We gradually make our way to the vestibule, then to the sidewalk and the parking lot, under assault the entire way. I stop trying to match their faces to anything in Therese’s memories.
At our car, a group of teenagers take turns on me, the girls hugging me tight, the boys leaning into me with half hugs: shoulders together, pelvises apart. One of the girls, freckled, with soft red curls falling past her shoulders, hangs back for awhile, then abruptly clutches me and whispers into my ear, “I’m so glad you’re okay, Miss T.” Her tone is intense, like she’s passing a secret message.
A man moves through the crowd, arms open, smiling broadly. He’s in his late twenties or early thirties, his hair cut in a choppy gelled style that’s ten years too young for him. He’s wearing pressed khakis, a blue Oxford rolled up at the forearms, a checked tie loosened at the throat.
He smothers me in a hug, his cologne like another set of arms. He’s easy to find in Therese’s memories: This is Jared, the Youth Pastor. He was the most spiritually vibrant person Therese knew, and the object of her crush.
“It’s so good to have you back, Therese,” he says. His cheek is pressed to mine. “We’ve missed you.”
A few months before her overdose, the youth group was coming back from a weekend-long retreat in the church’s converted school bus. Late into the trip, near midnight, Jared sat next to her, and she fell asleep leaning against him, inhaling that same cologne.
“I bet you have,” I say. “Watch the hands, Jared.”
His smile doesn’t waver, his hands are still on my shoulders. “I’m sorry?”
“Oh please, you heard me.”
He drops his hands, and looks questioningly at my father. He can do sincerity pretty well. “I don’t understand, Therese, but if-”
I give him a look that makes him back up a step. At some point later in the trip Therese awoke with Jared still next to her, slumped in the seat, eyes closed and mouth open. His arm was resting between her thighs, a thumb against her knee. She was wearing shorts, and his flesh on hers was hot. His forearm was inches from her warm crotch.
Therese believed that he was asleep.
She believed, too, that it was the rumbling of the school bus that shifted Jared’s arm into contact with the crease of her shorts. Therese froze, flushed with arousal and embarrassment.
“Try to work it out, Jared.” I get in the car.
The big question I can help answer, Dr. S said, is why there is consciousness. Or, going back to my favorite metaphor, if the Parliament is making all the decisions, why have a Queen at all?
He’s got theories, of course. He thinks the Queen is all about storytelling. The brain needs a story that gives all these decisions a sense of purpose, a sense of continuity, so it can remember them and use them in future decisions. The brain can’t keep track of the trillions of possible other decisions it could have made every moment; it needs one decision, and it needs a who, and a why. The brain lays down the memories, and the consciousness stamps them with identity: I did this, I did that. Those memories become the official record, the precedents that the Parliament uses to help make future decisions.
“The Queen, you see, is a figurehead,” Dr. S said. “She represents the kingdom, but she isn’t the kingdom itself, or even in control of it.”
“I don’t feel like a figurehead,” I said.
Dr. S laughed. “Me neither. Nobody does.”
Dr. Mehldau’s therapy involves occasional joint sessions with Alice and Mitch, reading aloud from Therese’s old diaries, and home movies. Today’s video features a pre-teen Therese dressed in sheets, surrounded by kids in bathrobes, staring fixedly at a doll in a manger.
Dr. Mehldau asks me what Therese was thinking then. Was she enjoying playing Mary? Did she like being on stage?
“How would I know?”
“Then imagine it. What do you think Therese is thinking here?”
She tells me to do that a lot. Imagine what she’s thinking. Just pretend. Put yourself in her shoes. In her book she calls this “reclaiming.” She makes up a lot of her own terms, then defines them however she wants, without research to back her up. Compared to the neurology texts Dr. S lent me, Dr. Mehldau’s little book is an Archie comic with footnotes.
“You know what, Therese was a good Christian girl, so she probably loved it.”
“Are you sure?”
The wise men come on stage, three younger boys. They plop down their gifts and their lines, and the look on Therese’s face is wary. Her line is coming up.
Therese was petrified of screwing up. Everybody would be staring at her. I can almost see the congregation in the dark behind the lights. Alice and Mitch are out there, and they’re waiting for every line. My chest tightens, and I realize I’m holding my breath.
Dr. Mehldau’s eyes on mine are studiously neutral.
“You know what?” I have no idea what I’m going to say next. I’m stalling for time. I shift my weight in the big beige chair and move a leg underneath me. “The thing I like about Buddhism is Buddhists understand that they’ve been screwed by a whole string of previous selves. I had nothing to do with the decisions Therese made, the good or bad karma she’d acquired.”
This is a riff I’ve been thinking about in Therese’s big girly bedroom. “See, Therese was a Christian, so she probably thought by overdosing that she’d be born again, all her sins forgiven. It’s the perfect drug for her: suicide without the corpse.”
“Was she thinking about suicide that night?”
“I don’t know. I could spend a couple weeks mining through Therese’s memories, but frankly, I’m not interested. Whatever she was thinking, she wasn’t born again. I’m here, and I’m still saddled with her baggage. I am Therese’s donkey. I’m a karma donkey.”
Dr. Mehldau nods. “Dr. Subramaniam is Buddhist, isn’t he?”
“Yeah, but what’s. . . ?” It clicks. I roll my eyes. Dr. S and I talked about transference, and I know that my crush on him was par for the course. And it’s true that I spend a lot of time-still-thinking about fucking the man. But that doesn’t mean I’m wrong. “This is not about that,” I say. “I’ve been thinking about this on my own.”
She doesn’t fight me on that. “Wouldn’t a Buddhist say that you and Therese share the same soul? Self’s an illusion. So there’s no rider in charge, no donkey. There’s just you.”
“Just forget it,” I say.
“Let’s follow this, Terry. Don’t you feel you have a responsibility to your old self ? Your old self’s parents, your old friends? Maybe there’s karma you owe.”
“And who are you responsible to, Doctor? Who’s your patient? Therese, or me?”
She says nothing for a moment, then: “I’m responsible to you.”
You.
You swallow, surprised that the pills taste like cinnamon. The effect of the drug is intermittent at first. You realize that you’re in the back seat of a car, the cellphone in your hand, your friends laughing around you. You’re talking to your mother. If you concentrate, you can remember answering the phone, and telling her which friend’s house you’re staying at tonight. Before you can say goodbye, you’re stepping out of the car. The car is parked, your phone is away-and you remember saying goodnight to your mother and riding for a half hour before finding this parking garage. Joelly tosses her red curls and tugs you toward the stairwelclass="underline" Come on, Miss T!
Then you look up and realize that you’re on the sidewalk outside an all-ages club, and you’re holding a ten dollar bill, ready to hand it to the bouncer. The music thunders every time the door swings open. You turn to Joelly and-
You’re in someone else’s car. On the Interstate. The driver is a boy you met hours ago, his name is Rush but you haven’t asked if that’s his first name or his last. In the club you leaned into each other and talked loud over the music about parents and food and the difference between the taste of a fresh cigarette in your mouth and the smell of stale smoke. But then you realize that there’s a cigarette in your mouth, you took it from Rush’s pack yourself, and you don’t like cigarettes. Do you like it now? You don’t know. Should you take it out, or keep smoking? You scour your memories, but can discover no reason why you decided to light the cigarette, no reason why you got into the car with this boy. You start to tell yourself a story: he must be a trustworthy person, or you wouldn’t have gotten into the car. You took that one cigarette because the boy’s feelings would have been hurt.