to run toward the pond. As he did, he cannoned into a man coming out of the small bakery, who bent double from the force of impact and swore feelingly at the child. The words carried in the warm air.
They didn’t appear to have much effect. The boy was soon throwing sticks at the geese on the pond. A woman coming out of another shop, a basket over her arm, called to him, and he came reluctantly to walk beside her, his shrill voice bouncing off the water as he wanted to know why. The town brat, Rutledge thought, amused.
Then he noticed that the man the boy had run into was still leaning against the baker’s wall, as if in pain. Finally the man straightened gingerly and moved on. From the blacksmith’s shop came a sudden gust of black smoke as the bellows were worked. Somewhere Rutledge could hear cattle lowing.
His first stop was at the small, thatched stone house, marked by a sign, where the Charlbury constable lived. But there was no answer to his knock. Rutledge took out his watch and looked at the time. The man must be making rounds, then.
He drove back to the inn and got out, leaving the motorcar in the yard beside it. The inn was old, stone built, with a tidy thatched roof that overhung the dormers like a thick rug. It was comfortably situated where the street began a gentle curve to the common, and there was a small garden in front, in the middle of which rose a wooden post, covered for half its length by a profusely flowering vine. Hanging above that, incongruously, the sign portrayed a distinguished, graying man in frock coat and Edwardian whiskers, one arm raised as if giving a speech, THE WYATT ARMS was scrolled in gold above his head.
Wyatt? The name was familiar, but Rutledge couldn’t place it immediately.
Two farmers were coming out of the bar and held the door for him, nodding in countryman’s fashion as he passed. Inside the room was dark paneled oak, and Rutledge nearly stumbled over a chair before his eyes adjusted to the stygian atmosphere. Then he saw another doorway and went down a narrow passage into a room that looked out over a neatly kept garden with several tables set up beneath a striped awning. They were presently filled with women listening to a thin, elderly speaker reading from a sheet of paper.
He stopped.
“The ladies find it more to their liking than the parlor, on fair days,” a voice said out of the dimness, and a strong man in a white apron came in after him, gesturing to the garden. “That’s the Women’s Institute meeting. The ladies take their tea out there often, on a fine afternoon. What can I do for you, sir?”
A graceful but heavyset woman with dark hair and an unusual white streak that ran from her temple to the bun at the nape of her neck interrupted the speaker with a question. The speaker deferred to her, then went on.
Rutledge said, turning away from the windows, “Time for a pint, I think. Will you join me?”
The bar and the snug were empty, and the landlord said affably, “Don’t mind if I do. Thank you, sir.”
Rutledge sat at the heavy wooden bar—as black as the walls and the beams that supported them—on a stool worn shiny by generations of trousers sliding across the wood. The landlord lighted a lamp to one side of the mirror, and it gave a sense of reclamation to the room. The brass appointments gleamed like gold.
“Passing through?” the innkeeper asked as he pulled a pint and set it on the bar in front of Rutledge.
“I’m staying at Singleton Magna,” Rutledge said, sidestepping the question. “Yesterday and this morning I’ve been taking in the countryside.”
“Any word on the murders over there?” As if Singleton Magna were across the Channel, somewhere in the neighborhood of Paris, and news was hard to come by. “Sorry business,” he added, echoing the words of the woman at the Swan. He pulled a second pint and drank deeply, appreciatively, as if he enjoyed his own wares.