He walked to the museum wing and knocked on the door. When no one answered, in the end Rutledge opened it and walked inside.
He looked carefully through all the rooms. But it was to no purpose.
Simon Wyatt was in none of them, though the door from that wing into the main house was locked.
25
Rutledge stood in the middle of the front room of the museum, mocked by the shadowed masks on the wall and the dancing shades of small gods with their strange faces and contorted bodies.
Hamish too was mocking him, reminding him that Hildebrand was ahead of him, that he’d been dragging his feet, that the arrest made tomorrow was one he could—should—have made before this. Only he hadn’t been able to bring himself to it. “You’re faltering, you’re no’ the man you think you are!”
He couldn’t think, he couldn’t bring all the pieces together. Like the gods on the shelves, he was twisting and turning—going nowhere.
But what was the connection—damn it, where was it? What had he missed?
He walked out of the museum and closed the door behind him.
And where was Simon Wyatt?
He went out of the gate and stood looking around him, making sure that Shaw wasn’t loitering in the shadows, waiting for another chance to confront the Wyatts. Which was why he saw the movement among the trees by the church.
He walked that way, taking his time, certain that it was Simon, blacked out again by whatever stress it was that drove him to wander in the night.
His wife’s guilt? Was that what had taken Simon back to the war, where death was imminent and wiped out pain, memory, thought—
He reached the trees, where the shadows were deeper, where only the pale reflection of clothing showed that someone waited. Rutledge hesitated, unwilling to startle Simon, unwilling to give away his own presence if it was someone else.
He walked on, softly, battle trained, but the voice that came to him out of the darkness was not Simon’s, nor was it Shaw’s.
Aurore said, “I hoped you would come. I couldn’t say this in the house, not with Elizabeth there. I couldn’t do that to Simon. I won’t shame him again!”
He could see her now, the light-colored sweater she’d thrown over her dark dress was a luminous mantle about her shoulders. Her face was even paler, a white oval with dark hollows for eyes. As he came nearer, he could sketch in the details of eyebrows, lips, the curve of her hair, the line of her cheekbone. He could smell her scent, faint and warm, like her breathing.
“Where is your husband? Do you know?”
“He’s in the museum. He has locked me out. He’s taking it very hard, the things Hildebrand has said to him. He thinks he will see me arrested tomorrow.”
“Yes. I know. But Hildebrand hasn’t told anyone else.”
“The story is everywhere, Constable Truit has seen to that. I sent Edith to stay with Mrs. Darley. I didn’t want her to be dragged into our scandal.”
He was on the point of telling her that Simon was missing again, but before he could speak, she had moved closer to him, her hands outstretched, and for an instant he thought she was going to touch him, take his hands in hers or rest her fingers on his forearms. Instead something hard, uneven, brushed against the cloth of his coat. Instinctively he reached out to take it, and his fingers closed over smooth, woven straw. Confused, he ran his left hand over it and realized with cold shock what it was.
A hat. A woman’s straw hat. He could see it more clearly now, the shape and texture, the upswept brim. Ribbons from the crown tangled around his fingers as he turned the hat first this way and then that.
“This is proof that I killed Margaret. It is the hat she was wearing when she left Charlbury. I have kept it, in case of need. The rest of her belongings I burned at the farm, with feathers from a plucked hen we’d eaten fow our dinner. Edith will tell you that it is the same hat that Margaret was wearing when she left, and no doubt Margaret’s maid will confirm that it is hers.” She was silent for a time, and he found himself unable to trust his voice to question her.
“You may arrest me, as you promised, and take me at once to London. I don’t want to see my husband shamed by Hildebrand walking in with all the people in Charlbury goggling, then taking me away with fanfare.”
“I don’t know that this is Margaret’s hat—” he began, and reached into his pocket for the small lighter that he’d carried in the war. With one smooth action he slipped the cap and the flint. The small flame seemed to flare like a blaze of orange light between them. He could see her eyes, large with surprise, the pupils dilated and then sharpening.
He tore his glance from her face and examined the hat. It was just as Edith had described it. If it wasn’t Margaret Tarlton’s hat, it was too damned near it for comfort. He could feel the ache in his throat as he examined it.
“I have a small case there, under the trees. I am ready to leave,” she said, her voice steady. But her eyes were wells of uncertainty.
He capped the lighter again and slipped it into his pocket, Hamish clamoring in his ears. Over the deafening sound he said, “Aurore—”
“No! Don’t say anything more. We must go before Elizabeth or Simon comes out to find me. Please! It was our bargain, you can’t tell me you don’t remember! You, of all people!”
“Aurore. Why did you kill Margaret Tarlton?”
“I shall tell you on our way to London. Pleaser!”
“I can’t do this. I don’t believe you. Whatever you are confessing to, it isn’t murder.” He turned the hat again in his hands, striving to ignore Hamish, striving to sound patient, untroubled, the policeman doing his duty.
But not to protect the innocent, only to find the guilty—
“You promised!” she said again, her voice husky with hurt.
He said, “Listen to me! I want to know where you found this hat and why you think it was Simon who killed Margaret.”
She gasped, and this time her fingers did grip his arm in the darkness. “It was I who killed Margaret. I hit her and hit her and hit her, until my shoulder was tired and I couldn’t lift the rock any more. I drove back to the farm and bathed the blood away, and I left my things in the room there, along with her things—I knew Jimson would never open my door! It was safe, no one comes there!”
Her words and her grip were tight, convincing, and he could feel her desperation, the need to make him believe.
Rutledge said, closing his mind to Hamish and to her pain, “All right. I believe you. But tell me, why did you have to kill Betty Cooper? What had that poor girl done to make you batter her into unconsciousness and then death?”
She moved convulsively, her hand on his arm showing him as clearly as if she stood in full daylight, what emotions were passing through her body.
“Ah, yes. I thought we might come to that as well. Betty was very pretty,” she said. “But that wasn’t the reason. Simon was sending her to London, to Elizabeth. I thought—I thought she would be used by Elizabeth to drive a wedge. As Margaret would have been, later. An excuse to call Simon and say ‘About Betty … I should like to know what you think about her wages—her behavior—her future.’ It was such a small excuse. But it was an excuse!”
When he said nothing, she went on in a low, trembling voice. “I am not the woman you think I am, Ian Rutledge. I cannot be endowed with virtues I never possessed. I’m French, I think differently, I feel differently. I am a murderess, and I have lied to you from the start.”