She nodded. “That’s how it happens. He seems completely lost to his surroundings. It isn’t wine, it isn’t a drug. By this time surely I’d know if it was those things!”
Rutledge said only, “No. He hadn’t been drinking, and his eyes were blank, but the pupils were normal. As far as I could tell he wasn’t sleepwalking either.” He paused, then added, “Mrs. Wyatt. That man is under intense stress. Do you see that? Have you spoken to a physician?”
She smiled wryly. “What can I say to a man of medicine? How could I persuade Simon to believe he needed to see such a one? If I say he suddenly loses awareness of where he is and what is happening around him, they will say oh, he is in excellent health, I assure you. Perhaps with so much on his mind, he is forgetful—”
She broke off as Elizabeth Napier came out of the house, walking toward them with swift, intent strides. “He’s home, he’s perfectly fine, Aurore! Whatever was all this alarm about? Oh, good evening, Inspector. Did she summon you as well, in her distress? How silly! All for naught.”
Aurore said nothing, as if Elizabeth’s words had put a seal on what she had just been telling him. Rutledge said, “I was driving down the Charlbury road and happened to see Mr. Wyatt there. I gave him a lift.”
“Ah! His father often took walks after his dinner. He said it cleared his head wonderfully. It’s not surprising Simon feels the same way just now, with the opening so near.” It was meant to be reassuring but managed to point out at the same time that Aurore wasn’t a part of the Wyatt legend, couldn’t be expected to know such things, wouldn’t remember—as Elizabeth did—what ran in the family. “Well, it’s late. I must go to the inn and to bed myself. Did Inspector Hildebrand tell you? I’m staying in Charlbury for the next week. Will you see me safely to my door, Inspector?”
“With pleasure.” He turned to Aurore. “I’d like to speak to you—”
But she shook her head. “As Miss Napier says, it is late and I am tired. Whatever you wish to tell me or to ask me, please, tomorrow will be soon enough.”
Upstairs a light went out. Seeing it, Rutledge wondered if Simon Wyatt was sleeping in his own bed—or making his way down to that cramped room in the back of the museum. Elizabeth Napier took his arm and said good night to Aurore, then let Rutledge lead her to the gate, closing it after them.
Aurore stood where she was, on the front walk. Light from the house windows framed her hair like an aureole but shadowed her face. He wondered what she was thinking and found himself distracted by Elizabeth Napier’s comments.
“I shouldn’t have said what I did! It’s just that I’ve known Simon for so long I feel exasperated sometimes when Aurore fails to understand him. And that’s my own failure, really, not hers. I’d worry about my husband too, in her place; the strain of this museum opening is telling on both of them!”
He wondered suddenly if she was rattling on because she knew more than she wanted him to see. Then he decided it was merely a matter of covering her tracks. They walked down the quiet street, nodding to several men passing by but to all intents and purposes they were quite alone.
“Do you think so?”
“Yes, there’s a distance between them, you can feel it. I think—I’m afraid she feels that this museum may come between them. But it won’t,” Elizabeth said positively, taking his arm as they crossed the dark street. “No, he’s doing this because he felt he owed something to the maternal side of his family. It’s an obligation he strongly believes in. I think the war made him realize that. Once it’s done, once he’s finished organizing it, someone else will be given the day-by-day responsibility of running this museum, and I see Simon returning to the world he was bred to.”
“London. And politics,” Rutledge offered. Wondering if Margaret Tarlton had been sent here to take over the museum once its purpose had been served, allowing Simon Wyatt his freedom. And keeping Margaret out of London and Thomas Napier’s eye.
“Of course. I don’t believe Aurore appreciates how strongly the tradition is in this family. To serve, to lead. To set an example for others. I know Simon far better than she does. I should do, I’ve known him most of his life!”
“Have you told Aurore—Mrs. Wyatt—what you believe his future may hold?”
“Good heavens, no! That’s for Simon to do when the time comes.”
“What do you think happened tonight?” They had nearly reached the Wyatt Arms.
“Nothing. A lover’s quarrel, most likely, and Simon went out to walk it off. And it upset Aurore when he didn’t come back. She must be a very possessive woman. Well, politics will soon teach her that that isn’t wise!”
“It wasn’t a misunderstanding with you—over his future—that Wyatt wanted to think about? Away from the house.”
Elizabeth Napier pulled her hand from his arm and turned to stare up at him. “Whatever gave you that idea! Don’t tell me Aurore felt—or was it something Simon said, as you brought him home?”
“This has nothing to do with Aurore Wyatt,” he said, opening the inn door and holding it for her. From the bar he could hear voices, Denton’s rising to answer someone, and then laughter, the chink of glasses and the smell of beer and smoke and sausages. “Nor with anything Wyatt said to me. I’m asking you for your observations of his mood. Since you know him so well.”
She cocked her head to one side, her eyes on the sign swinging blackly against the stars above them. “Do you really want to hear what I believe? Or does Aurore have you so completely under her spell that you can’t view any of this objectively?”
“She doesn’t—” he began, irritated, but Elizabeth cut him short.
“Don’t be silly,” she said for a second time. “Aurore Wyatt is a very attractive—and very lonely—woman. Men find that an irresistible combination. It isn’t surprising. All right, I think she wants to keep him here, bucolic and safe. She may even have been the one who first put the museum idea into his head. I don’t know and I don’t actually care. The fact remains, you don’t understand what pressures she brings to bear in that household. You take her at face value, this lovely, foreign, exotic woman. You don’t sit across from her at the breakfast table, nor do you have to live with her every day. Simon does. Ask yourself what she’s truly like, and you may have some glimmer of what Simon’s life is like. Don’t misunderstand me, I’m not speaking as the jilted woman here, I’m telling you what my observations are—today—now. If I wanted to compete with Aurore Wyatt for her husband, I’d hardly be likely to drive him to wander about the countryside in the dark, to escape me. Would I? There are a thousand more subtle ways of destroying his marriage and bringing him back to me. The question is, then, do I really need to scheme for him if his own wife has already estranged herself from him? Good night, Inspector!”
And with that she turned, walked into the inn, and, without looking back, went up the stairs with that regal manner that had so impressed everyone at the Swan in Singleton Magna.
As his eyes followed her, Rutledge became aware of movement at the corner table under the stairs. A very sober Shaw was looking at him with a grin on his face.
“Yes, I heard all that. Women are bitches,” he said softly, “however well bred they may be and however blue their bloodlines are. Come in, and have a drink with me, before my uncle calls time. You look as if you could use one!”